Science Fiction: Difference between revisions
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===Isaac Asimov=== | ===Isaac Asimov=== | ||
===Arthur C. Clarke=== | ===Arthur C. Clarke=== | ||
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| style="text-align: center;" |Childhood's End | | style="text-align: center;" |Childhood's End | ||
| style="text-align: center;" |Arthur C. Clarke | | style="text-align: center;" |Arthur C. Clarke | ||
| style="text-align: center;" |Story regarding the future of mankind after the advent of | | style="text-align: center;" |Story regarding the future of mankind after the advent of an alien race appears and offers them a golden era of prosperity. | ||
| style="text-align: center;" |256 | | style="text-align: center;" |256 | ||
|[[File:ChildhoodsEnd(1stEd).jpg|center|100px]] | |[[File:ChildhoodsEnd(1stEd).jpg|center|100px]] | ||
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|- | |- | ||
| style="text-align: center;" |Dorsai! | | style="text-align: center;" |Dorsai! | ||
| style="text-align: center;" |Dickson, | | style="text-align: center;" |Dickson, Gordon R. | ||
| style="text-align: center;" | | | style="text-align: center;" | | ||
| style="text-align: center;" |288 | | style="text-align: center;" |288 | ||
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| style="text-align: center;" |A Fire Upon the Deep | | style="text-align: center;" |A Fire Upon the Deep | ||
| style="text-align: center;" |Vinge, Vernor | | style="text-align: center;" |Vinge, Vernor | ||
|Three tiers of galactic civilization face a common threat from a malicious, sentient super-AI. Hard to describe. Basically a must read | |Three tiers of galactic civilization face a common threat from a malicious, sentient super-AI. Hard to describe. Basically a must read. | ||
| style="text-align: center;" |624 | | style="text-align: center;" |624 | ||
|[[File:A_Fire_Upon_The_Deep.jpg|thumb|98px]] | |[[File:A_Fire_Upon_The_Deep.jpg|thumb|98px]] | ||
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|- | |- | ||
| style="text-align: center;" |Dune | | style="text-align: center;" |Dune | ||
| style="text-align: center;" | | | style="text-align: center;" |Herbert, Frank | ||
|Fueding families fight over a precious resource that is only avaliable on a single planet. This resource, spice, is essential to galactic civilisation. Spice must flow. Classic. | |Fueding families fight over a precious resource that is only avaliable on a single planet. This resource, spice, is essential to galactic civilisation. Spice must flow. Classic. | ||
| style="text-align: center;" |544 | | style="text-align: center;" |544 | ||
| Line 556: | Line 514: | ||
| style="text-align: center;" |Lord of Light | | style="text-align: center;" |Lord of Light | ||
| style="text-align: center;" |Zelazny, Roger | | style="text-align: center;" |Zelazny, Roger | ||
|A starship breaks down and the on board in stasis | |A starship breaks down and the on board in stasis passengers are decanted on to the planet below. The crew contends with the planet inhabitants to allow the humans to prevail then sets up Karma machines to control longevity, becoming a pantheon of god like powerful very old humans. | ||
Sam starts the revolution. | Sam starts the revolution. | ||
| Line 600: | Line 558: | ||
| style="text-align: center;" |Old Man's War | | style="text-align: center;" |Old Man's War | ||
| style="text-align: center;" |Scalzi, John | | style="text-align: center;" |Scalzi, John | ||
| | |Earth is a backwater and the only way off is a one-way ticket off-planet with the Colonial Defense Force- the catch is they only take retirement age geezers to serve. The main character, John Perry, takes that deal and faces the consequences. | ||
| style="text-align: center;" |320 | | style="text-align: center;" |320 | ||
|[[File:Old_Man's_War.jpg|thumb|98px]] | |[[File:Old_Man's_War.jpg|thumb|98px]] | ||
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|- | |- | ||
| style="text-align: center;" |Revelation Space | | style="text-align: center;" |Revelation Space | ||
| style="text-align: center;" |Reynolds, | | style="text-align: center;" |Reynolds, Alastair | ||
| | | | ||
| style="text-align: center;" |576 | | style="text-align: center;" |576 | ||
| Line 750: | Line 708: | ||
==Cyberpunk== | ==Cyberpunk== | ||
