/lit/ Top 100 Lists: Difference between revisions
From /lit/ Wiki
Jump to navigationJump to search
imported>DamnatioMemoria No edit summary |
Fix typo: Aurelias -> Aurelius |
||
(27 intermediate revisions by 9 users not shown) | |||
Line 1: | Line 1: | ||
From 2014, polls of posters' favorite books have been conducted every year on /lit/. The responses to these polls generated the below infographics. After 2017, lists continued to be created, but without polls. | From 2014, polls of posters' favorite books have been conducted every year on /lit/. The responses to these polls generated the below infographics. After 2017, lists continued to be created, but without polls. | ||
(In 2015, the poll also asked for a list of the responder's and three favorite authors. This was not continued from 2016 onwards.) | (In 2015, the poll also asked for a list of the responder's and three favorite authors. This was not continued from 2016 onwards.) | ||
Facts about the similarities and differences between the 2014 poll results and the 2015 poll results are as follows: | |||
* 69% of the books from the 2014 list made it onto the 2015 list. | |||
< | <br /> | ||
* The highest placing new additions to the 2015 list are: | |||
*# Confederacy of Dunces (26) | |||
*#Book of the New Sun (27) | |||
*#Les Miserables (35) | |||
*#If on a Winter's Night a Traveler (50) | |||
*#For Whom the Bell Tolls (53) | |||
* The highest placing books to drop off the 2014 list are: | |||
*# The Plague (35) | |||
*#The Silmarillion (42) | |||
*#Leaves of Grass (53) | |||
*#Harry Potter series (54) | |||
*#A Clockwork Orange (55)<br /> | |||
* Of the books that stayed on the list, the greatest gains were made by: | |||
*# The Iliad (94 to 18) | |||
*#The Old Man and the Sea (97 to 34) | |||
*#Paradise Lost (98 to 37) | |||
*#Portrait of the Artist (67 to 12) | |||
*#Steppenwolf (93 to 42) | |||
* The greatest losses were: | |||
*# Dune (29 to 83) | |||
*#The Picture of Dorian Gray (16 to 64) | |||
*#A Farewell to Arms (46 to 93) | |||
*#Journey to the End of the Night (10 to 52) | |||
*#Invisible Cities (22 to 57) | |||
<gallery widths="230" orientation="none"> | |||
2014-2017 Top 100.jpg|2014 - 2017 | |||
Top100lit2014.jpg|2014 | |||
Top100lit2015.jpg|2015 | |||
Top 100 Authors (2015) .jpg|Authors 2015 | |||
Top100-2016.jpeg|2016 | |||
2017.jpg|2017 | |||
1546199776754.jpg|2018 | |||
Lit 1000 2019.jpg|2019 | |||
1609171124505.jpg|2020 | |||
Top novels 2002.jpg|Top Novels 2020 | |||
Top100list2020-notrolls.jpg|2020 (modified/fake without trolls) | |||
</gallery> | </gallery> | ||
<div style="overflow-x: scroll"> | |||
{| | {| class="article-table sortable mw-collapsible" | ||
|- | |+ | ||
| | |- | ||
| | !|'''Title''' | ||
| | !|'''Author''' | ||
| | !|'''2020''' | ||
| | !|'''2019''' | ||
| | !|'''2018''' | ||
| | !|'''2017''' | ||
| | !|'''2016''' | ||
|- | !|'''2015''' | ||
| | !|'''2014''' | ||
| | ! data-sort-type:number |'''Avg / % Listed''' | ||
|- | |||
|1984 | |||
|Orwell | |||
|31 | |||
|22 | |||
| | |21 | ||
|- | |19 | ||
| | |25 | ||
| | |15 | ||
|19 | |||
|21.7 | |||
|- | |||
|2666 | |||
|Bolaño | |||
| | |99 | ||
|- | |56 | ||
|29 | |||
| | |22 | ||
|34 | |||
| | |24 | ||
|15 | |||
| | |39.9 | ||
|- | |||
|60 Stories | |||
|Barthelme | |||
| | |||
| | |||
| | |||
|95 | |||
| | |||
| | |||
| | | | ||
| | |665 | ||
|- | |- | ||
|A Canticle for Leibowitz | |||
|Miller Jr. | |||
|100 | |||
| | |||
| | | | ||
| | |||
| | |||
| | |||
| | | | ||
| | |700 | ||
|- | |||
|A Clockwork Orange | |||
|Burgess | |||
| | | | ||
| | |||
| | |98 | ||
| | | | ||
|- | | | ||
| | |||
| | |55 | ||
|267.8 | |||
|- | |||
|A Confederacy of Dunces | |||
| | |Toole | ||
|53 | |||
| | |46 | ||
| | |||
| | |||
| | |||
|- | |||
| | |||
| | |||
|88 | |88 | ||
|49 | |||
|59 | |||
|26 | |||
| | |||
|62.7 | |||
|- | |||
|A Farewell to Arms | |||
|Hemingway | |||
| | | | ||
| | | | ||
Line 206: | Line 141: | ||
| | | | ||
| | | | ||
|93 | |93 | ||
|46 | |||
|243.3 | |||
|- | |||
|A Hero of Our Time | |||
|Lermontov | |||
| | |||
|67 | |||
| | | | ||
| | | | ||
| | | | ||
|76 | |||
| | | | ||
|250.3 | |||
|- | |||
|A Portrait of the Artist as a Young Man | |||
|Joyce | |||
| | | | ||
| | |65 | ||
|- | |38 | ||
| | |20 | ||
| | |31 | ||
| | |12 | ||
| | |67 | ||
| | |45.3 | ||
| | |- | ||
| | |A Scanner Darkly | ||
| | |Dick | ||
|- | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |99 | ||
| | | | ||
| | |693 | ||
| | |- | ||
|- | |A Tale of Two Cities | ||
| | |Dickens | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |88 | ||
| | |92 | ||
|- | |315 | ||
| | |- | ||
|Absalom, Absalom! | |||
|Faulkner | |||
|73 | |||
| | |||
| | |||
| | |||
|82 | |||
|51 | |||
|79 | |||
|124.7 | |||
|- | |||
|Ada, or Ardor | |||
|Nabokov | |||
| | |||
| | |||
| | |||
| | |||
|66 | |||
|96 | |||
| | |||
|283.5 | |||
|- | |||
|Adventures of Huckleberry Finn | |||
|Twain | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|68 | |||
|476 | |||
|- | |||
|Aeneid | |||
|Virgil | |||
| | |||
| | |||
|63 | |||
|82 | |||
|89 | |||
| | |||
| | |||
|182 | |||
|- | |||
|Against Nature | |||
|Huysmans | |||
| | |||
|53 | |||
|94 | |||
|45 | |||
| | |||
| | |||
| | |||
|149.3 | |||
|- | |||
|Alice's Adventures in Wonderland | |||
|Carroll | |||
| | |||
| | |||
| | |||
|83 | |||
|97 | |||
|81 | |||
|73 | |||
|146.1 | |||
|- | |||
|American Psycho | |||
|Ellis | |||
|44 | |||
|60 | |||
|90 | |||
|88 | |||
|65 | |||
|80 | |||
|51 | |||
|68.3 | |||
|- | |||
|Animal Farm | |||
|Orwell | |||
| | |||
| | |||
| | |||
|72 | |||
| | |||
| | |||
|83 | |||
|271.3 | |||
|- | |||
|Anna Karenina | |||
|Tolstoy | |||
|21 | |||
|14 | |||
|17 | |||
|34 | |||
|20 | |||
|21 | |||
|28 | |||
|22.1 | |||
|- | |||
|Antifragile | |||
|Taleb | |||
|86 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|602 | |||
|- | |||
|Arcades Project | |||
|Benjamin | |||
| | |||
|88 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|616 | |||
|- | |||
|As I Lay Dying | |||
|Faulkner | |||
| | |||
| | |||
| | |||
|87 | |||
|88 | |||
|69 | |||
|48 | |||
|127.8 | |||
|- | |||
|Being and Time | |||
|Heidegger | |||
