Science Fiction: Difference between revisions
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===Isaac Asimov=== | ===Isaac Asimov=== | ||
===Arthur C. Clarke=== | ===Arthur C. Clarke=== | ||
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| style="text-align: center;" |Childhood's End | | style="text-align: center;" |Childhood's End | ||
| style="text-align: center;" |Arthur C. Clarke | | style="text-align: center;" |Arthur C. Clarke | ||
| style="text-align: center;" |Story regarding the future of mankind after the advent of | | style="text-align: center;" |Story regarding the future of mankind after the advent of an alien race appears and offers them a golden era of prosperity. | ||
| style="text-align: center;" |256 | | style="text-align: center;" |256 | ||
|[[File:ChildhoodsEnd(1stEd).jpg|center|100px]] | |[[File:ChildhoodsEnd(1stEd).jpg|center|100px]] | ||
| Line 109: | Line 67: | ||
| style="text-align: center;" |Have Space Suit - Will Travel | | style="text-align: center;" |Have Space Suit - Will Travel | ||
| style="text-align: center;" |Robert Heinlein | | style="text-align: center;" |Robert Heinlein | ||
| | |boy wins space suit in a lottery, goes to space and has adventures. | ||
| style="text-align: center;" |256 | | style="text-align: center;" |256 | ||
|[[File:Have_spacesuit.jpg|center|100px]] | |[[File:Have_spacesuit.jpg|center|100px]] | ||
| Line 121: | Line 79: | ||
| style="text-align: center;" |The Moon is a Harsh Mistress | | style="text-align: center;" |The Moon is a Harsh Mistress | ||
| style="text-align: center;" |Robert Heinlein | | style="text-align: center;" |Robert Heinlein | ||
| | |The moon is a penal colony declaring independence from Earth, with a spontaneously self aware computer to help. Lots of philosophy of government, alternate social organism, alternate marriage arrangements. | ||
| style="text-align: center;" |384 | | style="text-align: center;" |384 | ||
|[[File:The_Moon_Is_A_Harsh_Mistress_(book).jpg|center|100px]] | |[[File:The_Moon_Is_A_Harsh_Mistress_(book).jpg|center|100px]] | ||
| Line 139: | Line 97: | ||
| style="text-align: center;" |Stranger in a Strange Land | | style="text-align: center;" |Stranger in a Strange Land | ||
| style="text-align: center;" |Robert Heinlein | | style="text-align: center;" |Robert Heinlein | ||
| | |Boy raised by Martians theoretically owns Mars, has strange powers due to his upbringing. Grok that. | ||
| style="text-align: center;" |528 | | style="text-align: center;" |528 | ||
|[[File:Stranger-in-a-strange-land2.jpg|center|100px]] | |[[File:Stranger-in-a-strange-land2.jpg|center|100px]] | ||
| Line 145: | Line 103: | ||
| style="text-align: center;" |Time for the Stars | | style="text-align: center;" |Time for the Stars | ||
| style="text-align: center;" |Robert Heinlein | | style="text-align: center;" |Robert Heinlein | ||
| | |sup light interstellar travel and consequences, plus mental telegraphy and other odd ideas. | ||
| style="text-align: center;" |256 | | style="text-align: center;" |256 | ||
|[[File:Time_for_the_stars.jpg|center|100px]] | |[[File:Time_for_the_stars.jpg|center|100px]] | ||
| Line 262: | Line 220: | ||
|- | |- | ||
| style="text-align: center;" |Dorsai! | | style="text-align: center;" |Dorsai! | ||
| style="text-align: center;" |Dickson, | | style="text-align: center;" |Dickson, Gordon R. | ||
| style="text-align: center;" | | | style="text-align: center;" | | ||
| style="text-align: center;" |288 | | style="text-align: center;" |288 | ||
| Line 275: | Line 233: | ||
| style="text-align: center;" |Mission of Gravity | | style="text-align: center;" |Mission of Gravity | ||
| style="text-align: center;" |Clement, Hal | | style="text-align: center;" |Clement, Hal | ||
| style="text-align: center;" | | | style="text-align: center;" |good hard science about being on the surface of a 300 gravity world. | ||