{| border="1" cellpadding="1" cellspacing="1" | {| class="fandom-table" border="1" cellpadding="1" cellspacing="1" | ||
! scope="col" |Title | ! scope="col" |Title | ||
! scope="col" |Author | ! scope="col" |Author | ||
! scope="col" |Description | ! scope="col" |Description | ||
! | |||
! scope="col" |Book Cover | ! scope="col" |Book Cover | ||
|- | |- | ||
| Line 759: | Line 718: | ||
| style="text-align: center;" |Charles Stross | | style="text-align: center;" |Charles Stross | ||
| | | | ||
|448 | |||
|[[File:Accelerando.jpg|thumb|98px]] | |[[File:Accelerando.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 764: | Line 724: | ||
| style="text-align: center;" |Richard K. Morgan | | style="text-align: center;" |Richard K. Morgan | ||
|Planets are colonized and people's minds are digital. Intelligent soldier-turned-criminal is bailed out of mental prison and sent to Earth to investigate a murder. Of course, there are those who don't like him investigating. | |Planets are colonized and people's minds are digital. Intelligent soldier-turned-criminal is bailed out of mental prison and sent to Earth to investigate a murder. Of course, there are those who don't like him investigating. | ||
|544 | |||
|[[File:Altered_Carbon.jpg|thumb|98px]] | |[[File:Altered_Carbon.jpg|thumb|98px]] | ||
|- | |- | ||
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| style="text-align: center;" |Neal Stephenson | | style="text-align: center;" |Neal Stephenson | ||
| | | | ||
|512 | |||
|[[File:The_Diamond_Age.jpg|thumb|98px]] | |[[File:The_Diamond_Age.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 774: | Line 736: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
|the book Blade Runner was made from. | |the book Blade Runner was made from. | ||
|208 | |||
|[[File:Do_Androids_Dream_Of_Electric_Sheep.png|thumb|98px]] | |[[File:Do_Androids_Dream_Of_Electric_Sheep.png|thumb|98px]] | ||
|- | |- | ||
| Line 779: | Line 742: | ||
| style="text-align: center;" |Bruce Sterling | | style="text-align: center;" |Bruce Sterling | ||
| | | | ||
|448 | |||
|[[File:Islands_In_The_Net.jpg|thumb|98px]] | |[[File:Islands_In_The_Net.jpg|thumb|98px]] | ||
|- | |- | ||
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| style="text-align: center;" |William Gibson | | style="text-align: center;" |William Gibson | ||
|The beginning of cyberpunk, the invention of the words cyberspace, an many of the memes of the Internet, plus AI and some of the consequences of an insane AI. | |The beginning of cyberpunk, the invention of the words cyberspace, an many of the memes of the Internet, plus AI and some of the consequences of an insane AI. | ||
|320 | |||
|[[File:Neuromancer.jpg|thumb|98px]] | |[[File:Neuromancer.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 789: | Line 754: | ||
| style="text-align: center;" |Greg Egan | | style="text-align: center;" |Greg Egan | ||
| | | | ||
|384 | |||
|[[File:Permutation_City.jpg|thumb|98px]] | |[[File:Permutation_City.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 794: | Line 760: | ||
| style="vertical-align: top;" |John Brunner | | style="vertical-align: top;" |John Brunner | ||
| style="vertical-align: top;" | | | style="vertical-align: top;" | | ||
|320 | |||
| style="vertical-align: top;" |[[File:The_Shockwave_Rider.jpg|thumb|98px]] | | style="vertical-align: top;" |[[File:The_Shockwave_Rider.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 799: | Line 766: | ||
| style="text-align: center;" |Neal Stephenson | | style="text-align: center;" |Neal Stephenson | ||
| | | | ||
|448 | |||
|[[File:Snow_Crash.jpg|thumb|98px]] | |[[File:Snow_Crash.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 804: | Line 772: | ||
| style="text-align: center;" |Rudy Rucker | | style="text-align: center;" |Rudy Rucker | ||
| | | | ||
|167 | |||
|[[File:Software.jpg|thumb|98px]] | |[[File:Software.jpg|thumb|98px]] | ||
|} | |} | ||
| Line 810: | Line 779: | ||
{| border="1" cellpadding="1" cellspacing="1" | {| class="fandom-table" border="1" cellpadding="1" cellspacing="1" | ||
! scope="col" |Title | ! scope="col" |Title | ||
! scope="col" |Author | ! scope="col" |Author | ||
! scope="col" | | ! scope="col" | | ||
Description | Description | ||
! | |||
! scope="col" |Book Cover | ! scope="col" |Book Cover | ||
|- | |- | ||
| Line 821: | Line 791: | ||
