/lit/ Top 100 Lists: Difference between revisions
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imported>Johno Hassle Editing a gallery |
Fix typo: Aurelias -> Aurelius |
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Line 39: | Line 39: | ||
<gallery widths=" | <gallery widths="230" orientation="none"> | ||
2014-2017 Top 100.jpg|2014 - 2017 | 2014-2017 Top 100.jpg|2014 - 2017 | ||
Top100lit2014.jpg|2014 | |||
Top100lit2015.jpg|2015 | |||
Top 100 Authors (2015) .jpg|Authors 2015 | |||
Top100-2016.jpeg|2016 | |||
2017.jpg|2017 | |||
1546199776754.jpg|2018 | |||
Lit 1000 2019.jpg|2019 | Lit 1000 2019.jpg|2019 | ||
1609171124505.jpg|2020 | |||
Top novels 2002.jpg|Top Novels 2020 | |||
Top100list2020-notrolls.jpg|2020 (modified/fake without trolls) | |||
</gallery> | </gallery> | ||
<div style="overflow-x: scroll"> | |||
{| class="article-table sortable mw-collapsible" | {| class="article-table sortable mw-collapsible" | ||
|+ | |+ | ||
|- | |- | ||
|'''Title''' | !|'''Title''' | ||
|'''2019''' | !|'''Author''' | ||
|'''2018''' | !|'''2020''' | ||
|'''2017''' | !|'''2019''' | ||
|'''2016''' | !|'''2018''' | ||
|'''2015''' | !|'''2017''' | ||
|'''2014''' | !|'''2016''' | ||
|'''Avg / % Listed''' | !|'''2015''' | ||
!|'''2014''' | |||
! data-sort-type:number |'''Avg / % Listed''' | |||
|- | |- | ||
|1984 | |1984 | ||
|Orwell | |||
|31 | |||
|22 | |22 | ||
|21 | |21 | ||
Line 73: | Line 77: | ||
|15 | |15 | ||
|19 | |19 | ||
| | |21.7 | ||
|- | |- | ||
|2666 | |2666 | ||
|Bolaño | |||
|99 | |||
|56 | |56 | ||
|29 | |29 | ||
Line 82: | Line 88: | ||
|24 | |24 | ||
|15 | |15 | ||
| | |39.9 | ||
|- | |- | ||
|60 Stories | |60 Stories | ||
|Barthelme | |||
| | |||
| | | | ||
| | | | ||
Line 91: | Line 99: | ||
| | | | ||
| | | | ||
| | |665 | ||
|- | |||
|A Canticle for Leibowitz | |||
|Miller Jr. | |||
|100 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|700 | |||
|- | |- | ||
|A Clockwork Orange | |A Clockwork Orange | ||
|Burgess | |||
| | |||
| | | | ||
|98 | |98 | ||
Line 100: | Line 121: | ||
| | | | ||
|55 | |55 | ||
| | |267.8 | ||
|- | |- | ||
|A Confederacy of Dunces | |A Confederacy of Dunces | ||
|Toole | |||
|53 | |||
|46 | |46 | ||
|88 | |88 | ||
Line 109: | Line 132: | ||
|26 | |26 | ||
| | | | ||
| | |62.7 | ||
|- | |- | ||
|A Farewell to Arms | |A Farewell to Arms | ||
|Hemingway | |||
| | |||
| | | | ||
| | | | ||
Line 118: | Line 143: | ||
|93 | |93 | ||
|46 | |46 | ||
| | |243.3 | ||
|- | |- | ||
|A Hero of Our Time | |A Hero of Our Time | ||
|Lermontov | |||
| | |||
|67 | |67 | ||
| | | | ||
Line 127: | Line 154: | ||
|76 | |76 | ||
| | | | ||
| | |250.3 | ||
|- | |- | ||
|A Portrait of the Artist as a Young Man | |A Portrait of the Artist as a Young Man | ||
|Joyce | |||
| | |||
|65 | |65 | ||
|38 | |38 | ||
Line 136: | Line 165: | ||
|12 | |12 | ||
|67 | |67 | ||
| | |45.3 | ||
|- | |- | ||
|A Scanner Darkly | |A Scanner Darkly | ||
|Dick | |||
| | |||
| | | | ||
| | | | ||
Line 145: | Line 176: | ||
|99 | |99 | ||
| | | | ||
| | |693 | ||
|- | |- | ||
|A Tale of Two Cities | |A Tale of Two Cities | ||
|Dickens | |||
| | |||
| | | | ||
| | | | ||
Line 154: | Line 187: | ||
|88 | |88 | ||
|92 | |92 | ||
| | |315 | ||
|- | |- | ||
|Absalom, Absalom | |Absalom, Absalom! | ||
|Faulkner | |||
|73 | |||
| | | | ||
| | | | ||
Line 163: | Line 198: | ||
|51 | |51 | ||
|79 | |79 | ||
| | |124.7 | ||
|- | |- | ||
|Ada, or Ardor | |Ada, or Ardor | ||
|Nabokov | |||
| | |||
| | | | ||
| | | | ||
Line 172: | Line 209: | ||
|96 | |96 | ||
| | | | ||
| | |283.5 | ||
|- | |- | ||
|Adventures of Huckleberry Finn | |Adventures of Huckleberry Finn | ||
|Twain | |||
| | |||
| | | | ||
| | | | ||
Line 181: | Line 220: | ||
| | | | ||
|68 | |68 | ||
| | |476 | ||
|- | |- | ||
|Aeneid | |Aeneid | ||
|Virgil | |||
| | |||
| | | | ||
|63 | |63 | ||
Line 190: | Line 231: | ||
| | | | ||
| | | | ||
| | |182 | ||
|- | |- | ||
|Against Nature | |Against Nature | ||
|Huysmans | |||
| | |||
|53 | |53 | ||
|94 | |94 | ||
Line 199: | Line 242: | ||
| | | | ||
| | | | ||
| | |149.3 | ||
|- | |- | ||
|Alice's Adventures in Wonderland | |Alice's Adventures in Wonderland | ||
|Carroll | |||
| | |||
| | | | ||
| | | | ||
Line 208: | Line 253: | ||
|81 | |81 | ||
|73 | |73 | ||
| | |146.1 | ||
|- | |- | ||
|American Psycho | |American Psycho | ||
|Ellis | |||
|44 | |||
|60 | |60 | ||
|90 | |90 | ||
Line 217: | Line 264: | ||
|80 | |80 | ||
|51 | |51 | ||
| | |68.3 | ||
|- | |- | ||
|Animal Farm | |Animal Farm | ||
|Orwell | |||
| | |||
| | | | ||
| | | | ||
Line 226: | Line 275: | ||
| | | | ||
|83 | |83 | ||
| | |271.3 | ||
