Science Fiction: Difference between revisions
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===Isaac Asimov=== | ===Isaac Asimov=== | ||
===Arthur C. Clarke=== | ===Arthur C. Clarke=== | ||
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| style="text-align: center;" |Childhood's End | | style="text-align: center;" |Childhood's End | ||
| style="text-align: center;" |Arthur C. Clarke | | style="text-align: center;" |Arthur C. Clarke | ||
| style="text-align: center;" |Story regarding the future of mankind after the advent of | | style="text-align: center;" |Story regarding the future of mankind after the advent of an alien race appears and offers them a golden era of prosperity. | ||
| style="text-align: center;" |256 | | style="text-align: center;" |256 | ||
|[[File:ChildhoodsEnd(1stEd).jpg|center|100px]] | |[[File:ChildhoodsEnd(1stEd).jpg|center|100px]] | ||
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| style="text-align: center;" |A Fire Upon the Deep | | style="text-align: center;" |A Fire Upon the Deep | ||
| style="text-align: center;" |Vinge, Vernor | | style="text-align: center;" |Vinge, Vernor | ||
|Three tiers of galactic civilization face a common threat from a malicious, sentient super-AI. Hard to describe. Basically a must read | |Three tiers of galactic civilization face a common threat from a malicious, sentient super-AI. Hard to describe. Basically a must read. | ||
| style="text-align: center;" |624 | | style="text-align: center;" |624 | ||
|[[File:A_Fire_Upon_The_Deep.jpg|thumb|98px]] | |[[File:A_Fire_Upon_The_Deep.jpg|thumb|98px]] | ||
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| style="text-align: center;" |Old Man's War | | style="text-align: center;" |Old Man's War | ||
| style="text-align: center;" |Scalzi, John | | style="text-align: center;" |Scalzi, John | ||
| | |Earth is a backwater and the only way off is a one-way ticket off-planet with the Colonial Defense Force- the catch is they only take retirement age geezers to serve. The main character, John Perry, takes that deal and faces the consequences. | ||
| style="text-align: center;" |320 | | style="text-align: center;" |320 | ||
|[[File:Old_Man's_War.jpg|thumb|98px]] | |[[File:Old_Man's_War.jpg|thumb|98px]] | ||
| Line 749: | Line 708: | ||
==Cyberpunk== | ==Cyberpunk== | ||
{| border="1" cellpadding="1" cellspacing="1" | {| class="fandom-table" border="1" cellpadding="1" cellspacing="1" | ||
! scope="col" |Title | ! scope="col" |Title | ||
! scope="col" |Author | ! scope="col" |Author | ||
! scope="col" |Description | ! scope="col" |Description | ||
! | |||
! scope="col" |Book Cover | ! scope="col" |Book Cover | ||
|- | |- | ||
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| style="text-align: center;" |Charles Stross | | style="text-align: center;" |Charles Stross | ||
| | | | ||
|448 | |||
|[[File:Accelerando.jpg|thumb|98px]] | |[[File:Accelerando.jpg|thumb|98px]] | ||
|- | |- | ||
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| style="text-align: center;" |Richard K. Morgan | | style="text-align: center;" |Richard K. Morgan | ||
|Planets are colonized and people's minds are digital. Intelligent soldier-turned-criminal is bailed out of mental prison and sent to Earth to investigate a murder. Of course, there are those who don't like him investigating. | |Planets are colonized and people's minds are digital. Intelligent soldier-turned-criminal is bailed out of mental prison and sent to Earth to investigate a murder. Of course, there are those who don't like him investigating. | ||
|544 | |||
|[[File:Altered_Carbon.jpg|thumb|98px]] | |[[File:Altered_Carbon.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 768: | Line 730: | ||
| style="text-align: center;" |Neal Stephenson | | style="text-align: center;" |Neal Stephenson | ||
| | | | ||
|512 | |||
|[[File:The_Diamond_Age.jpg|thumb|98px]] | |[[File:The_Diamond_Age.jpg|thumb|98px]] | ||
|- | |- | ||