| | | | ||
Humanity fucks itself with nukes and decides that knowledge is evil. Order of Catholic monks decides to preserve knowledge until humanity unfucks itself. Contains three shorter stories. One taking place in Dark Ages II, Renaissance II and the build up to WWIV. Also Latin. | Humanity fucks itself with nukes and decides that knowledge is evil. Order of Catholic monks decides to preserve knowledge until humanity unfucks itself. Contains three shorter stories. One taking place in Dark Ages II, Renaissance II and the build up to WWIV. Also Latin. | ||
|334 | |||
|[[File:A_Canticle_For_Leibowitz.jpg|thumb|98px]] | |[[File:A_Canticle_For_Leibowitz.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 826: | Line 797: | ||
| style="text-align: center;" |Madeleine L'Engle | | style="text-align: center;" |Madeleine L'Engle | ||
| | | | ||
|288 | |||
|[[File:A_Wrinkle_In_Time.jpg|thumb|98px]] | |[[File:A_Wrinkle_In_Time.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |The Chrysalids | | style="text-align: center;" |The Chrysalids | ||
| style="text-align: center;" |John | | style="text-align: center;" |John Wyndham | ||
| | | | ||
|224 | |||
|[[File:The_Chrysalids.jpg|thumb|98px]] | |[[File:The_Chrysalids.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 836: | Line 809: | ||
| style="text-align: center;" |David Mitchell | | style="text-align: center;" |David Mitchell | ||
| | | | ||
|530 | |||
|[[File:Cloud_Atlas.jpg|thumb|98px]] | |[[File:Cloud_Atlas.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 841: | Line 815: | ||
| style="text-align: center;" |John Crowley | | style="text-align: center;" |John Crowley | ||
| | | | ||
|192 | |||
|[[File:The_Deep.jpg|thumb|98px]] | |[[File:The_Deep.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |Dies the Fire | | style="text-align: center;" |Dies the Fire | ||
| style="text-align: center;" |S.M. | | style="text-align: center;" |S.M. Stirling | ||
| | | | ||
|592 | |||
|[[File:Dies_The_Fire.jpg|thumb|98px]] | |[[File:Dies_The_Fire.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 851: | Line 827: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|272 | |||
|[[File:Dr_Bloodmoney.jpg|thumb|98px]] | |[[File:Dr_Bloodmoney.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 856: | Line 833: | ||
| style="text-align: center;" |Vonda M. McIntyre | | style="text-align: center;" |Vonda M. McIntyre | ||
| | | | ||
|288 | |||
|[[File:Dreamsnake.jpg|thumb|98px]] | |[[File:Dreamsnake.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 861: | Line 839: | ||
| style="text-align: center;" |Jack Vance | | style="text-align: center;" |Jack Vance | ||
| | | | ||
|157 | |||
|[[File:The_Dying_Earth.jpg|thumb|98px]] | |[[File:The_Dying_Earth.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 866: | Line 845: | ||
| style="text-align: center;" |George R. Stewart | | style="text-align: center;" |George R. Stewart | ||
| | | | ||
|320 | |||
|[[File:Earth_Abides.jpg|thumb|98px]] | |[[File:Earth_Abides.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |The Elfin Ship | | style="text-align: center;" |The Elfin Ship | ||
| style="text-align: center;" |James Blaylock | | style="text-align: center;" |James Blaylock | ||
| | |||
| | | | ||
|[[File:The_Elfin_Ship.jpg|thumb|98px]] | |[[File:The_Elfin_Ship.jpg|thumb|98px]] | ||
| Line 876: | Line 857: | ||
| style="text-align: center;" |Richard Matheson | | style="text-align: center;" |Richard Matheson | ||
| | | | ||
|160 | |||
|[[File:I_Am_Legend.jpg|thumb|98px]] | |[[File:I_Am_Legend.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 881: | Line 863: | ||
| style="text-align: center;" |Larry Niven & Jerry Pournelle | | style="text-align: center;" |Larry Niven & Jerry Pournelle | ||
|A comet strike, and its aftermath in California. | |A comet strike, and its aftermath in California. | ||
|640 | |||
|[[File:Lucifer's_Hammer.jpg|thumb|98px]] | |[[File:Lucifer's_Hammer.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 886: | Line 869: | ||
| style="text-align: center;" |Carol Emshwiller | | style="text-align: center;" |Carol Emshwiller | ||
| | | | ||
|242 | |||
|[[File:The_Mount.jpg|thumb|98px]] | |[[File:The_Mount.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 891: | Line 875: | ||
| style="text-align: center;" |William Hope Hodgson | | style="text-align: center;" |William Hope Hodgson | ||