|- | |- | ||
|Anna Karenina | |Anna Karenina | ||
|Tolstoy | |||
|21 | |||
|14 | |14 | ||
|17 | |17 | ||
Line 235: | Line 286: | ||
|21 | |21 | ||
|28 | |28 | ||
|22. | |22.1 | ||
|- | |||
|Antifragile | |||
|Taleb | |||
|86 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|602 | |||
|- | |- | ||
|Arcades Project | |Arcades Project | ||
|Benjamin | |||
| | |||
|88 | |88 | ||
| | | | ||
Line 244: | Line 308: | ||
| | | | ||
| | | | ||
| | |616 | ||
|- | |- | ||
|As I | |As I Lay Dying | ||
|Faulkner | |||
| | |||
| | | | ||
| | | | ||
Line 253: | Line 319: | ||
|69 | |69 | ||
|48 | |48 | ||
| | |127.8 | ||
|- | |- | ||
|Beyond Good and | |Being and Time | ||
|Heidegger | |||
|22 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|154 | |||
|- | |||
|Beyond Good and Evil | |||
|Nietzsche | |||
| | |||
|96 | |96 | ||
|80 | |80 | ||
Line 262: | Line 341: | ||
| | | | ||
| | | | ||
| | |208.4 | ||
|- | |- | ||
|Blood Meridian | |Blood Meridian | ||
|McCarthy | |||
|15 | |||
|17 | |17 | ||
|11 | |11 | ||
Line 271: | Line 352: | ||
|8 | |8 | ||
|4 | |4 | ||
| | |12.3 | ||
|- | |- | ||
|Bottom's Dream | |Bottom's Dream | ||
|Schmidt | |||
| | |||
| | | | ||
| | | | ||
Line 280: | Line 363: | ||
| | | | ||
| | | | ||
| | |427 | ||
|- | |- | ||
|Brave New World | |Brave New World | ||
|Huxley | |||
|39 | |||
|59 | |59 | ||
|40 | |40 | ||
Line 289: | Line 374: | ||
|65 | |65 | ||
| | | | ||
| | |60.7 | ||
|- | |- | ||
| | |Bronze Age Mindset | ||
| | |Bronze Age Pervert | ||
|54 | |||
| | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |378 | ||
|- | |- | ||
|Cannery Row | |Buddenbrooks | ||
|Mann | |||
|62 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|434 | |||
|- | |||
|Candide | |||
|Voltaire | |||
| | |||
|97 | |||
| | |||
|85 | |||
| | |||
| | |||
| | |||
|318.5 | |||
|- | |||
|Cannery Row | |||
|Steinbeck | |||
| | |||
| | | | ||
| | | | ||
Line 307: | Line 418: | ||
|78 | |78 | ||
| | | | ||
| | |546 | ||
|- | |- | ||
|Capital | |Capital | ||
|Marx | |||
|63 | |||
|26 | |26 | ||
|57 | |57 | ||
Line 316: | Line 429: | ||
| | | | ||
| | | | ||
| | |113.6 | ||
|- | |- | ||
|Catch 22 | |Catch 22 | ||
|Heller | |||
|32 | |||
|45 | |45 | ||
|27 | |27 | ||
Line 325: | Line 440: | ||
|10 | |10 | ||
|14 | |14 | ||
| | |29.3 | ||
|- | |- | ||
|Confessions | |Confessions | ||
|Augustine | |||
| | |||
|31 | |31 | ||
|59 | |59 | ||
Line 334: | Line 451: | ||
| | | | ||
| | | | ||
| | |109.7 | ||
|- | |- | ||
|Confessions of a Mask | |Confessions of a Mask | ||
|Mishima | |||
| | |||
|81 | |81 | ||
| | | | ||
Line 343: | Line 462: | ||
| | | | ||
| | | | ||
| | |567 | ||
|- | |- | ||
|Correction | |Correction | ||
|Bernhard | |||
| | |||
|66 | |66 | ||
|43 | |43 | ||
Line 352: | Line 473: | ||
| | | | ||
| | | | ||
| | |190.8 | ||
|- | |- | ||
|Crime and Punishment | |Crime and Punishment | ||
|Dostoevsky | |||
|5 | |||
|4 | |4 | ||
|2 | |2 | ||
Line 361: | Line 484: | ||
|5 | |5 | ||
|13 | |13 | ||
|7. | |7.3 | ||
|- | |- | ||
|Critique of Pure Reason | |Critique of Pure Reason | ||
|Kant | |||
|48 | |||
|93 | |93 | ||
| | | | ||
Line 370: | Line 495: | ||
| | | | ||
| | | | ||
| | |246.8 | ||
|- | |- | ||
|Cryptonomicon | |Cryptonomicon | ||
|Stephenson | |||
| | |||
| | | | ||
| | | | ||
Line 379: | Line 506: | ||
| | | | ||
| | | | ||
| | |686 | ||
|- | |- | ||
|Dandelion Wine | |Dandelion Wine | ||
|Bradbury | |||
| | |||
| | | | ||
| | | | ||
Line 388: | Line 517: | ||
| | | | ||
|77 | |77 | ||
| | |539 | ||
|- | |- | ||
|Dead Souls | |Dead Souls | ||
|Gogol | |||
| | |||
| | | | ||
| | | | ||
Line 397: | Line 528: | ||
|95 | |95 | ||
|71 | |71 | ||
| | |140 | ||
|- | |- | ||
|Demons | |Demons | ||
|Dostoevsky | |||
|75 | |||
|78 | |78 | ||
| | | | ||
Line 406: | Line 539: | ||
| | | | ||
| | | | ||
| | |267.8 | ||
|- | |- | ||
|Do Androids Dream of Electric Sheep? | |Do Androids Dream of Electric Sheep? | ||
|Dick | |||
| | |||
| | | | ||
| | | | ||
Line 415: | Line 550: | ||
|92 | |92 | ||
|60 | |60 | ||
| | |266 | ||
|- | |- | ||
|Don Quixote | |Don Quixote | ||
|Cervantes | |||
|8 | |||
|6 | |6 | ||
|12 | |12 | ||
Line 424: | Line 561: | ||
|11 | |11 | ||
|8 | |8 | ||
|9. | |9.1 | ||
|- | |- | ||
|Dubliners | |Dubliners | ||
|Joyce | |||
|88 | |||
|27 | |27 | ||
|22 | |22 | ||
Line 433: | Line 572: | ||
|14 | |14 | ||
|40 | |40 | ||
| | |32.1 | ||
|- | |- | ||
|Dune | |Dune | ||
|Herbert | |||
| | |||
|71 | |71 | ||
| | | | ||
Line 442: | Line 583: | ||
|83 | |83 | ||
|29 | |29 | ||
| | |86.8 | ||
|- | |- | ||
|East of Eden | |East of Eden | ||
|Steinbeck | |||
| | |||
|37 | |37 | ||
|36 | |36 | ||