|22 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|154 | |||
|- | |||
|Beyond Good and Evil | |||
|Nietzsche | |||
| | |||
|96 | |||
|80 | |||
|92 | |||
| | |||
| | |||
| | |||
|208.4 | |||
|- | |||
|Blood Meridian | |||
|McCarthy | |||
|15 | |||
|17 | |||
|11 | |||
|23 | |||
|8 | |||
|8 | |||
|4 | |||
|12.3 | |||
|- | |||
|Bottom's Dream | |||
|Schmidt | |||
| | |||
| | |||
| | |||
| | |||
|61 | |||
| | |||
| | |||
|427 | |||
|- | |||
|Brave New World | |||
|Huxley | |||
|39 | |||
|59 | |||
|40 | |||
|38 | |||
|71 | |||
|65 | |||
| | |||
|60.7 | |||
|- | |||
|Bronze Age Mindset | |||
|Bronze Age Pervert | |||
|54 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|378 | |||
|- | |||
|Buddenbrooks | |||
|Mann | |||
|62 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|434 | |||
|- | |||
|Candide | |||
|Voltaire | |||
| | |||
|97 | |||
| | |||
|85 | |||
| | |||
| | |||
| | |||
|318.5 | |||
|- | |||
|Cannery Row | |||
|Steinbeck | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|78 | |||
| | |||
|546 | |||
|- | |||
|Capital | |||
|Marx | |||
|63 | |||
|26 | |||
|57 | |||
| | |||
| | |||
| | |||
| | |||
|113.6 | |||
|- | |||
|Catch 22 | |||
|Heller | |||
|32 | |||
|45 | |||
|27 | |||
|42 | |||
|35 | |||
|10 | |||
|14 | |||
|29.3 | |||
|- | |||
|Confessions | |||
|Augustine | |||
| | |||
|31 | |||
|59 | |||
|51 | |||
| | |||
| | |||
| | |||
|109.7 | |||
|- | |||
|Confessions of a Mask | |||
|Mishima | |||
| | |||
|81 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|567 | |||
|- | |||
|Correction | |||
|Bernhard | |||
| | |||
|66 | |||
|43 | |||
| | |||
| | |||
| | |||
| | |||
|190.8 | |||
|- | |||
|Crime and Punishment | |||
|Dostoevsky | |||
|5 | |||
|4 | |||
|2 | |||
|10 | |||
|12 | |||
|5 | |||
|13 | |||
|7.3 | |||
|- | |||
|Critique of Pure Reason | |||
|Kant | |||
|48 | |||
|93 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|246.8 | |||
|- | |||
|Cryptonomicon | |||
|Stephenson | |||
| | |||
| | |||
| | |||
|98 | |||
| | |||
| | |||
| | |||
|686 | |||
|- | |||
|Dandelion Wine | |||
|Bradbury | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|77 | |||
|539 | |||
|- | |||
|Dead Souls | |||
|Gogol | |||
| | |||
| | |||
| | |||
|61 | |||
|93 | |||
|95 | |||
|71 | |||
|140 | |||
|- | |||
|Demons | |||
|Dostoevsky | |||
|75 | |||
|78 | |78 | ||
| | | | ||
Line 368: | Line 539: | ||
| | | | ||
| | | | ||
| | |267.8 | ||
|- | |- | ||
|Do Androids Dream of Electric Sheep? | |||
| | |Dick | ||
| | | | ||
| | |||
| | |||
| | |||
| | |||
| | |92 | ||
|- | |60 | ||
|266 | |||
| | |- | ||
|Don Quixote | |||
|Cervantes | |||
|8 | |||
|6 | |||
|12 | |||
|9. | |8 | ||
|- | |11 | ||
| | |11 | ||
| | |8 | ||
|9.1 | |||
|- | |||
|Dubliners | |||
|Joyce | |||
|88 | |||
| | |27 | ||
|- | |22 | ||
| | |15 | ||
| | |19 | ||
|14 | |||
|40 | |||
|32.1 | |||
|- | |||
|Dune | |||
| | |Herbert | ||
|- | | | ||
|71 | |||
| | | | ||
|53 | |||
|74 | |||
|83 | |||
|29 | |||
|86.8 | |||
| | |- | ||
|- | |East of Eden | ||
| | |Steinbeck | ||
| | | | ||
| | |37 | ||
| | |36 | ||
| | |89 | ||
| | |44 | ||
| | |41 | ||
| | |84 | ||
| | |64.4 | ||
| | |- | ||
| | |Essays | ||
| | |Montaigne | ||
| | | | ||
| | |63 | ||
| | |52 | ||
| | | | ||
| | | | ||
|- | | | ||
| | |||
| | |201.3 | ||
| | |- | ||
|Ethics | |||
|Spinoza | |||
|94 | |||
| | |||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | | | ||
|658 | |||
|- | |||
|Extinction | |||
|Bernhard | |||
| | |45 | ||
|- | | | ||
| | | | ||
| | | | ||
| | |||
| | |||
| | |||
|315 | |||
|- | |||
| | |Fanged Noumena | ||
|- | |Land | ||
| | |||
| | | | ||
| | | | ||
|66 | |||
| | |||
| | |||
| | |||
| | |462 | ||
|- | |- | ||
|Farenheit 451 | |||
| | |Bradbury | ||
| | |||
| | |||
| | |||
|70 | |||
| | |||
| | |77 | ||
|- | | | ||
| | |257.3 | ||
| | |- | ||
|Faust | |||
|Goethe | |||
|76 | |||
|30 | |||
|28 | |||
|19 | |46 | ||
|- | |33 | ||
| | |||
| | |65 | ||
| | |54.1 | ||
|- | |||
|Fear and Loathing in Las Vegas | |||
|Thompson | |||
| | |||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | |||
|59 | |||
|413 | |||
|- | |||
|Fear and Trembling | |||
| | |Kierkegaard | ||
|- | | | ||
|68 | |||
| | |75 | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |250.3 | ||
| | |- | ||
|- | |Fictions | ||
| | |Borges | ||
|17 | |||
|41 | |||
|20 | |||
|16 | |||
|9 | |||
|19 | |||
|11 | |||
|19 | |||
|- | |||
|Fight Club | |||
|Palahniuk | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|87 | |||
|609 | |||
|- | |||
|Finnegan's Wake | |||
|Joyce | |||
| | |||
|75 | |||
|81 | |||
|30 | |||
|39 | |||
| | |||
| | |||
|98.4 | |||
|- | |||
|For Whom the Bell Tolls | |||
|Hemingway | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|53 | |||
| | |||
|371 | |||
|- | |||
|Foucault's Pendulum | |||
|Eco | |||
|77 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|539 | |||
|- | |||
|Frankenstein | |||
|Shelley | |||
| | |||
|100 | |100 | ||
| | | | ||
Line 521: | Line 748: | ||
| | | | ||
| | | | ||
| | |700 | ||
|- | |- | ||
|Franny & Zooey | |||
| | |Salinger | ||
| | | | ||
| | |||
| | |||
| | |||
|87 | |||
| | | | ||
|- | |88 | ||
|306.3 | |||
| | |- | ||
|Gravity's Rainbow | |||
|Pynchon | |||
|55 | |||
|10 | |||
|8 | |||
| | |4 | ||
|- | |7 | ||
|6 | |||
|7 | |||
|13.9 | |||
|- | |||
|Growth of the Soil | |||
|Hamsun | |||
| | |||
|76 | |76 | ||
| | | | ||
Line 548: | Line 781: | ||
| | | | ||
| | | | ||
| | |532 | ||
|- | |- | ||
| | |Hamlet | ||
| | |Shakespeare | ||
|23 | |||
|20 | |||
|14 | |||
|25 | |||
|30 | |||
|24. | |38 | ||
|- | |21 | ||
|24.4 | |||
| | |- | ||
|Heart of Darkness | |||
|Conrad | |||
| | |||
|57 | |||
|70 | |||
| | |56 | ||
|62 | |||
|61 | |||
|43 | |||
|67.9 | |||
|- | |||
|History of Charles XII | |||
|Voltaire | |||
|27 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|189 | |||
|- | |||
|Hopscotch | |||
|Cortázar | |||
|- | | | ||
|52 | |||
| | |||
| | |||
| | |||
| | |||
|86 | |||
|241.5 | |||
|- | |||
|House of Leaves | |||
| | |Danielewski | ||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
| | |||
| | |||
|69 | |69 | ||
| | | | ||
Line 692: | Line 835: | ||
| | | | ||
| | | | ||
| | | | ||
|- | |483 | ||
| | |- | ||
| | |Hunger | ||