| | | | ||
|246 | |||
|[[File:The_Night_Land.jpg|thumb|98px]] | |[[File:The_Night_Land.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 896: | Line 881: | ||
| style="text-align: center;" |Pierre Boulle | | style="text-align: center;" |Pierre Boulle | ||
| | | | ||
|208 | |||
|[[File:The_Planet_Of_The_Apes.jpg|thumb|98px]] | |[[File:The_Planet_Of_The_Apes.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 901: | Line 887: | ||
| style="text-align: center;" |David Brin | | style="text-align: center;" |David Brin | ||
| | | | ||
|336 | |||
|[[File:The_Postman.jpg|thumb|98px]] | |[[File:The_Postman.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |Ravage | | style="text-align: center;" |Ravage | ||
| style="text-align: center;" | | | style="text-align: center;" |Iain Rob Wright | ||
| | | | ||
|24 | |||
|[[File:Ravage.jpg|thumb|98px]] | |[[File:Ravage.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 911: | Line 899: | ||
| style="text-align: center;" |Russell Hoban | | style="text-align: center;" |Russell Hoban | ||
| | | | ||
|272 | |||
|[[File:Riddley_Walker.jpg|thumb|98px]] | |[[File:Riddley_Walker.jpg|thumb|98px]] | ||
|- | |- | ||
| style="vertical-align: top; text-align: center;" |The Road | | style="vertical-align: top; text-align: center;" |The Road | ||
| style="vertical-align: top; text-align: center;" |Cormac McCarthy | | style="vertical-align: top; text-align: center;" |Cormac McCarthy | ||
| style="vertical-align: top;" | | | style="vertical-align: top;" |A man, foreseeing a freezing winter, and his son traverse a bleak landscape caused by an undescribed disaster. A good gift for your parent. | ||
|324 | |||
| style="vertical-align: top;" |[[File:The_Road.jpg|thumb|98px]] | | style="vertical-align: top;" |[[File:The_Road.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 921: | Line 911: | ||
| style="text-align: center;" |Gene Wolfe | | style="text-align: center;" |Gene Wolfe | ||
| | | | ||
|528 | |||
|[[File:Shadow_And_Claw.jpg|thumb|98px]] | |[[File:Shadow_And_Claw.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 926: | Line 917: | ||
| style="vertical-align: top;" |John Brunner | | style="vertical-align: top;" |John Brunner | ||
| style="vertical-align: top;" | | | style="vertical-align: top;" | | ||
|486 | |||
| style="vertical-align: top;" |[[File:The_Sheep_Look_Up.jpg|thumb|98px]] | | style="vertical-align: top;" |[[File:The_Sheep_Look_Up.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |The Tripods Trilogy | | style="text-align: center;" |The Tripods Trilogy | ||
| style="text-align: center;" | | | style="text-align: center;" |John Christopher | ||
| | | | ||
|486 | |||
|[[File:The_Tripods.jpeg|thumb|98px]] | |[[File:The_Tripods.jpeg|thumb|98px]] | ||
|} | |} | ||
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{| border="1" cellpadding="1" cellspacing="1" | {| class="fandom-table" border="1" cellpadding="1" cellspacing="1" | ||
! scope="col" |Title | ! scope="col" |Title | ||
! scope="col" |Author | ! scope="col" |Author | ||
! scope="col" |Description | ! scope="col" |Description | ||
! | |||
! scope="col" |Book Cover | ! scope="col" |Book Cover | ||
|- | |- | ||
| Line 946: | Line 940: | ||
| style="text-align: center;" |George Orwell | | style="text-align: center;" |George Orwell | ||
|Where actions, words, and even thoughts are regulated by a small aristocracy, a man begins to rebel against the enforced social norms. Rather long but a classic dystopian novel. | |Where actions, words, and even thoughts are regulated by a small aristocracy, a man begins to rebel against the enforced social norms. Rather long but a classic dystopian novel. | ||
|336 | |||
|[[File:1984.jpg|thumb|98px]] | |[[File:1984.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 951: | Line 946: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|224 | |||
|[[File:A_Scanner_Darkly.jpg|thumb|98px]] | |[[File:A_Scanner_Darkly.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 956: | Line 952: | ||
| style="text-align: center;" |Aldous Huxley | | style="text-align: center;" |Aldous Huxley | ||
| | | | ||
|288 | |||
|[[File:Brave_New_World.jpg|thumb|98px]] | |[[File:Brave_New_World.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 961: | Line 958: | ||