Line 451: | Line 594: | ||
|41 | |41 | ||
|84 | |84 | ||
| | |64.4 | ||
|- | |- | ||
| | |Essays | ||
| | |Montaigne | ||
| | | | ||
|63 | |||
|52 | |||
| | |||
| | |||
| | |||
| | |||
|201.3 | |||
|- | |||
|Ethics | |||
|Spinoza | |||
|94 | |||
| | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |658 | ||
|- | |- | ||
| | |Extinction | ||
| | |Bernhard | ||
| | |45 | ||
| | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |315 | ||
|- | |- | ||
|Fanged Noumena | |Fanged Noumena | ||
|Land | |||
| | |||
| | | | ||
| | | | ||
Line 478: | Line 638: | ||
| | | | ||
| | | | ||
| | |462 | ||
|- | |- | ||
|Farenheit 451 | |Farenheit 451 | ||
|Bradbury | |||
| | |||
| | | | ||
| | | | ||
Line 487: | Line 649: | ||
|77 | |77 | ||
| | | | ||
| | |257.3 | ||
|- | |- | ||
|Faust | |Faust | ||
|Goethe | |||
|76 | |||
|30 | |30 | ||
|28 | |28 | ||
Line 496: | Line 660: | ||
| | | | ||
|65 | |65 | ||
| | |54.1 | ||
|- | |- | ||
|Fear and Loathing in Las Vegas | |Fear and Loathing in Las Vegas | ||
|Thompson | |||
| | |||
| | | | ||
| | | | ||
Line 505: | Line 671: | ||
| | | | ||
|59 | |59 | ||
| | |413 | ||
|- | |- | ||
|Fear and Trembling | |Fear and Trembling | ||
|Kierkegaard | |||
| | |||
|68 | |68 | ||
|75 | |75 | ||
Line 514: | Line 682: | ||
| | | | ||
| | | | ||
| | |250.3 | ||
|- | |- | ||
|Fictions | |Fictions | ||
|Borges | |||
|17 | |||
|41 | |41 | ||
|20 | |20 | ||
Line 523: | Line 693: | ||
|19 | |19 | ||
|11 | |11 | ||
|19 | |19 | ||
|- | |- | ||
|Fight Club | |Fight Club | ||
|Palahniuk | |||
| | |||
| | | | ||
| | | | ||
Line 532: | Line 704: | ||
| | | | ||
|87 | |87 | ||
| | |609 | ||
|- | |- | ||
|Finnegan's Wake | |Finnegan's Wake | ||
|Joyce | |||
| | |||
|75 | |75 | ||
|81 | |81 | ||
Line 541: | Line 715: | ||
| | | | ||
| | | | ||
| | |98.4 | ||
|- | |- | ||
|For Whom the Bell Tolls | |For Whom the Bell Tolls | ||
|Hemingway | |||
| | |||
| | | | ||
| | | | ||
Line 550: | Line 726: | ||
|53 | |53 | ||
| | | | ||
| | |371 | ||
|- | |||
|Foucault's Pendulum | |||
|Eco | |||
|77 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|539 | |||
|- | |- | ||
|Frankenstein | |Frankenstein | ||
|Shelley | |||
| | |||
|100 | |100 | ||
| | | | ||
Line 559: | Line 748: | ||
| | | | ||
| | | | ||
| | |700 | ||
|- | |- | ||
|Franny & Zooey | |Franny & Zooey | ||
|Salinger | |||
| | |||
| | | | ||
| | | | ||
Line 568: | Line 759: | ||
| | | | ||
|88 | |88 | ||
| | |306.3 | ||
|- | |- | ||
|Gravity's Rainbow | |Gravity's Rainbow | ||
|Pynchon | |||
|55 | |||
|10 | |10 | ||
|8 | |8 | ||
Line 577: | Line 770: | ||
|6 | |6 | ||
|7 | |7 | ||
| | |13.9 | ||
|- | |- | ||
|Growth of the Soil | |Growth of the Soil | ||
|Hamsun | |||
| | |||
|76 | |76 | ||
| | | | ||
Line 586: | Line 781: | ||
| | | | ||
| | | | ||
| | |532 | ||
|- | |- | ||
|Hamlet | |Hamlet | ||
|Shakespeare | |||
|23 | |||
|20 | |20 | ||
|14 | |14 | ||
Line 595: | Line 792: | ||
|38 | |38 | ||
|21 | |21 | ||
|24. | |24.4 | ||
|- | |- | ||
|Heart of Darkness | |Heart of Darkness | ||
|Conrad | |||
| | |||
|57 | |57 | ||
|70 | |70 | ||
Line 604: | Line 803: | ||
|61 | |61 | ||
|43 | |43 | ||
| | |67.9 | ||
|- | |||
|History of Charles XII | |||
|Voltaire | |||
|27 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|189 | |||
|- | |- | ||
|Hopscotch | |Hopscotch | ||
|Cortázar | |||
| | |||
|52 | |52 | ||
| | | | ||
Line 613: | Line 825: | ||
| | | | ||
|86 | |86 | ||
| | |241.5 | ||
|- | |||
|House of Leaves | |||
|Danielewski | |||
|69 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|483 | |||
|- | |- | ||
|Hunger | |Hunger | ||
|Hamsun | |||
| | |||
| | | | ||
|42 | |42 | ||
Line 622: | Line 847: | ||
|60 | |60 | ||
|72 | |72 | ||
| | |80.4 | ||
|- | |- | ||
|I Am a Cat | |I Am a Cat | ||
|Sōseki | |||
| | |||
| | | | ||
| | | | ||
Line 631: | Line 858: | ||
| | | | ||
|99 | |99 | ||
| | |693 | ||
|- | |- | ||
|If on a Winter's Night a Traveler | |If on a Winter's Night a Traveler | ||
|Calvino | |||
| | |||
| | | | ||
|100 | |100 | ||
Line 640: | Line 869: | ||
|50 | |50 | ||
| | | | ||
| | |153.2 | ||
|- | |- | ||
|Illuminatus! | |Illuminatus! | ||
|Wilson; Shea | |||
| | |||
| | | | ||
| | | | ||
Line 649: | Line 880: | ||
| | | | ||
|95 | |95 | ||
| | |665 | ||
|- | |||
|Industrial Society and its Future | |||
|Kaczynski | |||
|11 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|77 | |||
|- | |- | ||
|In Search of Lost Time | |In Search of Lost Time | ||
|Proust | |||
|24 | |||
|24 | |24 | ||
|19 | |19 | ||
Line 658: | Line 902: | ||
|29 | |29 | ||
|45 | |45 | ||
|25. | |25.3 | ||
|- | |- | ||
|Infinite Jest | |Infinite Jest | ||
|Wallace | |||
|16 | |||