| | |Hamsun | ||
| | | | ||
| | | | ||
| | |42 | ||
| | |59 | ||
| | |54 | ||
|- | |60 | ||
| | |72 | ||
| | |80.4 | ||
| | |- | ||
| | |I Am a Cat | ||
| | |Sōseki | ||
| | | | ||
| | | | ||
| | | | ||
|- | | | ||
| | | | ||
| | | | ||
| | |99 | ||
| | |693 | ||
| | |- | ||
| | |If on a Winter's Night a Traveler | ||
| | |Calvino | ||
| | | | ||
|- | | | ||
| | |100 | ||
| | | | ||
| | |47 | ||
| | |50 | ||
| | | | ||
| | |153.2 | ||
| | |- | ||
| | |Illuminatus! | ||
|- | |Wilson; Shea | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |||
|95 | |||
|6. | |665 | ||
|- | |- | ||
| | |Industrial Society and its Future | ||
| | |Kaczynski | ||
| | |11 | ||
| | |||
| | |||
| | |||
| | |||
| | | | ||
|- | | | ||
|77 | |||
| | |- | ||
|In Search of Lost Time | |||
|Proust | |||
|24 | |||
|24 | |||
|19 | |||
| | |14 | ||
|- | |22 | ||
|29 | |||
| | |45 | ||
| | |25.3 | ||
|- | |||
|Infinite Jest | |||
|Wallace | |||
|16 | |||
| | |11 | ||
|- | |10 | ||
|3 | |||
| | |3 | ||
| | |1 | ||
|1 | |||
|6.4 | |||
|- | |||
|Invisible Cities | |||
| | |Calvino | ||
|- | |89 | ||
| | |85 | ||
| | |54 | ||
|84 | |||
|81 | |||
|57 | |||
|22 | |||
|67.4 | |||
| | |- | ||
|- | |J R | ||
| | |Gaddis | ||
| | |36 | ||
| | | | ||
| | |77 | ||
| | |57 | ||
| | |75 | ||
| | | | ||
| | | | ||
|- | |91.4 | ||
| | |- | ||
|Jerusalem | |||
|Moore | |||
| | |||
| | |||
| | |||
|48 | |||
|29 | |||
| | |||
| | |||
|134.8 | |||
|- | |||
|Journey to the End of the Night | |||
|Céline | |||
|46 | |||
|39 | |||
|35 | |||
| | |||
|60 | |||
|52 | |||
|10 | |||
|47.1 | |||
|- | |||
|Kafka on the Shore | |||
|Murakami | |||
| | |||
|95 | |||
| | |||
| | |||
|86 | |||
|73 | |||
| | |||
|197.6 | |||
|- | |||
|King Lear | |||
|Shakespeare | |||
| | |||
|98 | |||
|91 | |||
| | |||
|79 | |||
| | |||
| | |||
|208.4 | |||
|- | |||
|Kokoro | |||
|Sōseki | |||
| | |||
|69 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|483 | |||
|- | |||
|Leaves of Grass | |||
|Whitman | |||
| | |||
| | |||
| | |||
|86 | |||
| | |||
| | |||
|53 | |||
|243.3 | |||
|- | |||
|Les Misérables | |||
|Hugo | |||
|42 | |||
|35 | |||
|46 | |||
|71 | |||
|99 | |||
|35 | |||
| | |||
|63.8 | |||
|- | |||
|Life and Fate | |||
|Grossman | |||
| | |||
| | |||
|99 | |||
| | |||
| | |||
| | |||
| | |||
|693 | |||
|- | |||
|Light in August | |||
|Faulkner | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|70 | |||
|490 | |||
|- | |||
|Lolita | |||
|Nabokov | |||
|7 | |||
|8 | |||
|6 | |||
|6 | |||
|5 | |||
|8 | |||
|5 | |||
|6.4 | |||
|- | |||
|London Bridge | |||
|Céline | |||
|90 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|630 | |||
|- | |||
|Lord of the Flies | |||
|Golding | |||
| | |||
| | |||
| | |||
|100 | |||
| | |||
| | |||
|66 | |||
|290.5 | |||
|- | |||
|Madame Bovary | |||
|Flaubert | |||
|64 | |||
|51 | |||
|93 | |||
|44 | |||
|69 | |||
|54 | |||
| | |||
|72.9 | |||
|- | |||
|Malone Dies | |||
|Beckett | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|76 | |||
|532 | |||
|- | |||
|Mason & Dixon | |||
|Pynchon | |||
| | |||
| | |||
|71 | |||
|43 | |||
|43 | |||
|33 | |||
|25 | |||
|60.2 | |||
|- | |||
|Meditations | |||
|Aurelius | |||
| | |||
|40 | |||
|65 | |||
|36 | |||
|63 | |||
|79 | |||
| | |||
|79.2 | |||
|- | |||
|Meditations | |||
|Descartes | |||
| | |||
| | |||
| | |||
|62 | |||
| | |||
| | |||
| | |||
|434 | |||
|- | |||
|Mein Kampf | |||
|Hitler | |||
|1 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|7 | |||
|- | |||
|Metamorphoses | |||
|Ovid | |||
|91 | |||
|94 | |94 | ||
| | | | ||
Line 800: | Line 1,144: | ||
| | | | ||
| | | | ||
| | |323.8 | ||
|- | |- | ||
|Middlemarch | |||
| | |Eliot | ||
| | | | ||
| | |||
| | |||
| | |||
|84 | |||
| | | | ||
|- | | | ||
|588 | |||
| | |- | ||
|Moby Dick | |||
|Melville | |||
|3 | |||
|1 | |||
|1 | |||
|2. | |1 | ||
|- | |2 | ||
| | |2 | ||
| | |6 | ||
| | |2.3 | ||
| | |- | ||
| | |Modernity and Cultural Decline | ||
| | |Woodley et al | ||
| | |30 | ||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | | | ||
| | |||
|210 | |||
|- | |||
|Molloy | |||
| | |Beckett | ||
|- | | | ||
| | |||
| | | | ||
| | |60 | ||
| | |||
| | |||
| | |||
|420 | |||
| | |- | ||
|- | |Mrs. Dalloway | ||
|Woolf | |||
| | | | ||
| | | | ||
| | |||
| | |||
|90 | |||
| | |||
| | | | ||
|- | |630 | ||
|- | |||
| | |Nausea | ||
|Sartre | |||
| | |||
| | |||
|64 | |||
| | |||
|69. | |100 | ||
|- | | | ||
| | |||
| | |287 | ||
|- | |||
|Neuromancer | |||
|Gibson | |||
| | |||
| | |||
| | | | ||
|- | |97 | ||
| | |||
| | | | ||
| | | | ||
|679 | |||
|- | |||
|No Longer Human | |||
|Dazai | |||
| | |70 | ||
|- | |34 | ||
|76 | |||
| | |50 | ||
| | |73 | ||
| | |55 | ||
| | | | ||
| | |69.6 | ||
| | |- | ||
| | |Notes from Underground | ||
| | |Dostoevsky | ||
| | |25 | ||
| | |18 | ||
| | |23 | ||
| | | | ||
| | |32 | ||
| | |44 | ||
| | |26 | ||
| | |32.7 | ||
|- | |- | ||
|Oblomov | |||
| | |Goncharov | ||
| | |||
| | |||
| | |||
| | |||
|98 | |||
| | | | ||
|- | | | ||
|686 | |||
| | |- | ||
|Of Mice and Men | |||
|Steinbeck | |||
| | |||
| | |||
|74 | |||
| | | | ||
|- | | | ||
|85 | |||
| | | | ||
| | |278.3 | ||
|- | |||
|On the Heights of Despair | |||
|Cioran | |||
|49 | |||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | |||
| | |||
|343 | |||
|- | |||
|On The Road | |||
| | |Kerouac | ||
|- | | | ||
| | | | ||
| | | | ||
| | |||
| | |||
| | |||
|57 | |||
|399 | |||
| | |- | ||
|- | |One Hundred Years of Solitude | ||
|Márquez | |||
| | |28 | ||
| | |25 | ||
|26 | |||
|26 | |||
|17 | |||
|23 | |||
| | |23 | ||
|- | |24 | ||
|- | |||
|Pale Fire | |||
|Nabokov | |||
| | |||
|72 | |||
|47 | |||
|24 | |||
|36 | |||
|70 | |||
|81 | |||
|64.2 | |||
|- | |||
|Pan | |||
|Hamsun | |||
|92 | |||
| | |||
| | |||
|77 | |||
| | |||
| | |||
| | |||
|295.8 | |||
|- | |||
|Paradise Lost | |||
|Milton | |||
|93 | |||
|55 | |||
|24 | |||
|68 | |||
|46 | |||
|37 | |||
|98 | |||
|60.1 | |||
|- | |||
|Pedro Páramo | |||
|Rulfo | |||
|9 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|63 | |||
|- | |||
|Phenomenology of Spirit | |||
|Hegel | |||
| | |||
|44 | |||
|50 | |||
| | |||
| | |||
| | |||
| | |||
|164.5 | |||
|- | |||