| style="text-align: center;" |203 | | style="text-align: center;" |203 | ||
| style="text-align: center;" |[[File:Mission_of_gravity.jpg|center|100px]] | | style="text-align: center;" |[[File:Mission_of_gravity.jpg|center|100px]] | ||
| Line 352: | Line 310: | ||
| style="text-align: center;" |A Fire Upon the Deep | | style="text-align: center;" |A Fire Upon the Deep | ||
| style="text-align: center;" |Vinge, Vernor | | style="text-align: center;" |Vinge, Vernor | ||
|Three tiers of galactic civilization face a common threat from a malicious, sentient super-AI. Hard to describe. Basically a must read | |Three tiers of galactic civilization face a common threat from a malicious, sentient super-AI. Hard to describe. Basically a must read. | ||
| style="text-align: center;" |624 | | style="text-align: center;" |624 | ||
|[[File:A_Fire_Upon_The_Deep.jpg|thumb|98px]] | |[[File:A_Fire_Upon_The_Deep.jpg|thumb|98px]] | ||
| Line 370: | Line 328: | ||
| style="text-align: center;" |Babel-17 | | style="text-align: center;" |Babel-17 | ||
| style="text-align: center;" |Delany, Samuel R. | | style="text-align: center;" |Delany, Samuel R. | ||
| | |language determines the thoughts and ideas that can be conveyed efficiently. | ||
| style="text-align: center;" |158 | | style="text-align: center;" |158 | ||
|[[File:Babel-17.jpg|thumb|98px]] | |[[File:Babel-17.jpg|thumb|98px]] | ||
| Line 388: | Line 346: | ||
| style="text-align: center;" |Bill, the Galactic Hero | | style="text-align: center;" |Bill, the Galactic Hero | ||
| style="text-align: center;" |Harrison, Harry | | style="text-align: center;" |Harrison, Harry | ||
|Anti-War Military Satire | |Anti-War Military Satire and the cafeteria tray problem. | ||
| style="text-align: center;" |208 | | style="text-align: center;" |208 | ||
|[[File:Bill_The_Galactic_Hero.jpg|thumb|98px]] | |[[File:Bill_The_Galactic_Hero.jpg|thumb|98px]] | ||
| Line 436: | Line 394: | ||
| style="text-align: center;" |Downbelow Station | | style="text-align: center;" |Downbelow Station | ||
| style="text-align: center;" |Cherryh, C.J. | | style="text-align: center;" |Cherryh, C.J. | ||
| | |the Alliance/Union space and a station with resource problems on its associated planet, Downbelow, and its inhabetants. | ||
| style="text-align: center;" |352 | | style="text-align: center;" |352 | ||
|[[File:Downbelow_Station.jpg|thumb|98px]] | |[[File:Downbelow_Station.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |Dune | | style="text-align: center;" |Dune | ||
| style="text-align: center;" | | | style="text-align: center;" |Herbert, Frank | ||
|Fueding families fight over a precious resource that is only avaliable on a single planet. This resource, spice, is essential to galactic civilisation. Spice must flow. Classic. | |Fueding families fight over a precious resource that is only avaliable on a single planet. This resource, spice, is essential to galactic civilisation. Spice must flow. Classic. | ||
| style="text-align: center;" |544 | | style="text-align: center;" |544 | ||
| Line 556: | Line 514: | ||
| style="text-align: center;" |Lord of Light | | style="text-align: center;" |Lord of Light | ||
| style="text-align: center;" |Zelazny, Roger | | style="text-align: center;" |Zelazny, Roger | ||
| | |A starship breaks down and the on board in stasis passengers are decanted on to the planet below. The crew contends with the planet inhabitants to allow the humans to prevail then sets up Karma machines to control longevity, becoming a pantheon of god like powerful very old humans. | ||
Sam starts the revolution. | |||
| style="text-align: center;" |304 | | style="text-align: center;" |304 | ||
|[[File:Lord_Of_Light.jpg|thumb|98px]] | |[[File:Lord_Of_Light.jpg|thumb|98px]] | ||
| Line 568: | Line 528: | ||