|11 | |11 | ||
|10 | |10 | ||
Line 667: | Line 913: | ||
|1 | |1 | ||
|1 | |1 | ||
|4 | |6.4 | ||
|- | |- | ||
|Invisible Cities | |Invisible Cities | ||
|Calvino | |||
|89 | |||
|85 | |85 | ||
|54 | |54 | ||
| | |84 | ||
|81 | |81 | ||
|57 | |57 | ||
|22 | |22 | ||
| | |67.4 | ||
|- | |- | ||
|J | |J R | ||
|Gaddis | |||
|36 | |||
| | | | ||
|77 | |77 | ||
Line 685: | Line 935: | ||
| | | | ||
| | | | ||
| | |91.4 | ||
|- | |- | ||
|Jerusalem | |Jerusalem | ||
|Moore | |||
| | |||
| | | | ||
| | | | ||
Line 694: | Line 946: | ||
| | | | ||
| | | | ||
| | |134.8 | ||
|- | |- | ||
|Journey to the End of the Night | |Journey to the End of the Night | ||
|Céline | |||
|46 | |||
|39 | |39 | ||
|35 | |35 | ||
Line 703: | Line 957: | ||
|52 | |52 | ||
|10 | |10 | ||
|47. | |47.1 | ||
|- | |- | ||
|Kafka on the Shore | |Kafka on the Shore | ||
|Murakami | |||
| | |||
|95 | |95 | ||
| | | | ||
Line 712: | Line 968: | ||
|73 | |73 | ||
| | | | ||
| | |197.6 | ||
|- | |- | ||
|King Lear | |King Lear | ||
|Shakespeare | |||
| | |||
|98 | |98 | ||
|91 | |91 | ||
Line 721: | Line 979: | ||
| | | | ||
| | | | ||
| | |208.4 | ||
|- | |- | ||
|Kokoro | |Kokoro | ||
|Sōseki | |||
| | |||
|69 | |69 | ||
| | | | ||
Line 730: | Line 990: | ||
| | | | ||
| | | | ||
| | |483 | ||
|- | |- | ||
|Leaves of Grass | |Leaves of Grass | ||
|Whitman | |||
| | |||
| | | | ||
| | | | ||
Line 739: | Line 1,001: | ||
| | | | ||
|53 | |53 | ||
| | |243.3 | ||
|- | |- | ||
|Les Misérables | |Les Misérables | ||
|Hugo | |||
|42 | |||
|35 | |35 | ||
|46 | |46 | ||
Line 748: | Line 1,012: | ||
|35 | |35 | ||
| | | | ||
| | |63.8 | ||
|- | |- | ||
|Life and Fate | |Life and Fate | ||
|Grossman | |||
| | |||
| | | | ||
|99 | |99 | ||
Line 757: | Line 1,023: | ||
| | | | ||
| | | | ||
| | |693 | ||
|- | |- | ||
|Light in August | |Light in August | ||
|Faulkner | |||
| | |||
| | | | ||
| | | | ||
Line 766: | Line 1,034: | ||
| | | | ||
|70 | |70 | ||
| | |490 | ||
|- | |- | ||
|Lolita | |Lolita | ||
|Nabokov | |||
|7 | |||
|8 | |8 | ||
|6 | |6 | ||
Line 775: | Line 1,045: | ||
|8 | |8 | ||
|5 | |5 | ||
|6. | |6.4 | ||
|- | |||
|London Bridge | |||
|Céline | |||
|90 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|630 | |||
|- | |- | ||
|Lord of the Flies | |Lord of the Flies | ||
|Golding | |||
| | |||
| | | | ||
| | | | ||
Line 784: | Line 1,067: | ||
| | | | ||
|66 | |66 | ||
| | |290.5 | ||
|- | |- | ||
|Madame Bovary | |Madame Bovary | ||
|Flaubert | |||
|64 | |||
|51 | |51 | ||
|93 | |93 | ||
Line 793: | Line 1,078: | ||
|54 | |54 | ||
| | | | ||
| | |72.9 | ||
|- | |- | ||
|Malone Dies | |Malone Dies | ||
|Beckett | |||
| | |||
| | | | ||
| | | | ||
Line 802: | Line 1,089: | ||
| | | | ||
|76 | |76 | ||
| | |532 | ||
|- | |- | ||
|Mason & Dixon | |Mason & Dixon | ||
|Pynchon | |||
| | |||
| | | | ||
|71 | |71 | ||
Line 811: | Line 1,100: | ||
|33 | |33 | ||
|25 | |25 | ||
| | |60.2 | ||
|- | |- | ||
|Meditations | |Meditations | ||
|Aurelius | |||
| | |||
|40 | |40 | ||
|65 | |65 | ||
Line 820: | Line 1,111: | ||
|79 | |79 | ||
| | | | ||
| | |79.2 | ||
|- | |- | ||
|Meditations Descartes | |Meditations | ||
|Descartes | |||
| | |||
| | | | ||
| | | | ||
Line 829: | Line 1,122: | ||
| | | | ||
| | | | ||
| | |434 | ||
|- | |- | ||
| | |Mein Kampf | ||
| | |Hitler | ||
|1 | |||
| | |||
| | | | ||
| | | | ||
Line 838: | Line 1,133: | ||
| | | | ||
| | | | ||
| | |7 | ||
|- | |- | ||
| | |Metamorphoses | ||
|Ovid | |||
|91 | |||
|94 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |323.8 | ||
|- | |||
|Middlemarch | |||
|Eliot | |||
| | |||
| | |||
| | |||
| | |||
|84 | |||
| | |||
| | |||
|588 | |||
|- | |- | ||
|Moby Dick | |Moby Dick | ||
|Melville | |||
|3 | |||
|1 | |1 | ||
|1 | |1 | ||
Line 856: | Line 1,166: | ||
|2 | |2 | ||
|6 | |6 | ||
|2. | |2.3 | ||
|- | |||
|Modernity and Cultural Decline | |||
|Woodley et al | |||
|30 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|210 | |||
|- | |- | ||
|Molloy | |Molloy | ||
|Beckett | |||
| | |||
| | | | ||
| | | | ||
Line 865: | Line 1,188: | ||
| | | | ||
| | | | ||
| | |420 | ||
|- | |- | ||
|Mrs. Dalloway | |Mrs. Dalloway | ||
|Woolf | |||
| | |||
| | | | ||
| | | | ||
Line 874: | Line 1,199: | ||
| | | | ||
| | | | ||
| | |630 | ||
|- | |- | ||
|Nausea | |Nausea | ||
|Sartre | |||
| | |||
| | | | ||
|64 | |64 | ||
Line 883: | Line 1,210: | ||
| | | | ||
| | | | ||
| | |287 | ||
|- | |- | ||
|Neuromancer | |Neuromancer | ||
|Gibson | |||
| | |||
| | | | ||
| | | | ||
Line 892: | Line 1,221: | ||
| | | | ||
| | | | ||
| | |679 | ||
|- | |- | ||
|No Longer Human | |No Longer Human | ||