|Platonic Dialogues | |||
|Plato | |||
| | |||
| | |||
| | |||
|21 | |||
| | |||
| | |||
| | |||
|147 | |||
|- | |||
|Process and Reality | |||
|Whitehead | |||
| | |||
|29 | |29 | ||
| | | | ||
Line 962: | Line 1,375: | ||
| | | | ||
| | | | ||
| | |203 | ||
|- | |- | ||
| | |Raise High the Roofbeams, Carpenters and Seymour: An Introduction | ||
| | |Salinger | ||
| | |78 | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |546 | ||
| | |- | ||
| | |Roadside Picnic | ||
| | |Strugatzky, A. & B. | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|- | | | ||
| | |89 | ||
| | |85 | ||
|304.5 | |||
|- | |||
|Satantango | |||
|Krasznahorkai | |||
|33 | |||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | | | ||
| | |||
|231 | |||
|- | |||
|Siddhartha | |||
| | |Hesse | ||
|- | | | ||
|62 | |||
| | |45 | ||
| | |64 | ||
|24 | |||
|25 | |||
|27 | |||
|48 | |||
| | |- | ||
|- | |Slaughterhouse-Five | ||
|Vonnegut | |||
| | |56 | ||
| | | | ||
|62 | |||
| | |||
|78 | |||
|39 | |||
| | |24 | ||
|- | |72.5 | ||
|- | |||
| | |Society of the Spectacle | ||
| | |Debord | ||
| | |||
| | |||
| | |||
| | |||
| | | | ||
|- | |90 | ||
| | |||
| | |630 | ||
| | |- | ||
|Solaris | |||
|Lem | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|62 | |||
|434 | |||
|- | |||
|Sometimes a Great Notion | |||
|Kesey | |||
| | |||
| | |||
|67 | |||
| | |||
| | |||
| | |||
| | |||
|469 | |||
|- | |||
|Steppenwolf | |||
|Hesse | |||
|79 | |||
| | |||
|66 | |||
|96 | |||
|40 | |||
|42 | |||
|93 | |||
|80.9 | |80.9 | ||
|- | |- | ||
| | |Stoner | ||
| | |Williams | ||
|10 | |||
|13 | |||
|7 | |||
|7 | |||
|10 | |||
| | |9 | ||
|- | |38 | ||
|13.4 | |||
| | |- | ||
| | |Storm of Steel | ||
| | |Jünger | ||
| | | | ||
| | |48 | ||
| | |97 | ||
| | | | ||
|- | | | ||
| | |||
| | |||
|253.8 | |||
|- | |||
|Story of the Eye | |||
|Bataille | |||
|50 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|350 | |||
|- | |||
|Summa Theologica | |||
|Aquinas | |||
| | |||
|74 | |74 | ||
| | | | ||
Line 1,061: | Line 1,518: | ||
| | | | ||
| | | | ||
| | |518 | ||
|- | |- | ||
|Suttree | |||
| | |McCarthy | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |74 | ||
| | |518 | ||
| | |- | ||
| | |Take Five | ||
| | |Mano | ||
| | |51 | ||
| | | | ||
| | | | ||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | |357 | ||
|- | |||
|Tao Te Ching | |||
|Laozi | |||
|43 | |||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | | | ||
| | |||
|301 | |||
|- | |||
|The Aleph | |||
| | |Borges | ||
|- | | | ||
| | |||
| | |||
| | |||
| | |||
|81 | |||
| | |||
|567 | |||
|- | |||
|The Anatomy of Melancholy | |||
|Burton | |||
| | |||
| | |||
| | |||
|75 | |||
| | |||
| | |||
| | |||
|525 | |||
|- | |||
|The Bhagavad Gita | |||
|Vyasa | |||
|74 | |||
|73 | |73 | ||
| | | | ||
Line 1,106: | Line 1,584: | ||
| | | | ||
| | | | ||
| | |257.3 | ||
|- | |- | ||
|The Book of Disquiet | |||
| | |Pessoa | ||
|34 | |||
|16 | |||
|32 | |||
|47 | |||
|58 | |||
| | |48 | ||
|- | |41 | ||
|39.4 | |||
| | |- | ||
|The Book of the New Sun | |||
|Wolfe | |||
| | |||
|32 | |||
|31 | |||
| | |17 | ||
|- | |41 | ||
|27 | |||
| | | | ||
|41.4 | |||
|- | |||
|The Brothers Karamazov | |||
|Dostoevsky | |||
|4 | |||
|4. | |3 | ||
|- | |3 | ||
|9 | |||
| | |4 | ||
| | |3 | ||
|3 | |||
|4.1 | |||
|- | |||
|The Canterbury Tales | |||
| | |Chaucer | ||
|- | | | ||
| | |||
| | | | ||
| | | | ||
|80 | |||
|100 | |||
| | |||
|315 | |||
| | |- | ||
|- | |The Castle | ||
|Kafka | |||
| | | | ||
| | |||
| | |||
|79 | |||
|95 | |||
| | |||
|37. | | | ||
|- | |304.5 | ||
| | |- | ||
| | |The Catcher in the Rye | ||
|Salinger | |||
|37 | |||
|43 | |||
|37 | |||
|58 | |||
| | |52 | ||
|- | |16 | ||
|17 | |||
| | |37.1 | ||
|- | |||
|The Changing Light at Sandover | |||
|Merrill | |||
|57 | |||
| | |||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | | | ||
|399 | |||
|- | |||
|The Confidence-Man | |||
|Melville | |||
| | |87 | ||
|- | | | ||
| | |||
| | | | ||
| | |||
| | |||
| | |||
|609 | |||
|- | |||
| | |The Count of Monte Cristo | ||
|- | |Dumas | ||
|40 | |||
| | |36 | ||
|34 | |||
|90 | |||
|51 | |||
|59 | |||
|100 | |||
| | |58.6 | ||
|- | |- | ||
|The Crying of Lot 49 | |||
| | |Pynchon | ||
| | | | ||
| | |87 | ||
| | |86 | ||
| | |52 | ||
| | |42 | ||
| | |45 | ||
|- | |47 | ||
|69.8 | |||
| | |- | ||
| | |The Death of Ivan Ilych | ||
|Tolstoy | |||
| | |||
| | |||
| | |||
| | | | ||
|- | |70 | ||
| | |||
| | | | ||
| | |490 | ||
|- | |||
|The Decline of the West | |||
|Spengler | |||
| | |||
| | |90 | ||
|- | |78 | ||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | |294 | ||
| | |- | ||
| | |The Divine Comedy | ||
| | |Alighieri | ||
|- | |38 | ||
|7 | |||
| | |16 | ||
| | |13 | ||
|16 | |||
|30 | |||
|32 | |||
|21.7 | |||
| | |- | ||
|The Ego & His Own | |||
|Stirner | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|71 | |||
| | |||
|497 | |||
|- | |||
|The Elementary Particles | |||
|Houellebecq | |||
|65 | |||
|77 | |||
|96 | |||
| | |||
| | |||
| | |||
| | |||
|185.1 | |||
|- | |||
|The Faerie Queene | |||
|Spenser | |||
| | |||
| | |||
| | |||
|94 | |||
| | |||
| | |||
| | |||
|658 | |||
|- | |||
|The Fall | |||
|Camus | |||
| | |||
| | |||
| | |||
|76 | |||
| | |||
| | |||
|91 | |||
|292.3 | |||
|- | |||
|The Flowers of Evil | |||
|Baudelaire | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|91 | |||
| | |||
|637 | |||
|- | |||
|The Fountainhead | |||
|Rand | |||
|95 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|665 | |||
|- | |||
|The Glass Bead Game | |||
|Hesse | |||
| | |||
| | |||
|79 | |||
| | |||
| | |||
| | |||
| | |||
|553 | |||
|- | |- | ||
|The Golden Bowl | |The Golden Bowl | ||
|James | |||
|80 | |||
|89 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|295.8 | |||
|- | |||
|The Good Earth | |||
|Buck | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|96 | |||
|672 | |||
|- | |||
|The Grapes of Wrath | |||
|Steinbeck | |||
| | |||
|84 | |||
|84 | |||
| | |||
|77 | |||
| | |||
|56 | |||
|131.7 | |||
|- | |||
|The Great Gatsby | |||
|Fitzgerald | |||
| | |||
| | |||
|58 | |||
| | |||
|92 | |||
|46 | |||
|20 | |||
|94.5 | |||