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| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
|the book Blade Runner was made from. | |the book Blade Runner was made from. | ||
|208 | |||
|[[File:Do_Androids_Dream_Of_Electric_Sheep.png|thumb|98px]] | |[[File:Do_Androids_Dream_Of_Electric_Sheep.png|thumb|98px]] | ||
|- | |- | ||
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| style="text-align: center;" |Bruce Sterling | | style="text-align: center;" |Bruce Sterling | ||
| | | | ||
|448 | |||
|[[File:Islands_In_The_Net.jpg|thumb|98px]] | |[[File:Islands_In_The_Net.jpg|thumb|98px]] | ||
|- | |- | ||
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| style="text-align: center;" |William Gibson | | style="text-align: center;" |William Gibson | ||
|The beginning of cyberpunk, the invention of the words cyberspace, an many of the memes of the Internet, plus AI and some of the consequences of an insane AI. | |The beginning of cyberpunk, the invention of the words cyberspace, an many of the memes of the Internet, plus AI and some of the consequences of an insane AI. | ||
|320 | |||
|[[File:Neuromancer.jpg|thumb|98px]] | |[[File:Neuromancer.jpg|thumb|98px]] | ||
|- | |- | ||
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| style="text-align: center;" |Greg Egan | | style="text-align: center;" |Greg Egan | ||
| | | | ||
|384 | |||
|[[File:Permutation_City.jpg|thumb|98px]] | |[[File:Permutation_City.jpg|thumb|98px]] | ||
|- | |- | ||
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| style="vertical-align: top;" |John Brunner | | style="vertical-align: top;" |John Brunner | ||
| style="vertical-align: top;" | | | style="vertical-align: top;" | | ||
|320 | |||
| style="vertical-align: top;" |[[File:The_Shockwave_Rider.jpg|thumb|98px]] | | style="vertical-align: top;" |[[File:The_Shockwave_Rider.jpg|thumb|98px]] | ||
|- | |- | ||
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| style="text-align: center;" |Neal Stephenson | | style="text-align: center;" |Neal Stephenson | ||
| | | | ||
|448 | |||
|[[File:Snow_Crash.jpg|thumb|98px]] | |[[File:Snow_Crash.jpg|thumb|98px]] | ||
|- | |- | ||
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| style="text-align: center;" |Rudy Rucker | | style="text-align: center;" |Rudy Rucker | ||
| | | | ||
|167 | |||
|[[File:Software.jpg|thumb|98px]] | |[[File:Software.jpg|thumb|98px]] | ||
|} | |} | ||
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{| border="1" cellpadding="1" cellspacing="1" | {| class="fandom-table" border="1" cellpadding="1" cellspacing="1" | ||
! scope="col" |Title | ! scope="col" |Title | ||
! scope="col" |Author | ! scope="col" |Author | ||
! scope="col" | | ! scope="col" | | ||
Description | Description | ||
! | |||
! scope="col" |Book Cover | ! scope="col" |Book Cover | ||
|- | |- | ||
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| | | | ||
Humanity fucks itself with nukes and decides that knowledge is evil. Order of Catholic monks decides to preserve knowledge until humanity unfucks itself. Contains three shorter stories. One taking place in Dark Ages II, Renaissance II and the build up to WWIV. Also Latin. | Humanity fucks itself with nukes and decides that knowledge is evil. Order of Catholic monks decides to preserve knowledge until humanity unfucks itself. Contains three shorter stories. One taking place in Dark Ages II, Renaissance II and the build up to WWIV. Also Latin. | ||
|334 | |||
|[[File:A_Canticle_For_Leibowitz.jpg|thumb|98px]] | |[[File:A_Canticle_For_Leibowitz.jpg|thumb|98px]] | ||
|- | |- | ||
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| style="text-align: center;" |Madeleine L'Engle | | style="text-align: center;" |Madeleine L'Engle | ||
| | | | ||
|288 | |||
|[[File:A_Wrinkle_In_Time.jpg|thumb|98px]] | |[[File:A_Wrinkle_In_Time.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 830: | Line 803: | ||
| style="text-align: center;" |John Wyndham | | style="text-align: center;" |John Wyndham | ||