| style="text-align: center;" |Man Plus | | style="text-align: center;" |Man Plus | ||
| style="text-align: center;" |Pohl, Frederik | | style="text-align: center;" |Pohl, Frederik | ||
|Superhuman project for | |Superhuman project for Mars colonisation. | ||
| style="text-align: center;" |320 | | style="text-align: center;" |320 | ||
|[[File:Man_Plus.jpg|thumb|98px]] | |[[File:Man_Plus.jpg|thumb|98px]] | ||
| Line 598: | Line 558: | ||
| style="text-align: center;" |Old Man's War | | style="text-align: center;" |Old Man's War | ||
| style="text-align: center;" |Scalzi, John | | style="text-align: center;" |Scalzi, John | ||
| | |Earth is a backwater and the only way off is a one-way ticket off-planet with the Colonial Defense Force- the catch is they only take retirement age geezers to serve. The main character, John Perry, takes that deal and faces the consequences. | ||
| style="text-align: center;" |320 | | style="text-align: center;" |320 | ||
|[[File:Old_Man's_War.jpg|thumb|98px]] | |[[File:Old_Man's_War.jpg|thumb|98px]] | ||
| Line 627: | Line 587: | ||
|- | |- | ||
| style="text-align: center;" |Revelation Space | | style="text-align: center;" |Revelation Space | ||
| style="text-align: center;" |Reynolds, | | style="text-align: center;" |Reynolds, Alastair | ||
| | | | ||
| style="text-align: center;" |576 | | style="text-align: center;" |576 | ||
| Line 640: | Line 600: | ||
| style="text-align: center;" |Rite of Passage | | style="text-align: center;" |Rite of Passage | ||
| style="text-align: center;" |Panshin, Alexei | | style="text-align: center;" |Panshin, Alexei | ||
| | |Coming of age on a generational starship. A young girl finds out what her real ambition is. A great read. | ||
| style="text-align: center;" |260 | | style="text-align: center;" |260 | ||
|[[File:Rite_Of_Passage.jpg|thumb|98px]] | |[[File:Rite_Of_Passage.jpg|thumb|98px]] | ||
| Line 748: | Line 708: | ||
==Cyberpunk== | ==Cyberpunk== | ||
{| border="1" cellpadding="1" cellspacing="1" | {| class="fandom-table" border="1" cellpadding="1" cellspacing="1" | ||
! scope="col" |Title | ! scope="col" |Title | ||
! scope="col" |Author | ! scope="col" |Author | ||
! scope="col" |Description | ! scope="col" |Description | ||
! | |||
! scope="col" |Book Cover | ! scope="col" |Book Cover | ||
|- | |- | ||
| Line 757: | Line 718: | ||
| style="text-align: center;" |Charles Stross | | style="text-align: center;" |Charles Stross | ||
| | | | ||
|448 | |||
|[[File:Accelerando.jpg|thumb|98px]] | |[[File:Accelerando.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 762: | Line 724: | ||
| style="text-align: center;" |Richard K. Morgan | | style="text-align: center;" |Richard K. Morgan | ||
|Planets are colonized and people's minds are digital. Intelligent soldier-turned-criminal is bailed out of mental prison and sent to Earth to investigate a murder. Of course, there are those who don't like him investigating. | |Planets are colonized and people's minds are digital. Intelligent soldier-turned-criminal is bailed out of mental prison and sent to Earth to investigate a murder. Of course, there are those who don't like him investigating. | ||
|544 | |||
|[[File:Altered_Carbon.jpg|thumb|98px]] | |[[File:Altered_Carbon.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 767: | Line 730: | ||
| style="text-align: center;" |Neal Stephenson | | style="text-align: center;" |Neal Stephenson | ||
| | | | ||
|512 | |||
|[[File:The_Diamond_Age.jpg|thumb|98px]] | |[[File:The_Diamond_Age.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |Do Androids Dream of Electric Sheep | | style="text-align: center;" |Do Androids Dream of Electric Sheep | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | |the book Blade Runner was made from. | ||
|208 | |||
|[[File:Do_Androids_Dream_Of_Electric_Sheep.png|thumb|98px]] | |[[File:Do_Androids_Dream_Of_Electric_Sheep.png|thumb|98px]] | ||