|- | |||
|The Gulag Archipelago | |||
|Solzhenitsyn | |||
| | |||
| | |||
| | |||
|65 | |||
| | |||
| | |||
| | |||
|455 | |||
|- | |||
|The Hitchhiker's Guide to the Galaxy | |||
|Adams | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|90 | |||
|630 | |||
|- | |||
|The Hobbit | |||
|Tolkien | |||
| | |||
| | |||
|60 | |||
| | |||
| | |||
|72 | |||
|44 | |||
|136.9 | |||
|- | |||
|The Holy Bible | |||
| | |||
|2 | |||
|2 | |||
|4 | |||
|5 | |||
|6 | |||
|22 | |||
|64 | |||
|15 | |||
|- | |||
|The Idiot | |||
|Dostoevsky | |||
|66 | |||
|33 | |||
|48 | |||
|80 | |||
|45 | |||
|58 | |||
| | |||
|64.2 | |||
|- | |||
|The Iliad | |||
|Homer | |||
|6 | |||
|9 | |||
|9 | |||
|11 | |||
|15 | |||
|18 | |||
|94 | |||
|23.1 | |||
|- | |||
|The Leopard | |||
|Lampedusa | |||
| | |||
| | |||
|82 | |||
| | |||
| | |||
| | |||
| | |||
|574 | |||
|- | |||
|The Lord of the Rings | |||
|Tolkien | |||
|18 | |||
|38 | |||
|51 | |||
|33 | |||
|48 | |||
|63 | |||
| | |||
|48.8 | |||
|- | |||
|The Magic Mountain | |||
|Mann | |||
| | |||
|61 | |||
|49 | |||
|39 | |||
|53 | |||
|75 | |||
| | |||
|77.6 | |||
|- | |||
|The Major Works | |||
|Browne | |||
|81 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|567 | |||
|- | |||
|The Making of Americans | |||
|Stein | |||
|41 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|287 | |||
|- | |||
|The Man Without Qualities | |||
|Musil | |||
| | |||
|49 | |||
| | |||
|73 | |||
|83 | |||
| | |||
| | |||
|159.4 | |||
|- | |||
|The Master and Margarita | |||
|Bulgakov | |||
|14 | |||
|50 | |||
|56 | |||
|27 | |||
|23 | |||
|20 | |||
|34 | |||
|32 | |||
|- | |||
|The Metamorphosis | |||
|Kafka | |||
|58 | |||
|42 | |||
|55 | |||
|81 | |||
|26 | |||
|47 | |||
|49 | |||
|51.1 | |||
|- | |||
|The Naked Lunch | |||
|Burroughs | |||
| | |||
| | |||
|89 | |89 | ||
|74 | |||
|96 | |||
|74 | |||
|50 | |||
|107.2 | |||
|- | |||
|The Name of the Rose | |||
|Eco | |||
| | |||
|99 | |||
|95 | |||
| | |||
| | |||
|86 | |||
| | |||
|217.8 | |||
|- | |||
|The Odyssey | |||
|Homer | |||
|29 | |||
|12 | |||
|15 | |||
|28 | |||
|21 | |||
|31 | |||
|31 | |||
|23.9 | |||
|- | |||
|The Old Man and The Sea | |||
|Hemingway | |||
| | |||
| | |||
| | |||
|67 | |||
| | |||
|34 | |||
|97 | |||
|154 | |||
|- | |||
|The Opposing Shore | |||
|Gracq | |||
|82 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|574 | |||
|- | |||
|The Pale King | |||
|Wallace | |||
| | |||
| | |||
| | |||
|63 | |||
|67 | |||
| | |||
|69 | |||
|154.8 | |||
|- | |||
|The Passion According to G.H. | |||
|Lispector | |||
|83 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|581 | |||
|- | |||
|The Picture of Dorian Gray | |||
|Wilde | |||
| | | | ||
| | | | ||
|61 | |||
|54 | |||
|38 | |||
|64 | |||
|16 | |||
|65.2 | |||
|- | |||
|The Plague | |||
|Camus | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |35 | ||
|245 | |||
|- | |||
|The Portrait of a Lady | |||
|James | |||
|84 | |||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | |||
| | | | ||
|588 | |||
|- | |||
|The Posthumous Memoirs of Brás Cubas | |||
|Assis | |||
|59 | |||
| | | | ||
| | |||
| | |40 | ||
| | |||
| | | | ||
| | | | ||
|173.3 | |||
|- | |||
|- | |The Prince | ||
|Machiavelli | |||
| | | | ||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
| | |||
| | |||
|92 | |92 | ||
| | | | ||
Line 1,475: | Line 2,134: | ||
| | | | ||
| | | | ||
| | |644 | ||
|- | |- | ||
|The Quran | |||
| | |||
|19 | |||
|91 | |91 | ||
| | | | ||
Line 1,484: | Line 2,145: | ||
| | | | ||
| | | | ||
| | |192.5 | ||
|- | |- | ||
|The Recognitions | |||
| | |Gaddis | ||
| | |||
|28 | |||
|44 | |||
|18 | |||
|27 | |||
| | |56 | ||
|- | | | ||
|48.4 | |||
| | |- | ||
| | |The Red & The Black | ||
| | |Stendhal | ||
| | | | ||
| | |70 | ||
| | |92 | ||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | |283.5 | ||
|- | |||
|The Reign of Quantity and the Signs of the Times | |||
|Guénon | |||
|71 | |||
| | | | ||
|- | | | ||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | |497 | ||
| | |- | ||
| | |The Remains of the Day | ||
| | |Ishiguro | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |87 | ||
| | | | ||
| | |609 | ||
| | |- | ||
|- | |The Republic | ||
|Plato | |||
| | |26 | ||
|23 | |||
|39 | |||
| | |||
|68 | |||
| | |||
| | | | ||
|- | |68.3 | ||
|- | |||
| | |The Rings of Saturn | ||
|Sebald | |||
| | |||
| | |||
| | |||
|78 | |||
| | | | ||
|- | | | ||
| | | | ||
| | |546 | ||
| | |- | ||
| | |The Road | ||
| | |McCarthy | ||
| | | | ||
| | | | ||
| | | | ||
|- | |69 | ||
| | |||
| | | | ||
| | | | ||
|483 | |||
|- | |||
|The Sailor who fell from Grace with the Sea | |||
|Mishima | |||
| | | | ||
|- | |47 | ||
|68 | |||
| | | | ||
| | | | ||
| | |||
| | |||
|201.3 | |||
|- | |||
| | |The Savage Detectives | ||
|- | |Bolaño | ||
| | |||
| | |86 | ||
| | |||
|31 | |||
|55 | |||
|43 | |||
|63 | |||
| | |77.8 | ||
|- | |- | ||
|The Secret History | |||
| | |Tartt | ||
|96 | |||
| | |||
| | |||
| | |||
| | |||
|15. | | | ||
|- | | | ||
|672 | |||
| | |- | ||
|The Simarillion | |||
|Tolkien | |||
| | |||
| | |||
| | |||
| | | | ||
|- | | | ||
| | | | ||
| | |42 | ||
| | |294 | ||
|- | |||
|The Sirens of Titan | |||
|Vonnegut | |||
| | |||
| | | | ||
|- | | | ||
| | |||
| | | | ||
|67 | |||
| | |||
|469 | |||
|- | |||
|The Sorrows of Young Werther | |||
| | |Goethe | ||
|- | | | ||
| | |||
| | |87 | ||
| | | | ||
| | |||
| | |||
| | |||
|609 | |||
| | |- | ||
|- | |The Sound and the Fury | ||
|Faulkner | |||
| | | | ||
|64 | |||
|33 | |||
|37 | |||
|49 | |||
|36 | |||
| | |18 | ||
|- | |46.1 | ||
|- | |||
| | |The Stranger | ||
| | |Camus | ||
| | |12 | ||
| | |21 | ||
| | |13 | ||
| | |32 | ||
| | |13 | ||
| | |13 | ||
| | |2 | ||
| | |15.1 | ||
| | |- | ||
| | |The Sun Also Rises | ||
| | |Hemingway | ||
| | | | ||
| | |80 | ||
| | |53 | ||
|- | |93 | ||
|72 | |||
| | |62 | ||
| | |52 | ||
|80.1 | |||
|- | |||
|The Tartar Steppe | |||
|Buzzati | |||
| | |60 | ||
|- | | | ||
| | |||
| | | | ||
| | | | ||
| | |||
| | |||
|420 | |||
|- | |||
| | |The Temple of the Golden Pavillion | ||
|- | |Mishima | ||
| | |||
| | |||
| | |||
|99 | |||
| | |||
| | |||