|Dazai | |||
|70 | |||
|34 | |34 | ||
|76 | |76 | ||
Line 901: | Line 1,232: | ||
|55 | |55 | ||
| | | | ||
|69. | |69.6 | ||
|- | |- | ||
|Notes | |Notes from Underground | ||
|Dostoevsky | |||
|25 | |||
|18 | |18 | ||
|23 | |23 | ||
Line 910: | Line 1,243: | ||
|44 | |44 | ||
|26 | |26 | ||
| | |32.7 | ||
|- | |- | ||
|Oblomov | |Oblomov | ||
|Goncharov | |||
| | |||
| | | | ||
| | | | ||
Line 919: | Line 1,254: | ||
| | | | ||
| | | | ||
| | |686 | ||
|- | |- | ||
|Of Mice and Men | |Of Mice and Men | ||
|Steinbeck | |||
| | |||
| | | | ||
|74 | |74 | ||
Line 928: | Line 1,265: | ||
|85 | |85 | ||
| | | | ||
| | |278.3 | ||
|- | |- | ||
|On The Road | |On the Heights of Despair | ||
|Cioran | |||
|49 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|343 | |||
|- | |||
|On The Road | |||
|Kerouac | |||
| | |||
| | | | ||
| | | | ||
Line 937: | Line 1,287: | ||
| | | | ||
|57 | |57 | ||
| | |399 | ||
|- | |- | ||
|One Hundred Years of Solitude | |One Hundred Years of Solitude | ||
|Márquez | |||
|28 | |||
|25 | |25 | ||
|26 | |26 | ||
Line 946: | Line 1,298: | ||
|23 | |23 | ||
|23 | |23 | ||
| | |24 | ||
|- | |- | ||
|Pale Fire | |Pale Fire | ||
|Nabokov | |||
| | |||
|72 | |72 | ||
|47 | |47 | ||
Line 955: | Line 1,309: | ||
|70 | |70 | ||
|81 | |81 | ||
| | |64.2 | ||
|- | |- | ||
|Pan | |Pan | ||
|Hamsun | |||
|92 | |||
| | | | ||
| | | | ||
Line 964: | Line 1,320: | ||
| | | | ||
| | | | ||
| | |295.8 | ||
|- | |- | ||
|Paradise Lost | |Paradise Lost | ||
|Milton | |||
|93 | |||
|55 | |55 | ||
|24 | |24 | ||
Line 973: | Line 1,331: | ||
|37 | |37 | ||
|98 | |98 | ||
| | |60.1 | ||
|- | |||
|Pedro Páramo | |||
|Rulfo | |||
|9 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|63 | |||
|- | |- | ||
|Phenomenology of Spirit | |Phenomenology of Spirit | ||
|Hegel | |||
| | |||
|44 | |44 | ||
|50 | |50 | ||
Line 982: | Line 1,353: | ||
| | | | ||
| | | | ||
| | |164.5 | ||
|- | |- | ||
|Platonic Dialogues | |Platonic Dialogues | ||
|Plato | |||
| | |||
| | | | ||
| | | | ||
Line 991: | Line 1,364: | ||
| | | | ||
| | | | ||
| | |147 | ||
|- | |- | ||
|Process and Reality | |Process and Reality | ||
|Whitehead | |||
| | |||
|29 | |29 | ||
| | | | ||
Line 1,000: | Line 1,375: | ||
| | | | ||
| | | | ||
| | |203 | ||
|- | |- | ||
| | |Raise High the Roofbeams, Carpenters and Seymour: An Introduction | ||
|Salinger | |||
|78 | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |546 | ||
|- | |- | ||
|Roadside Picnic | |Roadside Picnic | ||
|Strugatzky, A. & B. | |||
| | |||
| | | | ||
| | | | ||
Line 1,018: | Line 1,397: | ||
|89 | |89 | ||
|85 | |85 | ||
| | |304.5 | ||
|- | |||
|Satantango | |||
|Krasznahorkai | |||
|33 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|231 | |||
|- | |- | ||
|Siddhartha | |Siddhartha | ||
|Hesse | |||
| | |||
|62 | |62 | ||
|45 | |45 | ||
Line 1,027: | Line 1,419: | ||
|25 | |25 | ||
|27 | |27 | ||
| | |48 | ||
|- | |- | ||
|Slaughterhouse-Five | |Slaughterhouse-Five | ||
|Vonnegut | |||
|56 | |||
| | | | ||
|62 | |62 | ||
Line 1,036: | Line 1,430: | ||
|39 | |39 | ||
|24 | |24 | ||
| | |72.5 | ||
|- | |- | ||
|Society of the Spectacle | |Society of the Spectacle | ||
|Debord | |||
| | |||
| | | | ||
| | | | ||
Line 1,045: | Line 1,441: | ||
|90 | |90 | ||
| | | | ||
| | |630 | ||
|- | |- | ||
|Solaris | |Solaris | ||
|Lem | |||
| | |||
| | | | ||
| | | | ||
Line 1,054: | Line 1,452: | ||
| | | | ||
|62 | |62 | ||
| | |434 | ||
|- | |- | ||
|Sometimes a Great Notion | |Sometimes a Great Notion | ||
|Kesey | |||
| | |||
| | | | ||
|67 | |67 | ||
Line 1,063: | Line 1,463: | ||
| | | | ||
| | | | ||
| | |469 | ||
|- | |- | ||
|Steppenwolf | |Steppenwolf | ||
|Hesse | |||
|79 | |||
| | | | ||
|66 | |66 | ||
Line 1,075: | Line 1,477: | ||
|- | |- | ||
|Stoner | |Stoner | ||
|Williams | |||
|10 | |||
|13 | |13 | ||
|7 | |7 | ||
Line 1,081: | Line 1,485: | ||
|9 | |9 | ||
|38 | |38 | ||
| | |13.4 | ||
|- | |- | ||
|Storm of Steel | |Storm of Steel | ||
|Jünger | |||
| | |||
|48 | |48 | ||
|97 | |97 | ||
Line 1,090: | Line 1,496: | ||
| | | | ||
| | | | ||
| | |253.8 | ||
|- | |||
|Story of the Eye | |||
|Bataille | |||
|50 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|350 | |||
|- | |- | ||
|Summa Theologica | |Summa Theologica | ||
|Aquinas | |||
| | |||
|74 | |74 | ||
| | | | ||
Line 1,099: | Line 1,518: | ||
| | | | ||
| | | | ||
| | |518 | ||
|- | |- | ||
|Suttree | |Suttree | ||
|McCarthy | |||
| | |||
| | | | ||
| | | | ||
Line 1,108: | Line 1,529: | ||
| | | | ||
|74 | |74 | ||
| | |518 | ||
|- | |- | ||
| | |Take Five | ||
|Mano | |||