| | | | ||
|224 | |||
|[[File:The_Chrysalids.jpg|thumb|98px]] | |[[File:The_Chrysalids.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 835: | Line 809: | ||
| style="text-align: center;" |David Mitchell | | style="text-align: center;" |David Mitchell | ||
| | | | ||
|530 | |||
|[[File:Cloud_Atlas.jpg|thumb|98px]] | |[[File:Cloud_Atlas.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 840: | Line 815: | ||
| style="text-align: center;" |John Crowley | | style="text-align: center;" |John Crowley | ||
| | | | ||
|192 | |||
|[[File:The_Deep.jpg|thumb|98px]] | |[[File:The_Deep.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 845: | Line 821: | ||
| style="text-align: center;" |S.M. Stirling | | style="text-align: center;" |S.M. Stirling | ||
| | | | ||
|592 | |||
|[[File:Dies_The_Fire.jpg|thumb|98px]] | |[[File:Dies_The_Fire.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 850: | Line 827: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|272 | |||
|[[File:Dr_Bloodmoney.jpg|thumb|98px]] | |[[File:Dr_Bloodmoney.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 855: | Line 833: | ||
| style="text-align: center;" |Vonda M. McIntyre | | style="text-align: center;" |Vonda M. McIntyre | ||
| | | | ||
|288 | |||
|[[File:Dreamsnake.jpg|thumb|98px]] | |[[File:Dreamsnake.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 860: | Line 839: | ||
| style="text-align: center;" |Jack Vance | | style="text-align: center;" |Jack Vance | ||
| | | | ||
|157 | |||
|[[File:The_Dying_Earth.jpg|thumb|98px]] | |[[File:The_Dying_Earth.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 865: | Line 845: | ||
| style="text-align: center;" |George R. Stewart | | style="text-align: center;" |George R. Stewart | ||
| | | | ||
|320 | |||
|[[File:Earth_Abides.jpg|thumb|98px]] | |[[File:Earth_Abides.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |The Elfin Ship | | style="text-align: center;" |The Elfin Ship | ||
| style="text-align: center;" |James Blaylock | | style="text-align: center;" |James Blaylock | ||
| | |||
| | | | ||
|[[File:The_Elfin_Ship.jpg|thumb|98px]] | |[[File:The_Elfin_Ship.jpg|thumb|98px]] | ||
| Line 875: | Line 857: | ||
| style="text-align: center;" |Richard Matheson | | style="text-align: center;" |Richard Matheson | ||
| | | | ||
|160 | |||
|[[File:I_Am_Legend.jpg|thumb|98px]] | |[[File:I_Am_Legend.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 880: | Line 863: | ||
| style="text-align: center;" |Larry Niven & Jerry Pournelle | | style="text-align: center;" |Larry Niven & Jerry Pournelle | ||
|A comet strike, and its aftermath in California. | |A comet strike, and its aftermath in California. | ||
|640 | |||
|[[File:Lucifer's_Hammer.jpg|thumb|98px]] | |[[File:Lucifer's_Hammer.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 885: | Line 869: | ||
| style="text-align: center;" |Carol Emshwiller | | style="text-align: center;" |Carol Emshwiller | ||
| | | | ||
|242 | |||
|[[File:The_Mount.jpg|thumb|98px]] | |[[File:The_Mount.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 890: | Line 875: | ||
| style="text-align: center;" |William Hope Hodgson | | style="text-align: center;" |William Hope Hodgson | ||
| | | | ||
|246 | |||
|[[File:The_Night_Land.jpg|thumb|98px]] | |[[File:The_Night_Land.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 895: | Line 881: | ||
| style="text-align: center;" |Pierre Boulle | | style="text-align: center;" |Pierre Boulle | ||
| | | | ||
|208 | |||
|[[File:The_Planet_Of_The_Apes.jpg|thumb|98px]] | |[[File:The_Planet_Of_The_Apes.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 900: | Line 887: | ||
| style="text-align: center;" |David Brin | | style="text-align: center;" |David Brin | ||
| | | | ||
|336 | |||
|[[File:The_Postman.jpg|thumb|98px]] | |[[File:The_Postman.jpg|thumb|98px]] | ||
|- | |- | ||
| style="text-align: center;" |Ravage | | style="text-align: center;" |Ravage | ||