|58 | |||
|274.8 | |||
|- | |||
|The Trial | |||
|Kafka | |||
|47 | |||
| | |||
|30 | |||
|12 | |||
|14 | |||
|28 | |||
|9 | |||
|27.2 | |||
|- | |||
|The Trilogy | |||
|Beckett | |||
|67 | |||
| | |||
|69 | |||
| | |||
|28 | |||
| | |||
| | |||
|127.6 | |||
|- | |||
|The Tropic of Cancer | |||
|Miller | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|84 | |||
| | |||
|588 | |||
|- | |||
|The Tunnel | |||
|Gass | |||
| | |||
|58 | |||
|72 | |||
| | |||
|76 | |||
| | |||
| | |||
|160.2 | |||
|- | |||
|The Unbearable Lightness of Being | |||
|Kundera | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|98 | |||
| | |||
|686 | |||
|- | |||
|The Unconsoled | |||
|Ishiguro | |||
|52 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|364 | |||
|- | |||
|The Wasp Factory | |||
|Banks | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|80 | |||
|560 | |||
|- | |||
|The Waste Land | |||
|Eliot | |||
| | |||
| | |||
| | |||
| | |||
|91 | |||
| | |||
| | |||
|637 | |||
|- | |||
|The Waves | |||
|Woolf | |||
| | |||
| | |||
|85 | |||
|91 | |||
|50 | |||
|49 | |||
|33 | |||
|86.2 | |||
|- | |||
|The World as Will and Representation | |||
|Schopenhauer | |||
| | |||
|79 | |79 | ||
| | | | ||
Line 1,682: | Line 2,453: | ||
| | | | ||
| | | | ||
| | |553 | ||
|- | |- | ||
|Thus Spoke Zarathustra | |||
| | |Nietzsche | ||
|72 | |||
|19 | |||
|25 | |||
| | |||
|56 | |||
| | |97 | ||
|- | |82 | ||
|68.3 | |||
| | |- | ||
|To the Lighthouse | |||
|Woolf | |||
|61 | |||
|54 | |||
|73 | |||
| | |41 | ||
|- | |57 | ||
|94 | |||
| | |75 | ||
| | |65 | ||
| | |- | ||
| | |Tristram Shandy | ||
| | |Sterne | ||
| | | | ||
| | |83 | ||
| | |83 | ||
| | | | ||
| | |64 | ||
| | | | ||
| | | | ||
| | |178.9 | ||
| | |- | ||
| | |Ubik | ||
| | |Dick | ||
|- | | | ||
| | | | ||
| | | | ||
| | |||
| | |||
| | |||
|61 | |||
|427 | |||
| | |- | ||
|- | |Ubu Roi | ||
|Jarry | |||
| | |35 | ||
| | |||
| | |||
| | |||
| | |||
| | |||
| | | | ||
|- | |245 | ||
|- | |||
| | |Ulysses | ||
| | |Joyce | ||
|20 | |||
|5 | |||
|5 | |||
|2 | |||
| | |1 | ||
|- | |4 | ||
| | |12 | ||
| | |7 | ||
| | |- | ||
| | |Under the Volcano | ||
| | |Lowry | ||
| | | | ||
| | |82 | ||
| | | | ||
| | | | ||
| | |85 | ||
| | | | ||
| | | | ||
| | |292.3 | ||
| | |- | ||
| | |V. | ||
| | |Pynchon | ||
| | |68 | ||
|- | | | ||
|41 | |||
| | |35 | ||
|37 | |||
|40 | |||
|30 | |||
|48.8 | |||
|- | |||
| | |Valis | ||
|- | |Dick | ||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |78 | ||
| | |546 | ||
|- | |- | ||
|Voss | |||
| | |White | ||
| | |85 | ||
| | |||
| | |||
| | |||
| | |||
| | | | ||
|- | | | ||
|595 | |||
| | |- | ||
| | |Walden | ||
| | |Thoreau | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |||
| | |||
|89 | |||
|623 | |||
|- | |||
|War and Peace | |||
|Tolstoy | |||
|13 | |||
|15 | |||
|18 | |||
|29 | |||
|18 | |||
|32 | |||
|36 | |||
|23 | |||
|- | |||
|Watership Down | |||
|Adams | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|66 | |||
| | |||
|462 | |||
|- | |||
|White Fragility | |||
|DiAngelo | |||
|97 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|679 | |||
|- | |||
|White Noise | |||
|DeLillo | |||
| | |||
| | |||
| | |||
|55 | |||
|94 | |||
|17 | |||
|37 | |||
|88.8 | |||
|- | |||
|Wuthering Heights | |||
|Brontë | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|68 | |||
|39 | |||
|187.3 | |||
|- | |||
|Zhuangzi | |||
|Zhuangzi | |||
|98 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|686 | |||
|} | |} | ||
</div> | |||
< | <br /> | ||
[[ | <br /> | ||
<br /> | |||
[[File:4chan 2019 top 100.jpg|thumb|407x407px|/lit/ top 100 books circa 2019 (fake list)|alt=|right]] | |||
<br /> | |||
[[File:1576953749636.jpg|thumb|407x407px|/lit/ top 100 books circa 2019 (real list)|alt=|right]] | |||
<br /> | |||
[[File:2014-2017 Top 100.jpg|800px|right|Collected 2014-2017 Top 100]] | |||
<br /> |
Latest revision as of 08:07, 19 December 2023
From 2014, polls of posters' favorite books have been conducted every year on /lit/. The responses to these polls generated the below infographics. After 2017, lists continued to be created, but without polls.
(In 2015, the poll also asked for a list of the responder's and three favorite authors. This was not continued from 2016 onwards.)
Facts about the similarities and differences between the 2014 poll results and the 2015 poll results are as follows:
- 69% of the books from the 2014 list made it onto the 2015 list.
- The highest placing new additions to the 2015 list are:
- Confederacy of Dunces (26)
- Book of the New Sun (27)
- Les Miserables (35)
- If on a Winter's Night a Traveler (50)
- For Whom the Bell Tolls (53)
- The highest placing books to drop off the 2014 list are:
- The Plague (35)
- The Silmarillion (42)
- Leaves of Grass (53)
- Harry Potter series (54)
- A Clockwork Orange (55)
- Of the books that stayed on the list, the greatest gains were made by:
- The Iliad (94 to 18)
- The Old Man and the Sea (97 to 34)
- Paradise Lost (98 to 37)
- Portrait of the Artist (67 to 12)
- Steppenwolf (93 to 42)
- The greatest losses were:
- Dune (29 to 83)
- The Picture of Dorian Gray (16 to 64)
- A Farewell to Arms (46 to 93)
- Journey to the End of the Night (10 to 52)
- Invisible Cities (22 to 57)
-
2014 - 2017
-
2014
-
2015
-
Authors 2015
-
2016
-
2017
-
2018
-
2019
-
2020
-
Top Novels 2020
-
2020 (modified/fake without trolls)
Title | Author | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | Avg / % Listed |
---|---|---|---|---|---|---|---|---|---|
1984 | Orwell | 31 | 22 | 21 | 19 | 25 | 15 | 19 | 21.7 |
2666 | Bolaño | 99 | 56 | 29 | 22 | 34 | 24 | 15 | 39.9 |
60 Stories | Barthelme | 95 | 665 | ||||||
A Canticle for Leibowitz | Miller Jr. | 100 | 700 | ||||||
A Clockwork Orange | Burgess | 98 | 55 | 267.8 | |||||
A Confederacy of Dunces | Toole | 53 | 46 | 88 | 49 | 59 | 26 | 62.7 | |
A Farewell to Arms | Hemingway | 93 | 46 | 243.3 | |||||
A Hero of Our Time | Lermontov | 67 | 76 | 250.3 | |||||
A Portrait of the Artist as a Young Man | Joyce | 65 | 38 | 20 | 31 | 12 | 67 | 45.3 | |
A Scanner Darkly | Dick | 99 | 693 | ||||||
A Tale of Two Cities | Dickens | 88 | 92 | 315 | |||||