|- | |- | ||
| Line 777: | Line 742: | ||
| style="text-align: center;" |Bruce Sterling | | style="text-align: center;" |Bruce Sterling | ||
| | | | ||
|448 | |||
|[[File:Islands_In_The_Net.jpg|thumb|98px]] | |[[File:Islands_In_The_Net.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |Neuromancer | | style="text-align: center;" |Neuromancer | ||
| style="text-align: center;" |William Gibson | | style="text-align: center;" |William Gibson | ||
| | |The beginning of cyberpunk, the invention of the words cyberspace, an many of the memes of the Internet, plus AI and some of the consequences of an insane AI. | ||
|320 | |||
|[[File:Neuromancer.jpg|thumb|98px]] | |[[File:Neuromancer.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 787: | Line 754: | ||
| style="text-align: center;" |Greg Egan | | style="text-align: center;" |Greg Egan | ||
| | | | ||
|384 | |||
|[[File:Permutation_City.jpg|thumb|98px]] | |[[File:Permutation_City.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 792: | Line 760: | ||
| style="vertical-align: top;" |John Brunner | | style="vertical-align: top;" |John Brunner | ||
| style="vertical-align: top;" | | | style="vertical-align: top;" | | ||
|320 | |||
| style="vertical-align: top;" |[[File:The_Shockwave_Rider.jpg|thumb|98px]] | | style="vertical-align: top;" |[[File:The_Shockwave_Rider.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 797: | Line 766: | ||
| style="text-align: center;" |Neal Stephenson | | style="text-align: center;" |Neal Stephenson | ||
| | | | ||
|448 | |||
|[[File:Snow_Crash.jpg|thumb|98px]] | |[[File:Snow_Crash.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 802: | Line 772: | ||
| style="text-align: center;" |Rudy Rucker | | style="text-align: center;" |Rudy Rucker | ||
| | | | ||
|167 | |||
|[[File:Software.jpg|thumb|98px]] | |[[File:Software.jpg|thumb|98px]] | ||
|} | |} | ||
| Line 808: | Line 779: | ||
{| border="1" cellpadding="1" cellspacing="1" | {| class="fandom-table" border="1" cellpadding="1" cellspacing="1" | ||
! scope="col" |Title | ! scope="col" |Title | ||
! scope="col" |Author | ! scope="col" |Author | ||
! scope="col" | | ! scope="col" | | ||
Description | Description | ||
! | |||
! scope="col" |Book Cover | ! scope="col" |Book Cover | ||
|- | |- | ||
| Line 819: | Line 791: | ||
| | | | ||
Humanity fucks itself with nukes and decides that knowledge is evil. Order of Catholic monks decides to preserve knowledge until humanity unfucks itself. Contains three shorter stories. One taking place in Dark Ages II, Renaissance II and the build up to WWIV. Also Latin. | Humanity fucks itself with nukes and decides that knowledge is evil. Order of Catholic monks decides to preserve knowledge until humanity unfucks itself. Contains three shorter stories. One taking place in Dark Ages II, Renaissance II and the build up to WWIV. Also Latin. | ||
|334 | |||
|[[File:A_Canticle_For_Leibowitz.jpg|thumb|98px]] | |[[File:A_Canticle_For_Leibowitz.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 824: | Line 797: | ||
| style="text-align: center;" |Madeleine L'Engle | | style="text-align: center;" |Madeleine L'Engle | ||
| | | | ||
|288 | |||
|[[File:A_Wrinkle_In_Time.jpg|thumb|98px]] | |[[File:A_Wrinkle_In_Time.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |The Chrysalids | | style="text-align: center;" |The Chrysalids | ||
| style="text-align: center;" |John | | style="text-align: center;" |John Wyndham | ||
| | | | ||
|224 | |||
|[[File:The_Chrysalids.jpg|thumb|98px]] | |[[File:The_Chrysalids.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 834: | Line 809: | ||
| style="text-align: center;" |David Mitchell | | style="text-align: center;" |David Mitchell | ||
| | | | ||
|530 | |||