| style="text-align: center;" | | | style="text-align: center;" |Iain Rob Wright | ||
| | | | ||
|24 | |||
|[[File:Ravage.jpg|thumb|98px]] | |[[File:Ravage.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 910: | Line 899: | ||
| style="text-align: center;" |Russell Hoban | | style="text-align: center;" |Russell Hoban | ||
| | | | ||
|272 | |||
|[[File:Riddley_Walker.jpg|thumb|98px]] | |[[File:Riddley_Walker.jpg|thumb|98px]] | ||
|- | |- | ||
| style="vertical-align: top; text-align: center;" |The Road | | style="vertical-align: top; text-align: center;" |The Road | ||
| style="vertical-align: top; text-align: center;" |Cormac McCarthy | | style="vertical-align: top; text-align: center;" |Cormac McCarthy | ||
| style="vertical-align: top;" | | | style="vertical-align: top;" |A man, foreseeing a freezing winter, and his son traverse a bleak landscape caused by an undescribed disaster. A good gift for your parent. | ||
|324 | |||
| style="vertical-align: top;" |[[File:The_Road.jpg|thumb|98px]] | | style="vertical-align: top;" |[[File:The_Road.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 920: | Line 911: | ||
| style="text-align: center;" |Gene Wolfe | | style="text-align: center;" |Gene Wolfe | ||
| | | | ||
|528 | |||
|[[File:Shadow_And_Claw.jpg|thumb|98px]] | |[[File:Shadow_And_Claw.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 925: | Line 917: | ||
| style="vertical-align: top;" |John Brunner | | style="vertical-align: top;" |John Brunner | ||
| style="vertical-align: top;" | | | style="vertical-align: top;" | | ||
|486 | |||
| style="vertical-align: top;" |[[File:The_Sheep_Look_Up.jpg|thumb|98px]] | | style="vertical-align: top;" |[[File:The_Sheep_Look_Up.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 930: | Line 923: | ||
| style="text-align: center;" |John Christopher | | style="text-align: center;" |John Christopher | ||
| | | | ||
|486 | |||
|[[File:The_Tripods.jpeg|thumb|98px]] | |[[File:The_Tripods.jpeg|thumb|98px]] | ||
|} | |} | ||
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{| border="1" cellpadding="1" cellspacing="1" | {| class="fandom-table" border="1" cellpadding="1" cellspacing="1" | ||
! scope="col" |Title | ! scope="col" |Title | ||
! scope="col" |Author | ! scope="col" |Author | ||
! scope="col" |Description | ! scope="col" |Description | ||
! | |||
! scope="col" |Book Cover | ! scope="col" |Book Cover | ||
|- | |- | ||
| Line 945: | Line 940: | ||
| style="text-align: center;" |George Orwell | | style="text-align: center;" |George Orwell | ||
|Where actions, words, and even thoughts are regulated by a small aristocracy, a man begins to rebel against the enforced social norms. Rather long but a classic dystopian novel. | |Where actions, words, and even thoughts are regulated by a small aristocracy, a man begins to rebel against the enforced social norms. Rather long but a classic dystopian novel. | ||
|336 | |||
|[[File:1984.jpg|thumb|98px]] | |[[File:1984.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 950: | Line 946: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|224 | |||
|[[File:A_Scanner_Darkly.jpg|thumb|98px]] | |[[File:A_Scanner_Darkly.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 955: | Line 952: | ||
| style="text-align: center;" |Aldous Huxley | | style="text-align: center;" |Aldous Huxley | ||
| | | | ||
|288 | |||
|[[File:Brave_New_World.jpg|thumb|98px]] | |[[File:Brave_New_World.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 960: | Line 958: | ||
| style="text-align: center;" |Ray Bradbury | | style="text-align: center;" |Ray Bradbury | ||
|Firemen don't put out fires anymore, they start them to burn books since all books are now illegal. A few shocking events begin to make a fireman question why he does what he does and why his society is like it is. | |Firemen don't put out fires anymore, they start them to burn books since all books are now illegal. A few shocking events begin to make a fireman question why he does what he does and why his society is like it is. | ||