Absalom, Absalom! | Faulkner | 73 | 82 | 51 | 79 | 124.7 | |||
Ada, or Ardor | Nabokov | 66 | 96 | 283.5 | |||||
Adventures of Huckleberry Finn | Twain | 68 | 476 | ||||||
Aeneid | Virgil | 63 | 82 | 89 | 182 | ||||
Against Nature | Huysmans | 53 | 94 | 45 | 149.3 | ||||
Alice's Adventures in Wonderland | Carroll | 83 | 97 | 81 | 73 | 146.1 | |||
American Psycho | Ellis | 44 | 60 | 90 | 88 | 65 | 80 | 51 | 68.3 |
Animal Farm | Orwell | 72 | 83 | 271.3 | |||||
Anna Karenina | Tolstoy | 21 | 14 | 17 | 34 | 20 | 21 | 28 | 22.1 |
Antifragile | Taleb | 86 | 602 | ||||||
Arcades Project | Benjamin | 88 | 616 | ||||||
As I Lay Dying | Faulkner | 87 | 88 | 69 | 48 | 127.8 | |||
Being and Time | Heidegger | 22 | 154 | ||||||
Beyond Good and Evil | Nietzsche | 96 | 80 | 92 | 208.4 | ||||
Blood Meridian | McCarthy | 15 | 17 | 11 | 23 | 8 | 8 | 4 | 12.3 |
Bottom's Dream | Schmidt | 61 | 427 | ||||||
Brave New World | Huxley | 39 | 59 | 40 | 38 | 71 | 65 | 60.7 | |
Bronze Age Mindset | Bronze Age Pervert | 54 | 378 | ||||||
Buddenbrooks | Mann | 62 | 434 | ||||||
Candide | Voltaire | 97 | 85 | 318.5 | |||||
Cannery Row | Steinbeck | 78 | 546 | ||||||
Capital | Marx | 63 | 26 | 57 | 113.6 | ||||
Catch 22 | Heller | 32 | 45 | 27 | 42 | 35 | 10 | 14 | 29.3 |
Confessions | Augustine | 31 | 59 | 51 | 109.7 | ||||
Confessions of a Mask | Mishima | 81 | 567 | ||||||
Correction | Bernhard | 66 | 43 | 190.8 | |||||
Crime and Punishment | Dostoevsky | 5 | 4 | 2 | 10 | 12 | 5 | 13 | 7.3 |
Critique of Pure Reason | Kant | 48 | 93 | 246.8 | |||||
Cryptonomicon | Stephenson | 98 | 686 | ||||||
Dandelion Wine | Bradbury | 77 | 539 | ||||||
Dead Souls | Gogol | 61 | 93 | 95 | 71 | 140 | |||
Demons | Dostoevsky | 75 | 78 | 267.8 | |||||
Do Androids Dream of Electric Sheep? | Dick | 92 | 60 | 266 | |||||
Don Quixote | Cervantes | 8 | 6 | 12 | 8 | 11 | 11 | 8 | 9.1 |
Dubliners | Joyce | 88 | 27 | 22 | 15 | 19 | 14 | 40 | 32.1 |
Dune | Herbert | 71 | 53 | 74 | 83 | 29 | 86.8 | ||
East of Eden | Steinbeck | 37 | 36 | 89 | 44 | 41 | 84 | 64.4 | |
Essays | Montaigne | 63 | 52 | 201.3 | |||||
Ethics | Spinoza | 94 | 658 | ||||||
Extinction | Bernhard | 45 | 315 | ||||||
Fanged Noumena | Land | 66 | 462 | ||||||
Farenheit 451 | Bradbury | 70 | 77 | 257.3 | |||||
Faust | Goethe | 76 | 30 | 28 | 46 | 33 | 65 | 54.1 | |
Fear and Loathing in Las Vegas | Thompson | 59 | 413 | ||||||
Fear and Trembling | Kierkegaard | 68 | 75 | 250.3 | |||||
Fictions | Borges | 17 | 41 | 20 | 16 | 9 | 19 | 11 | 19 |
Fight Club | Palahniuk | 87 | 609 | ||||||
Finnegan's Wake | Joyce | 75 | 81 | 30 | 39 | 98.4 | |||
For Whom the Bell Tolls | Hemingway | 53 | 371 | ||||||
Foucault's Pendulum | Eco | 77 | 539 | ||||||
Frankenstein | Shelley | 100 | 700 | ||||||
Franny & Zooey | Salinger | 87 | 88 | 306.3 | |||||
Gravity's Rainbow | Pynchon | 55 | 10 | 8 | 4 | 7 | 6 | 7 | 13.9 |
Growth of the Soil | Hamsun | 76 | 532 | ||||||
Hamlet | Shakespeare | 23 | 20 | 14 | 25 | 30 | 38 | 21 | 24.4 |
Heart of Darkness | Conrad | 57 | 70 | 56 | 62 | 61 | 43 | 67.9 | |
History of Charles XII | Voltaire | 27 | 189 | ||||||
Hopscotch | Cortázar | 52 | 86 | 241.5 | |||||
House of Leaves | Danielewski | 69 | 483 | ||||||
Hunger | Hamsun | 42 | 59 | 54 | 60 | 72 | 80.4 | ||
I Am a Cat | Sōseki | 99 | 693 | ||||||
If on a Winter's Night a Traveler | Calvino | 100 | 47 | 50 | 153.2 | ||||
Illuminatus! | Wilson; Shea | 95 | 665 | ||||||
Industrial Society and its Future | Kaczynski | 11 | 77 | ||||||
In Search of Lost Time | Proust | 24 | 24 | 19 | 14 | 22 | 29 | 45 | 25.3 |
Infinite Jest | Wallace | 16 | 11 | 10 | 3 | 3 | 1 | 1 | 6.4 |
Invisible Cities | Calvino | 89 | 85 | 54 | 84 | 81 | 57 | 22 | 67.4 |
J R | Gaddis | 36 | 77 | 57 | 75 | 91.4 | |||
Jerusalem | Moore | 48 | 29 | 134.8 | |||||
Journey to the End of the Night | Céline | 46 | 39 | 35 | 60 | 52 | 10 | 47.1 | |
Kafka on the Shore | Murakami | 95 | 86 | 73 | 197.6 | ||||
King Lear | Shakespeare | 98 | 91 | 79 | 208.4 | ||||
Kokoro | Sōseki | 69 | 483 | ||||||
Leaves of Grass | Whitman | 86 | 53 | 243.3 | |||||
Les Misérables | Hugo | 42 | 35 | 46 | 71 | 99 | 35 | 63.8 | |
Life and Fate | Grossman | 99 | 693 | ||||||
Light in August | Faulkner | 70 | 490 | ||||||
Lolita | Nabokov | 7 | 8 | 6 | 6 | 5 | 8 | 5 | 6.4 |
London Bridge | Céline | 90 | 630 | ||||||
Lord of the Flies | Golding | 100 | 66 | 290.5 | |||||
Madame Bovary | Flaubert | 64 | 51 | 93 | 44 | 69 | 54 | 72.9 | |
Malone Dies | Beckett | 76 | 532 | ||||||
Mason & Dixon | Pynchon | 71 | 43 | 43 | 33 | 25 | 60.2 | ||
Meditations | Aurelius | 40 | 65 | 36 | 63 | 79 | 79.2 | ||
Meditations | Descartes | 62 | 434 | ||||||
Mein Kampf | Hitler | 1 | 7 | ||||||
Metamorphoses | Ovid | 91 | 94 | 323.8 | |||||
Middlemarch | Eliot | 84 | 588 | ||||||
Moby Dick | Melville | 3 | 1 | 1 | 1 | 2 | 2 | 6 | 2.3 |
Modernity and Cultural Decline | Woodley et al | 30 | 210 | ||||||
Molloy | Beckett | 60 | 420 | ||||||
Mrs. Dalloway | Woolf | 90 | 630 | ||||||
Nausea | Sartre | 64 | 100 | 287 | |||||
Neuromancer | Gibson | 97 | 679 | ||||||
No Longer Human | Dazai | 70 | 34 | 76 | 50 | 73 | 55 | 69.6 | |
Notes from Underground | Dostoevsky | 25 | 18 | 23 | 32 | 44 | 26 | 32.7 | |
Oblomov | Goncharov | 98 | 686 | ||||||
Of Mice and Men | Steinbeck | 74 | 85 | 278.3 | |||||
On the Heights of Despair | Cioran | 49 | 343 | ||||||
On The Road | Kerouac | 57 | 399 | ||||||
One Hundred Years of Solitude | Márquez | 28 | 25 | 26 | 26 | 17 | 23 | 23 | 24 |
Pale Fire | Nabokov | 72 | 47 | 24 | 36 | 70 | 81 | 64.2 | |
Pan | Hamsun | 92 | 77 | 295.8 | |||||
Paradise Lost | Milton | 93 | 55 | 24 | 68 | 46 | 37 | 98 | 60.1 |
Pedro Páramo | Rulfo | 9 | 63 | ||||||
Phenomenology of Spirit | Hegel | 44 | 50 | 164.5 | |||||
Platonic Dialogues | Plato | 21 | 147 | ||||||
Process and Reality | Whitehead | 29 | 203 | ||||||
Raise High the Roofbeams, Carpenters and Seymour: An Introduction | Salinger | 78 | 546 | ||||||
Roadside Picnic | Strugatzky, A. & B. | 89 | 85 | 304.5 | |||||
Satantango | Krasznahorkai | 33 | 231 | ||||||
Siddhartha | Hesse | 62 | 45 | 64 | 24 | 25 | 27 | 48 | |