| style="text-align: center;" |Ray Bradbury | | style="text-align: center;" |Ray Bradbury | ||
|Firemen don't put out fires anymore, they start them to burn books since all books are now illegal. A few shocking events begin to make a fireman question why he does what he does and why his society is like it is. | |Firemen don't put out fires anymore, they start them to burn books since all books are now illegal. A few shocking events begin to make a fireman question why he does what he does and why his society is like it is. | ||
|194 | |||
|[[File:Fahrenheit_451.jpg|thumb|98px]] | |[[File:Fahrenheit_451.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 966: | Line 964: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|256 | |||
|[[File:Flow_My_Tears,_The_Policeman_Said.jpg|thumb|98px]] | |[[File:Flow_My_Tears,_The_Policeman_Said.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 971: | Line 970: | ||
| style="text-align: center;" |Lois Lowry | | style="text-align: center;" |Lois Lowry | ||
| | | | ||
|226 | |||
|[[File:The_Giver.gif|thumb|98px]] | |[[File:The_Giver.gif|thumb|98px]] | ||
|- | |- | ||
| Line 976: | Line 976: | ||
| style="text-align: center;" |Margaret Atwood | | style="text-align: center;" |Margaret Atwood | ||
| | | | ||
|336 | |||
|[[File:The_Handmaids_Tale.jpg|thumb|98px]] | |[[File:The_Handmaids_Tale.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 981: | Line 982: | ||
| style="text-align: center;" |William F. Nolan & George Clayton Johnson | | style="text-align: center;" |William F. Nolan & George Clayton Johnson | ||
|A twenty-year-old, living in a future-Earth that calls for euthanasia of people at or over twenty-one, hunts down people who, instead, run. Then, when he turns twenty-one, he runs too. | |A twenty-year-old, living in a future-Earth that calls for euthanasia of people at or over twenty-one, hunts down people who, instead, run. Then, when he turns twenty-one, he runs too. | ||
|192 | |||
|[[File:Logan's_Run.jpg|thumb|98px]] | |[[File:Logan's_Run.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 986: | Line 988: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|256 | |||
|[[File:The_Man_in_the_High_Castle.jpg|thumb|98px]] | |[[File:The_Man_in_the_High_Castle.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 991: | Line 994: | ||
| style="text-align: center;" |John Brunner | | style="text-align: center;" |John Brunner | ||
| | | | ||
|672 | |||
|[[File:Stand_On_Zanzibar.jpg|thumb|98px]] | |[[File:Stand_On_Zanzibar.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 996: | Line 1,000: | ||
| style="text-align: center;" |Yevgeny Zamyatin | | style="text-align: center;" |Yevgeny Zamyatin | ||
| | | | ||
|272 | |||
|[[File:We.jpg|thumb|98px]] | |[[File:We.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 1,001: | Line 1,006: | ||
| style="text-align: center;" |Kate Wilhelm | | style="text-align: center;" |Kate Wilhelm | ||
| | | | ||
|256 | |||
|[[File:Where_Late_The_Sweet_Birds_Sang.jpg|thumb|98px]] | |[[File:Where_Late_The_Sweet_Birds_Sang.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 1,006: | Line 1,012: | ||
| style="text-align: center;" |Robert Silverberg | | style="text-align: center;" |Robert Silverberg | ||
| | | | ||
|233 | |||
|[[File:The_World_Inside.jpg|thumb|98px]] | |[[File:The_World_Inside.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 1,011: | Line 1,018: | ||
| style="text-align: center;" |Ira Levin | | style="text-align: center;" |Ira Levin | ||
| | | | ||
|352 | |||
|[[File:This_Perfect_Day.jpg|thumb|98px]] | |[[File:This_Perfect_Day.jpg|thumb|98px]] | ||
|} | |} | ||
Latest revision as of 13:33, 3 March 2024
This page is meant to cover the basics works and stellar pieces of science fiction literature. While the bulk of Science Fiction is trashy genre-work there are genuine masterpieces. The purpose of this article is to illustrate those masterpieces as best as possible. As always however, this list is imperfect and always growing. If there is anything missing please add to it.
The Big Three
Isaac Asimov
Arthur C. Clarke
Robert Heinlein
Early and Proto Science Fiction
Golden Age Science Fiction
Modern Science Fiction
Cyberpunk
Post Apocalyptic
Dystopian



























































































































