|51 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|357 | |||
|- | |||
|Tao Te Ching | |||
|Laozi | |||
|43 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|301 | |||
|- | |- | ||
|The Aleph | |The Aleph | ||
|Borges | |||
| | |||
| | | | ||
| | | | ||
Line 1,126: | Line 1,562: | ||
|81 | |81 | ||
| | | | ||
| | |567 | ||
|- | |- | ||
|The Anatomy of Melancholy | |The Anatomy of Melancholy | ||
|Burton | |||
| | |||
| | | | ||
| | | | ||
Line 1,135: | Line 1,573: | ||
| | | | ||
| | | | ||
| | |525 | ||
|- | |- | ||
|The Bhagavad Gita | |The Bhagavad Gita | ||
|Vyasa | |||
|74 | |||
|73 | |73 | ||
| | | | ||
Line 1,144: | Line 1,584: | ||
| | | | ||
| | | | ||
| | |257.3 | ||
|- | |- | ||
|The Book of Disquiet | |The Book of Disquiet | ||
|Pessoa | |||
|34 | |||
|16 | |16 | ||
|32 | |32 | ||
Line 1,153: | Line 1,595: | ||
|48 | |48 | ||
|41 | |41 | ||
| | |39.4 | ||
|- | |- | ||
|The Book of the New Sun | |The Book of the New Sun | ||
|Wolfe | |||
| | |||
|32 | |32 | ||
|31 | |31 | ||
Line 1,162: | Line 1,606: | ||
|27 | |27 | ||
| | | | ||
| | |41.4 | ||
|- | |- | ||
|The Brothers Karamazov | |The Brothers Karamazov | ||
|Dostoevsky | |||
|4 | |||
|3 | |3 | ||
|3 | |3 | ||
Line 1,171: | Line 1,617: | ||
|3 | |3 | ||
|3 | |3 | ||
|4. | |4.1 | ||
|- | |- | ||
|The Canterbury Tales | |The Canterbury Tales | ||
|Chaucer | |||
| | |||
| | | | ||
| | | | ||
Line 1,180: | Line 1,628: | ||
|100 | |100 | ||
| | | | ||
| | |315 | ||
|- | |- | ||
|The Castle | |The Castle | ||
|Kafka | |||
| | |||
| | | | ||
| | | | ||
Line 1,189: | Line 1,639: | ||
| | | | ||
| | | | ||
| | |304.5 | ||
|- | |- | ||
|The Catcher in the Rye | |The Catcher in the Rye | ||
|Salinger | |||
|37 | |||
|43 | |43 | ||
|37 | |37 | ||
Line 1,198: | Line 1,650: | ||
|16 | |16 | ||
|17 | |17 | ||
|37. | |37.1 | ||
|- | |- | ||
|The Count of Monte Cristo | |The Changing Light at Sandover | ||
|36 | |Merrill | ||
|34 | |57 | ||
|90 | | | ||
| | |||
| | |||
| | |||
| | |||
| | |||
|399 | |||
|- | |||
|The Confidence-Man | |||
|Melville | |||
|87 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|609 | |||
|- | |||
|The Count of Monte Cristo | |||
|Dumas | |||
|40 | |||
|36 | |||
|34 | |||
|90 | |||
|51 | |51 | ||
|59 | |59 | ||
|100 | |100 | ||
| | |58.6 | ||
|- | |- | ||
|The Crying of Lot 49 | |The Crying of Lot 49 | ||
|Pynchon | |||
| | |||
|87 | |87 | ||
|86 | |86 | ||
Line 1,216: | Line 1,694: | ||
|45 | |45 | ||
|47 | |47 | ||
| | |69.8 | ||
|- | |- | ||
|The Death of Ivan Ilych | |The Death of Ivan Ilych | ||
|Tolstoy | |||
| | |||
| | | | ||
| | | | ||
Line 1,225: | Line 1,705: | ||
| | | | ||
| | | | ||
| | |490 | ||
|- | |- | ||
|The Decline of the West | |The Decline of the West | ||
|Spengler | |||
| | |||
|90 | |90 | ||
|78 | |78 | ||
Line 1,234: | Line 1,716: | ||
| | | | ||
| | | | ||
| | |294 | ||
|- | |- | ||
|The Divine Comedy | |The Divine Comedy | ||
|Alighieri | |||
|38 | |||
|7 | |7 | ||
|16 | |16 | ||
Line 1,243: | Line 1,727: | ||
|30 | |30 | ||
|32 | |32 | ||
| | |21.7 | ||
|- | |- | ||
|The Ego & His Own | |The Ego & His Own | ||
|Stirner | |||
| | |||
| | | | ||
| | | | ||
Line 1,252: | Line 1,738: | ||
|71 | |71 | ||
| | | | ||
| | |497 | ||
|- | |- | ||
|The | |The Elementary Particles | ||
|Houellebecq | |||
|65 | |||
|77 | |||
|96 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |185.1 | ||
|- | |- | ||
|The Fall | |The Faerie Queene | ||
|Spenser | |||
| | |||
| | |||
| | |||
|94 | |||
| | |||
| | |||
| | |||
|658 | |||
|- | |||
|The Fall | |||
|Camus | |||
| | |||
| | | | ||
| | | | ||
Line 1,270: | Line 1,771: | ||
| | | | ||
|91 | |91 | ||
| | |292.3 | ||
|- | |- | ||
|The Flowers of Evil | |The Flowers of Evil | ||
|Baudelaire | |||
| | |||
| | | | ||
| | | | ||
Line 1,279: | Line 1,782: | ||
|91 | |91 | ||
| | | | ||
| | |637 | ||
|- | |||
|The Fountainhead | |||
|Rand | |||
|95 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|665 | |||
|- | |- | ||
|The Glass Bead Game | |The Glass Bead Game | ||
|Hesse | |||
| | |||
| | | | ||
|79 | |79 | ||
Line 1,288: | Line 1,804: | ||
| | | | ||
| | | | ||
| | |553 | ||
|- | |- | ||
|The Golden Bowl | |The Golden Bowl | ||
|James | |||
|80 | |||
|89 | |89 | ||
| | | | ||
Line 1,297: | Line 1,815: | ||
| | | | ||
| | | | ||
| | |295.8 | ||
|- | |- | ||
|The Good Earth | |The Good Earth | ||
|Buck | |||
| | |||
| | | | ||
| | | | ||
Line 1,306: | Line 1,826: | ||
| | | | ||
|96 | |96 | ||
| | |672 | ||
|- | |- | ||
|The Grapes of Wrath | |The Grapes of Wrath | ||
|Steinbeck | |||
| | |||
|84 | |84 | ||
|84 | |84 | ||
Line 1,315: | Line 1,837: | ||
| | | | ||
|56 | |56 | ||
| | |131.7 | ||
|- | |- | ||