Slaughterhouse-Five | Vonnegut | 56 | 62 | 78 | 39 | 24 | 72.5 | ||
Society of the Spectacle | Debord | 90 | 630 | ||||||
Solaris | Lem | 62 | 434 | ||||||
Sometimes a Great Notion | Kesey | 67 | 469 | ||||||
Steppenwolf | Hesse | 79 | 66 | 96 | 40 | 42 | 93 | 80.9 | |
Stoner | Williams | 10 | 13 | 7 | 7 | 10 | 9 | 38 | 13.4 |
Storm of Steel | Jünger | 48 | 97 | 253.8 | |||||
Story of the Eye | Bataille | 50 | 350 | ||||||
Summa Theologica | Aquinas | 74 | 518 | ||||||
Suttree | McCarthy | 74 | 518 | ||||||
Take Five | Mano | 51 | 357 | ||||||
Tao Te Ching | Laozi | 43 | 301 | ||||||
The Aleph | Borges | 81 | 567 | ||||||
The Anatomy of Melancholy | Burton | 75 | 525 | ||||||
The Bhagavad Gita | Vyasa | 74 | 73 | 257.3 | |||||
The Book of Disquiet | Pessoa | 34 | 16 | 32 | 47 | 58 | 48 | 41 | 39.4 |
The Book of the New Sun | Wolfe | 32 | 31 | 17 | 41 | 27 | 41.4 | ||
The Brothers Karamazov | Dostoevsky | 4 | 3 | 3 | 9 | 4 | 3 | 3 | 4.1 |
The Canterbury Tales | Chaucer | 80 | 100 | 315 | |||||
The Castle | Kafka | 79 | 95 | 304.5 | |||||
The Catcher in the Rye | Salinger | 37 | 43 | 37 | 58 | 52 | 16 | 17 | 37.1 |
The Changing Light at Sandover | Merrill | 57 | 399 | ||||||
The Confidence-Man | Melville | 87 | 609 | ||||||
The Count of Monte Cristo | Dumas | 40 | 36 | 34 | 90 | 51 | 59 | 100 | 58.6 |
The Crying of Lot 49 | Pynchon | 87 | 86 | 52 | 42 | 45 | 47 | 69.8 | |
The Death of Ivan Ilych | Tolstoy | 70 | 490 | ||||||
The Decline of the West | Spengler | 90 | 78 | 294 | |||||
The Divine Comedy | Alighieri | 38 | 7 | 16 | 13 | 16 | 30 | 32 | 21.7 |
The Ego & His Own | Stirner | 71 | 497 | ||||||
The Elementary Particles | Houellebecq | 65 | 77 | 96 | 185.1 | ||||
The Faerie Queene | Spenser | 94 | 658 | ||||||
The Fall | Camus | 76 | 91 | 292.3 | |||||
The Flowers of Evil | Baudelaire | 91 | 637 | ||||||
The Fountainhead | Rand | 95 | 665 | ||||||
The Glass Bead Game | Hesse | 79 | 553 | ||||||
The Golden Bowl | James | 80 | 89 | 295.8 | |||||
The Good Earth | Buck | 96 | 672 | ||||||
The Grapes of Wrath | Steinbeck | 84 | 84 | 77 | 56 | 131.7 | |||
The Great Gatsby | Fitzgerald | 58 | 92 | 46 | 20 | 94.5 | |||
The Gulag Archipelago | Solzhenitsyn | 65 | 455 | ||||||
The Hitchhiker's Guide to the Galaxy | Adams | 90 | 630 | ||||||
The Hobbit | Tolkien | 60 | 72 | 44 | 136.9 | ||||
The Holy Bible | 2 | 2 | 4 | 5 | 6 | 22 | 64 | 15 | |
The Idiot | Dostoevsky | 66 | 33 | 48 | 80 | 45 | 58 | 64.2 | |
The Iliad | Homer | 6 | 9 | 9 | 11 | 15 | 18 | 94 | 23.1 |
The Leopard | Lampedusa | 82 | 574 | ||||||
The Lord of the Rings | Tolkien | 18 | 38 | 51 | 33 | 48 | 63 | 48.8 | |
The Magic Mountain | Mann | 61 | 49 | 39 | 53 | 75 | 77.6 | ||
The Major Works | Browne | 81 | 567 | ||||||
The Making of Americans | Stein | 41 | 287 | ||||||
The Man Without Qualities | Musil | 49 | 73 | 83 | 159.4 | ||||
The Master and Margarita | Bulgakov | 14 | 50 | 56 | 27 | 23 | 20 | 34 | 32 |
The Metamorphosis | Kafka | 58 | 42 | 55 | 81 | 26 | 47 | 49 | 51.1 |
The Naked Lunch | Burroughs | 89 | 74 | 96 | 74 | 50 | 107.2 | ||
The Name of the Rose | Eco | 99 | 95 | 86 | 217.8 | ||||
The Odyssey | Homer | 29 | 12 | 15 | 28 | 21 | 31 | 31 | 23.9 |
The Old Man and The Sea | Hemingway | 67 | 34 | 97 | 154 | ||||
The Opposing Shore | Gracq | 82 | 574 | ||||||
The Pale King | Wallace | 63 | 67 | 69 | 154.8 | ||||
The Passion According to G.H. | Lispector | 83 | 581 | ||||||
The Picture of Dorian Gray | Wilde | 61 | 54 | 38 | 64 | 16 | 65.2 | ||
The Plague | Camus | 35 | 245 | ||||||
The Portrait of a Lady | James | 84 | 588 | ||||||
The Posthumous Memoirs of Brás Cubas | Assis | 59 | 40 | 173.3 | |||||
The Prince | Machiavelli | 92 | 644 | ||||||
The Quran | 19 | 91 | 192.5 | ||||||
The Recognitions | Gaddis | 28 | 44 | 18 | 27 | 56 | 48.4 | ||
The Red & The Black | Stendhal | 70 | 92 | 283.5 | |||||
The Reign of Quantity and the Signs of the Times | Guénon | 71 | 497 | ||||||
The Remains of the Day | Ishiguro | 87 | 609 | ||||||
The Republic | Plato | 26 | 23 | 39 | 68 | 68.3 | |||
The Rings of Saturn | Sebald | 78 | 546 | ||||||
The Road | McCarthy | 69 | 483 | ||||||
The Sailor who fell from Grace with the Sea | Mishima | 47 | 68 | 201.3 | |||||
The Savage Detectives | Bolaño | 86 | 31 | 55 | 43 | 63 | 77.8 | ||
The Secret History | Tartt | 96 | 672 | ||||||
The Simarillion | Tolkien | 42 | 294 | ||||||
The Sirens of Titan | Vonnegut | 67 | 469 | ||||||
The Sorrows of Young Werther | Goethe | 87 | 609 | ||||||
The Sound and the Fury | Faulkner | 64 | 33 | 37 | 49 | 36 | 18 | 46.1 | |
The Stranger | Camus | 12 | 21 | 13 | 32 | 13 | 13 | 2 | 15.1 |
The Sun Also Rises | Hemingway | 80 | 53 | 93 | 72 | 62 | 52 | 80.1 | |
The Tartar Steppe | Buzzati | 60 | 420 | ||||||
The Temple of the Golden Pavillion | Mishima | 99 | 58 | 274.8 | |||||
The Trial | Kafka | 47 | 30 | 12 | 14 | 28 | 9 | 27.2 | |
The Trilogy | Beckett | 67 | 69 | 28 | 127.6 | ||||
The Tropic of Cancer | Miller | 84 | 588 | ||||||
The Tunnel | Gass | 58 | 72 | 76 | 160.2 | ||||
The Unbearable Lightness of Being | Kundera | 98 | 686 | ||||||
The Unconsoled | Ishiguro | 52 | 364 | ||||||
The Wasp Factory | Banks | 80 | 560 | ||||||
The Waste Land | Eliot | 91 | 637 | ||||||
The Waves | Woolf | 85 | 91 | 50 | 49 | 33 | 86.2 | ||
The World as Will and Representation | Schopenhauer | 79 | 553 | ||||||
Thus Spoke Zarathustra | Nietzsche | 72 | 19 | 25 | 56 | 97 | 82 | 68.3 | |
To the Lighthouse | Woolf | 61 | 54 | 73 | 41 | 57 | 94 | 75 | 65 |
Tristram Shandy | Sterne | 83 | 83 | 64 | 178.9 | ||||
Ubik | Dick | 61 | 427 | ||||||
Ubu Roi | Jarry | 35 | 245 | ||||||
Ulysses | Joyce | 20 | 5 | 5 | 2 | 1 | 4 | 12 | 7 |
Under the Volcano | Lowry | 82 | 85 | 292.3 | |||||
V. | Pynchon | 68 | 41 | 35 | 37 | 40 | 30 | 48.8 | |
Valis | Dick | 78 | 546 | ||||||
Voss | White | 85 | 595 | ||||||
Walden | Thoreau | 89 | 623 | ||||||
War and Peace | Tolstoy | 13 | 15 | 18 | 29 | 18 | 32 | 36 | 23 |
Watership Down | Adams | 66 | 462 | ||||||
White Fragility | DiAngelo | 97 | 679 | ||||||
White Noise | DeLillo | 55 | 94 | 17 | 37 | 88.8 | |||
Wuthering Heights | Brontë | 68 | 39 | 187.3 | |||||
Zhuangzi | Zhuangzi | 98 | 686 |