|[[File:Cloud_Atlas.jpg|thumb|98px]] | |[[File:Cloud_Atlas.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 839: | Line 815: | ||
| style="text-align: center;" |John Crowley | | style="text-align: center;" |John Crowley | ||
| | | | ||
|192 | |||
|[[File:The_Deep.jpg|thumb|98px]] | |[[File:The_Deep.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |Dies the Fire | | style="text-align: center;" |Dies the Fire | ||
| style="text-align: center;" |S.M. | | style="text-align: center;" |S.M. Stirling | ||
| | | | ||
|592 | |||
|[[File:Dies_The_Fire.jpg|thumb|98px]] | |[[File:Dies_The_Fire.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 849: | Line 827: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|272 | |||
|[[File:Dr_Bloodmoney.jpg|thumb|98px]] | |[[File:Dr_Bloodmoney.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 854: | Line 833: | ||
| style="text-align: center;" |Vonda M. McIntyre | | style="text-align: center;" |Vonda M. McIntyre | ||
| | | | ||
|288 | |||
|[[File:Dreamsnake.jpg|thumb|98px]] | |[[File:Dreamsnake.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 859: | Line 839: | ||
| style="text-align: center;" |Jack Vance | | style="text-align: center;" |Jack Vance | ||
| | | | ||
|157 | |||
|[[File:The_Dying_Earth.jpg|thumb|98px]] | |[[File:The_Dying_Earth.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 864: | Line 845: | ||
| style="text-align: center;" |George R. Stewart | | style="text-align: center;" |George R. Stewart | ||
| | | | ||
|320 | |||
|[[File:Earth_Abides.jpg|thumb|98px]] | |[[File:Earth_Abides.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |The Elfin Ship | | style="text-align: center;" |The Elfin Ship | ||
| style="text-align: center;" |James Blaylock | | style="text-align: center;" |James Blaylock | ||
| | |||
| | | | ||
|[[File:The_Elfin_Ship.jpg|thumb|98px]] | |[[File:The_Elfin_Ship.jpg|thumb|98px]] | ||
| Line 874: | Line 857: | ||
| style="text-align: center;" |Richard Matheson | | style="text-align: center;" |Richard Matheson | ||
| | | | ||
|160 | |||
|[[File:I_Am_Legend.jpg|thumb|98px]] | |[[File:I_Am_Legend.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |Lucifer's Hammer | | style="text-align: center;" |Lucifer's Hammer | ||
| style="text-align: center;" |Larry Niven & Jerry Pournelle | | style="text-align: center;" |Larry Niven & Jerry Pournelle | ||
| | |A comet strike, and its aftermath in California. | ||
|640 | |||
|[[File:Lucifer's_Hammer.jpg|thumb|98px]] | |[[File:Lucifer's_Hammer.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 884: | Line 869: | ||
| style="text-align: center;" |Carol Emshwiller | | style="text-align: center;" |Carol Emshwiller | ||
| | | | ||
|242 | |||
|[[File:The_Mount.jpg|thumb|98px]] | |[[File:The_Mount.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 889: | Line 875: | ||
| style="text-align: center;" |William Hope Hodgson | | style="text-align: center;" |William Hope Hodgson | ||
| | | | ||
|246 | |||
|[[File:The_Night_Land.jpg|thumb|98px]] | |[[File:The_Night_Land.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 894: | Line 881: | ||
| style="text-align: center;" |Pierre Boulle | | style="text-align: center;" |Pierre Boulle | ||
| | | | ||
|208 | |||
|[[File:The_Planet_Of_The_Apes.jpg|thumb|98px]] | |[[File:The_Planet_Of_The_Apes.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 899: | Line 887: | ||
| style="text-align: center;" |David Brin | | style="text-align: center;" |David Brin | ||
| | | | ||
|336 | |||
|[[File:The_Postman.jpg|thumb|98px]] | |[[File:The_Postman.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |Ravage | | style="text-align: center;" |Ravage | ||
| style="text-align: center;" | | | style="text-align: center;" |Iain Rob Wright | ||
| | | | ||
|24 | |||
|[[File:Ravage.jpg|thumb|98px]] | |[[File:Ravage.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 909: | Line 899: | ||