|The Great Gatsby | |The Great Gatsby | ||
|Fitzgerald | |||
| | |||
| | | | ||
|58 | |58 | ||
Line 1,324: | Line 1,848: | ||
|46 | |46 | ||
|20 | |20 | ||
| | |94.5 | ||
|- | |- | ||
|The Gulag Archipelago | |The Gulag Archipelago | ||
|Solzhenitsyn | |||
| | |||
| | | | ||
| | | | ||
Line 1,333: | Line 1,859: | ||
| | | | ||
| | | | ||
| | |455 | ||
|- | |- | ||
|The Hitchhiker's Guide to the Galaxy | |The Hitchhiker's Guide to the Galaxy | ||
|Adams | |||
| | |||
| | | | ||
| | | | ||
Line 1,342: | Line 1,870: | ||
| | | | ||
|90 | |90 | ||
| | |630 | ||
|- | |- | ||
|The Hobbit | |The Hobbit | ||
|Tolkien | |||
| | |||
| | | | ||
|60 | |60 | ||
Line 1,351: | Line 1,881: | ||
|72 | |72 | ||
|44 | |44 | ||
| | |136.9 | ||
|- | |- | ||
|The Holy Bible | |The Holy Bible | ||
| | |||
|2 | |||
|2 | |2 | ||
|4 | |4 | ||
Line 1,360: | Line 1,892: | ||
|22 | |22 | ||
|64 | |64 | ||
| | |15 | ||
|- | |- | ||
|The Idiot | |The Idiot | ||
|Dostoevsky | |||
|66 | |||
|33 | |33 | ||
|48 | |48 | ||
Line 1,369: | Line 1,903: | ||
|58 | |58 | ||
| | | | ||
| | |64.2 | ||
|- | |- | ||
|The Iliad | |The Iliad | ||
|Homer | |||
|6 | |||
|9 | |9 | ||
|9 | |9 | ||
Line 1,378: | Line 1,914: | ||
|18 | |18 | ||
|94 | |94 | ||
| | |23.1 | ||
|- | |- | ||
|The Leopard | |The Leopard | ||
|Lampedusa | |||
| | |||
| | | | ||
|82 | |82 | ||
Line 1,387: | Line 1,925: | ||
| | | | ||
| | | | ||
| | |574 | ||
|- | |- | ||
|The Lord of the Rings | |The Lord of the Rings | ||
|Tolkien | |||
|18 | |||
|38 | |38 | ||
|51 | |51 | ||
Line 1,396: | Line 1,936: | ||
|63 | |63 | ||
| | | | ||
| | |48.8 | ||
|- | |- | ||
|The Magic Mountain | |The Magic Mountain | ||
|Mann | |||
| | |||
|61 | |61 | ||
|49 | |49 | ||
Line 1,405: | Line 1,947: | ||
|75 | |75 | ||
| | | | ||
| | |77.6 | ||
|- | |||
|The Major Works | |||
|Browne | |||
|81 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|567 | |||
|- | |||
|The Making of Americans | |||
|Stein | |||
|41 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|287 | |||
|- | |- | ||
|The Man Without Qualities | |The Man Without Qualities | ||
|Musil | |||
| | |||
|49 | |49 | ||
| | | | ||
Line 1,414: | Line 1,980: | ||
| | | | ||
| | | | ||
| | |159.4 | ||
|- | |- | ||
|The Master and Margarita | |The Master and Margarita | ||
|Bulgakov | |||
|14 | |||
|50 | |50 | ||
|56 | |56 | ||
Line 1,423: | Line 1,991: | ||
|20 | |20 | ||
|34 | |34 | ||
| | |32 | ||
|- | |- | ||
|The Metamorphosis | |The Metamorphosis | ||
|Kafka | |||
|58 | |||
|42 | |42 | ||
|55 | |55 | ||
Line 1,432: | Line 2,002: | ||
|47 | |47 | ||
|49 | |49 | ||
| | |51.1 | ||
|- | |- | ||
|The Naked Lunch | |The Naked Lunch | ||
|Burroughs | |||
| | |||
| | | | ||
|89 | |89 | ||
Line 1,441: | Line 2,013: | ||
|74 | |74 | ||
|50 | |50 | ||
| | |107.2 | ||
|- | |- | ||
|The Name of the Rose | |The Name of the Rose | ||
|Eco | |||
| | |||
|99 | |99 | ||
|95 | |95 | ||
Line 1,450: | Line 2,024: | ||
|86 | |86 | ||
| | | | ||
| | |217.8 | ||
|- | |- | ||
|The Odyssey | |The Odyssey | ||
|Homer | |||
|29 | |||
|12 | |12 | ||
|15 | |15 | ||
Line 1,459: | Line 2,035: | ||
|31 | |31 | ||
|31 | |31 | ||
|23. | |23.9 | ||
|- | |- | ||
|The Old Man and The Sea | |The Old Man and The Sea | ||
|Hemingway | |||
| | |||
| | | | ||
| | | | ||
Line 1,468: | Line 2,046: | ||
|34 | |34 | ||
|97 | |97 | ||
| | |154 | ||
|- | |||
|The Opposing Shore | |||
|Gracq | |||
|82 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|574 | |||
|- | |- | ||
|The Pale King | |The Pale King | ||
|Wallace | |||
| | |||
| | | | ||
| | | | ||
Line 1,477: | Line 2,068: | ||
| | | | ||
|69 | |69 | ||
| | |154.8 | ||
|- | |||
|The Passion According to G.H. | |||
|Lispector | |||
|83 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|581 | |||
|- | |- | ||
|The Picture of Dorian Gray | |The Picture of Dorian Gray | ||
|Wilde | |||
| | |||
| | | | ||
|61 | |61 | ||
Line 1,486: | Line 2,090: | ||
|64 | |64 | ||
|16 | |16 | ||
| | |65.2 | ||
|- | |- | ||
|The Plague | |The Plague | ||
|Camus | |||
| | |||
| | | | ||
| | | | ||
Line 1,495: | Line 2,101: | ||
| | | | ||
|35 | |35 | ||
| | |245 | ||
|- | |- | ||
|The | |The Portrait of a Lady | ||
|James | |||
|84 | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |588 | ||
|- | |- | ||
|The | |The Posthumous Memoirs of Brás Cubas | ||
| | |Assis | ||
|59 | |||
| | | | ||
| | | | ||
|40 | |||
| | | | ||
| | | | ||
| | | | ||
| | |173.3 | ||
|- | |||
|The Prince | |||
|Machiavelli | |||
| | |||
|92 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|644 | |||
|- | |- | ||
|The Quran | |The Quran | ||
| | |||
|19 | |||
|91 | |91 | ||