|194 | |||
|[[File:Fahrenheit_451.jpg|thumb|98px]] | |[[File:Fahrenheit_451.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 965: | Line 964: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|256 | |||
|[[File:Flow_My_Tears,_The_Policeman_Said.jpg|thumb|98px]] | |[[File:Flow_My_Tears,_The_Policeman_Said.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 970: | Line 970: | ||
| style="text-align: center;" |Lois Lowry | | style="text-align: center;" |Lois Lowry | ||
| | | | ||
|226 | |||
|[[File:The_Giver.gif|thumb|98px]] | |[[File:The_Giver.gif|thumb|98px]] | ||
|- | |- | ||
| Line 975: | Line 976: | ||
| style="text-align: center;" |Margaret Atwood | | style="text-align: center;" |Margaret Atwood | ||
| | | | ||
|336 | |||
|[[File:The_Handmaids_Tale.jpg|thumb|98px]] | |[[File:The_Handmaids_Tale.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 980: | Line 982: | ||
| style="text-align: center;" |William F. Nolan & George Clayton Johnson | | style="text-align: center;" |William F. Nolan & George Clayton Johnson | ||
|A twenty-year-old, living in a future-Earth that calls for euthanasia of people at or over twenty-one, hunts down people who, instead, run. Then, when he turns twenty-one, he runs too. | |A twenty-year-old, living in a future-Earth that calls for euthanasia of people at or over twenty-one, hunts down people who, instead, run. Then, when he turns twenty-one, he runs too. | ||
|192 | |||
|[[File:Logan's_Run.jpg|thumb|98px]] | |[[File:Logan's_Run.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 985: | Line 988: | ||
| style="text-align: center;" |Philip K. Dick | | style="text-align: center;" |Philip K. Dick | ||
| | | | ||
|256 | |||
|[[File:The_Man_in_the_High_Castle.jpg|thumb|98px]] | |[[File:The_Man_in_the_High_Castle.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 990: | Line 994: | ||
| style="text-align: center;" |John Brunner | | style="text-align: center;" |John Brunner | ||
| | | | ||
|672 | |||
|[[File:Stand_On_Zanzibar.jpg|thumb|98px]] | |[[File:Stand_On_Zanzibar.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 995: | Line 1,000: | ||
| style="text-align: center;" |Yevgeny Zamyatin | | style="text-align: center;" |Yevgeny Zamyatin | ||
| | | | ||
|272 | |||
|[[File:We.jpg|thumb|98px]] | |[[File:We.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 1,000: | Line 1,006: | ||
| style="text-align: center;" |Kate Wilhelm | | style="text-align: center;" |Kate Wilhelm | ||
| | | | ||
|256 | |||
|[[File:Where_Late_The_Sweet_Birds_Sang.jpg|thumb|98px]] | |[[File:Where_Late_The_Sweet_Birds_Sang.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 1,005: | Line 1,012: | ||
| style="text-align: center;" |Robert Silverberg | | style="text-align: center;" |Robert Silverberg | ||
| | | | ||
|233 | |||
|[[File:The_World_Inside.jpg|thumb|98px]] | |[[File:The_World_Inside.jpg|thumb|98px]] | ||
|- | |- | ||
| Line 1,010: | Line 1,018: | ||
| style="text-align: center;" |Ira Levin | | style="text-align: center;" |Ira Levin | ||
| | | | ||
|352 | |||
|[[File:This_Perfect_Day.jpg|thumb|98px]] | |[[File:This_Perfect_Day.jpg|thumb|98px]] | ||
|} | |} | ||
Latest revision as of 13:33, 3 March 2024
This page is meant to cover the basics works and stellar pieces of science fiction literature. While the bulk of Science Fiction is trashy genre-work there are genuine masterpieces. The purpose of this article is to illustrate those masterpieces as best as possible. As always however, this list is imperfect and always growing. If there is anything missing please add to it.
The Big Three
Isaac Asimov
Arthur C. Clarke
Robert Heinlein
Early and Proto Science Fiction
Golden Age Science Fiction
Modern Science Fiction
Cyberpunk
Post Apocalyptic
Dystopian



























































































































