| style="text-align: center;" |Russell Hoban | | style="text-align: center;" |Russell Hoban | ||
| | | | ||
|272 | |||
|[[File:Riddley_Walker.jpg|thumb|98px]] | |[[File:Riddley_Walker.jpg|thumb|98px]] | ||
|- | |- | ||
| style="vertical-align: top; text-align: center;" |The Road | | style="vertical-align: top; text-align: center;" |The Road | ||
| style="vertical-align: top; text-align: center;" |Cormac McCarthy | | style="vertical-align: top; text-align: center;" |Cormac McCarthy | ||
| style="vertical-align: top;" | | | style="vertical-align: top;" |A man, foreseeing a freezing winter, and his son traverse a bleak landscape caused by an undescribed disaster. A good gift for your parent. | ||
|324 | |||
| style="vertical-align: top;" |[[File:The_Road.jpg|thumb|98px]] | | style="vertical-align: top;" |[[File:The_Road.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 919: | Line 911: | ||
| style="text-align: center;" |Gene Wolfe | | style="text-align: center;" |Gene Wolfe | ||
| | | | ||
|528 | |||
|[[File:Shadow_And_Claw.jpg|thumb|98px]] | |[[File:Shadow_And_Claw.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 924: | Line 917: | ||
| style="vertical-align: top;" |John Brunner | | style="vertical-align: top;" |John Brunner | ||
| style="vertical-align: top;" | | | style="vertical-align: top;" | | ||
|486 | |||
| style="vertical-align: top;" |[[File:The_Sheep_Look_Up.jpg|thumb|98px]] | | style="vertical-align: top;" |[[File:The_Sheep_Look_Up.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |The Tripods Trilogy | | style="text-align: center;" |The Tripods Trilogy | ||
| style="text-align: center;" | | | style="text-align: center;" |John Christopher | ||
| | | | ||
|486 | |||
|[[File:The_Tripods.jpeg|thumb|98px]] | |[[File:The_Tripods.jpeg|thumb|98px]] | ||
|} | |} | ||
| Line 935: | Line 930: | ||
{| border="1" cellpadding="1" cellspacing="1" | {| class="fandom-table" border="1" cellpadding="1" cellspacing="1" | ||
! scope="col" |Title | ! scope="col" |Title | ||
! scope="col" |Author | ! scope="col" |Author | ||
! scope="col" |Description | ! scope="col" |Description | ||
! | |||
! scope="col" |Book Cover | ! scope="col" |Book Cover | ||
|- | |- | ||
| Line 944: | Line 940: | ||
| style="text-align: center;" |George Orwell | | style="text-align: center;" |George Orwell | ||
|Where actions, words, and even thoughts are regulated by a small aristocracy, a man begins to rebel against the enforced social norms. Rather long but a classic dystopian novel. | |Where actions, words, and even thoughts are regulated by a small aristocracy, a man begins to rebel against the enforced social norms. Rather long but a classic dystopian novel. | ||
|336 | |||
|[[File:1984.jpg|thumb|98px]] | |[[File:1984.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 949: | Line 946: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|224 | |||
|[[File:A_Scanner_Darkly.jpg|thumb|98px]] | |[[File:A_Scanner_Darkly.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 954: | Line 952: | ||
| style="text-align: center;" |Aldous Huxley | | style="text-align: center;" |Aldous Huxley | ||
| | | | ||
|288 | |||
|[[File:Brave_New_World.jpg|thumb|98px]] | |[[File:Brave_New_World.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 959: | Line 958: | ||
| style="text-align: center;" |Ray Bradbury | | style="text-align: center;" |Ray Bradbury | ||
|Firemen don't put out fires anymore, they start them to burn books since all books are now illegal. A few shocking events begin to make a fireman question why he does what he does and why his society is like it is. | |Firemen don't put out fires anymore, they start them to burn books since all books are now illegal. A few shocking events begin to make a fireman question why he does what he does and why his society is like it is. | ||
|194 | |||
|[[File:Fahrenheit_451.jpg|thumb|98px]] | |[[File:Fahrenheit_451.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 964: | Line 964: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|256 | |||
|[[File:Flow_My_Tears,_The_Policeman_Said.jpg|thumb|98px]] | |[[File:Flow_My_Tears,_The_Policeman_Said.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 969: | Line 970: | ||
| style="text-align: center;" |Lois Lowry | | style="text-align: center;" |Lois Lowry | ||
| | | | ||
|226 | |||
|[[File:The_Giver.gif|thumb|98px]] | |[[File:The_Giver.gif|thumb|98px]] | ||
|- | |- | ||
| Line 974: | Line 976: | ||
| style="text-align: center;" |Margaret Atwood | | style="text-align: center;" |Margaret Atwood | ||
| | | | ||
|336 | |||
|[[File:The_Handmaids_Tale.jpg|thumb|98px]] | |[[File:The_Handmaids_Tale.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 979: | Line 982: | ||
| style="text-align: center;" |William F. Nolan & George Clayton Johnson | | style="text-align: center;" |William F. Nolan & George Clayton Johnson | ||
|A twenty-year-old, living in a future-Earth that calls for euthanasia of people at or over twenty-one, hunts down people who, instead, run. Then, when he turns twenty-one, he runs too. | |A twenty-year-old, living in a future-Earth that calls for euthanasia of people at or over twenty-one, hunts down people who, instead, run. Then, when he turns twenty-one, he runs too. | ||
|192 | |||
|[[File:Logan's_Run.jpg|thumb|98px]] | |[[File:Logan's_Run.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 984: | Line 988: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|256 | |||
|[[File:The_Man_in_the_High_Castle.jpg|thumb|98px]] | |[[File:The_Man_in_the_High_Castle.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 989: | Line 994: | ||
| style="text-align: center;" |John Brunner | | style="text-align: center;" |John Brunner | ||
| | | | ||
|672 | |||
|[[File:Stand_On_Zanzibar.jpg|thumb|98px]] | |[[File:Stand_On_Zanzibar.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 994: | Line 1,000: | ||
| style="text-align: center;" |Yevgeny Zamyatin | | style="text-align: center;" |Yevgeny Zamyatin | ||
| | | | ||
|272 | |||
|[[File:We.jpg|thumb|98px]] | |[[File:We.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 999: | Line 1,006: | ||
| style="text-align: center;" |Kate Wilhelm | | style="text-align: center;" |Kate Wilhelm | ||
| | | | ||
|256 | |||
|[[File:Where_Late_The_Sweet_Birds_Sang.jpg|thumb|98px]] | |[[File:Where_Late_The_Sweet_Birds_Sang.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 1,004: | Line 1,012: | ||
| style="text-align: center;" |Robert Silverberg | | style="text-align: center;" |Robert Silverberg | ||
| | | | ||
|233 | |||
|[[File:The_World_Inside.jpg|thumb|98px]] | |[[File:The_World_Inside.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 1,009: | Line 1,018: | ||
| style="text-align: center;" |Ira Levin | | style="text-align: center;" |Ira Levin | ||
| | | | ||
|352 | |||
|[[File:This_Perfect_Day.jpg|thumb|98px]] | |[[File:This_Perfect_Day.jpg|thumb|98px]] | ||
|} | |} | ||
Latest revision as of 13:33, 3 March 2024
This page is meant to cover the basics works and stellar pieces of science fiction literature. While the bulk of Science Fiction is trashy genre-work there are genuine masterpieces. The purpose of this article is to illustrate those masterpieces as best as possible. As always however, this list is imperfect and always growing. If there is anything missing please add to it.
The Big Three
Isaac Asimov
Arthur C. Clarke
Robert Heinlein
Early and Proto Science Fiction
Golden Age Science Fiction
Modern Science Fiction
Cyberpunk
Post Apocalyptic
Dystopian



























































































































