| | | | ||
Line 1,522: | Line 2,145: | ||
| | | | ||
| | | | ||
| | |192.5 | ||
|- | |- | ||
|The Recognitions | |The Recognitions | ||
|Gaddis | |||
| | |||
|28 | |28 | ||
|44 | |44 | ||
Line 1,531: | Line 2,156: | ||
|56 | |56 | ||
| | | | ||
| | |48.4 | ||
|- | |- | ||
|The Red & The Black | |The Red & The Black | ||
|Stendhal | |||
| | |||
|70 | |70 | ||
|92 | |92 | ||
Line 1,540: | Line 2,167: | ||
| | | | ||
| | | | ||
| | |283.5 | ||
|- | |||
|The Reign of Quantity and the Signs of the Times | |||
|Guénon | |||
|71 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|497 | |||
|- | |- | ||
|The Remains of the Day | |The Remains of the Day | ||
|Ishiguro | |||
| | |||
| | | | ||
| | | | ||
Line 1,549: | Line 2,189: | ||
|87 | |87 | ||
| | | | ||
| | |609 | ||
|- | |- | ||
|The Republic | |The Republic | ||
|Plato | |||
|26 | |||
|23 | |23 | ||
|39 | |39 | ||
Line 1,558: | Line 2,200: | ||
| | | | ||
| | | | ||
| | |68.3 | ||
|- | |- | ||
|The | |The Rings of Saturn | ||
|Sebald | |||
| | |||
| | | | ||
| | | | ||
| | |78 | ||
| | | | ||
| | | | ||
| | | | ||
| | |546 | ||
|- | |- | ||
|The Sailor who fell from Grace with the Sea | |The Road | ||
|47 | |McCarthy | ||
| | |||
| | |||
| | |||
|69 | |||
| | |||
| | |||
| | |||
|483 | |||
|- | |||
|The Sailor who fell from Grace with the Sea | |||
|Mishima | |||
| | |||
|47 | |||
|68 | |68 | ||
| | | | ||
Line 1,576: | Line 2,233: | ||
| | | | ||
| | | | ||
| | |201.3 | ||
|- | |- | ||
|The Savage Detectives | |The Savage Detectives | ||
|Bolaño | |||
| | |||
|86 | |86 | ||
| | | | ||
Line 1,585: | Line 2,244: | ||
|43 | |43 | ||
|63 | |63 | ||
| | |77.8 | ||
|- | |||
|The Secret History | |||
|Tartt | |||
|96 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|672 | |||
|- | |- | ||
|The Simarillion | |The Simarillion | ||
|Tolkien | |||
| | |||
| | | | ||
| | | | ||
Line 1,594: | Line 2,266: | ||
| | | | ||
|42 | |42 | ||
| | |294 | ||
|- | |- | ||
|The Sirens of Titan | |The Sirens of Titan | ||
|Vonnegut | |||
| | |||
| | | | ||
| | | | ||
Line 1,603: | Line 2,277: | ||
|67 | |67 | ||
| | | | ||
| | |469 | ||
|- | |- | ||
|The Sorrows of Young Werther | |The Sorrows of Young Werther | ||
|Goethe | |||
| | |||
| | | | ||
|87 | |87 | ||
Line 1,612: | Line 2,288: | ||
| | | | ||
| | | | ||
| | |609 | ||
|- | |- | ||
|The Sound and the Fury | |The Sound and the Fury | ||
|Faulkner | |||
| | |||
|64 | |64 | ||
|33 | |33 | ||
Line 1,621: | Line 2,299: | ||
|36 | |36 | ||
|18 | |18 | ||
| | |46.1 | ||
|- | |- | ||
|The Stranger | |The Stranger | ||
|Camus | |||
|12 | |||
|21 | |21 | ||
|13 | |13 | ||
Line 1,630: | Line 2,310: | ||
|13 | |13 | ||
|2 | |2 | ||
|15. | |15.1 | ||
|- | |- | ||
|The Sun Also Rises | |The Sun Also Rises | ||
|Hemingway | |||
| | |||
|80 | |80 | ||
|53 | |53 | ||
Line 1,639: | Line 2,321: | ||
|62 | |62 | ||
|52 | |52 | ||
| | |80.1 | ||
|- | |- | ||
|The Trial | |The Tartar Steppe | ||
|Buzzati | |||
|60 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|420 | |||
|- | |||
|The Temple of the Golden Pavillion | |||
|Mishima | |||
| | |||
| | |||
| | |||
|99 | |||
| | |||
| | |||
|58 | |||
|274.8 | |||
|- | |||
|The Trial | |||
|Kafka | |||
|47 | |||
| | | | ||
|30 | |30 | ||
Line 1,648: | Line 2,354: | ||
|28 | |28 | ||
|9 | |9 | ||
| | |27.2 | ||
|- | |- | ||
|The Trilogy | |The Trilogy | ||
|Beckett | |||
|67 | |||
| | | | ||
|69 | |69 | ||
Line 1,657: | Line 2,365: | ||
| | | | ||
| | | | ||
| | |127.6 | ||
|- | |- | ||
|The Tropic of Cancer | |The Tropic of Cancer | ||
|Miller | |||
| | |||
| | | | ||
| | | | ||
Line 1,666: | Line 2,376: | ||
|84 | |84 | ||
| | | | ||
| | |588 | ||
|- | |- | ||
|The Tunnel | |The Tunnel | ||
|Gass | |||
| | |||
|58 | |58 | ||
|72 | |72 | ||
Line 1,675: | Line 2,387: | ||
| | | | ||
| | | | ||
| | |160.2 | ||
|- | |- | ||
|The Unbearable Lightness of Being | |The Unbearable Lightness of Being | ||
|Kundera | |||
| | |||
| | | | ||
| | | | ||
Line 1,684: | Line 2,398: | ||
|98 | |98 | ||
| | | | ||
| | |686 | ||
|- | |- | ||
|The | |The Unconsoled | ||
|Ishiguro | |||
|52 | |||
| | |||
| | | | ||
| | | | ||
Line 1,692: | Line 2,409: | ||
| | | | ||
| | | | ||
| | |364 | ||
|- | |- | ||
|The | |The Wasp Factory | ||
|Banks | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |80 | ||
|560 | |||
|- | |||
|The Waste Land | |||
|Eliot | |||
| | |||
| | |||
| | |||
| | |||
|91 | |||
| | |||
| | |||
|637 | |||
|- | |- | ||
|The Waves | |The Waves | ||
|Woolf | |||
| | |||
| | | | ||
|85 | |85 | ||
Line 1,711: | Line 2,442: | ||
|49 | |49 | ||
|33 | |33 | ||
| | |86.2 | ||
|- | |- | ||
|The World as Will and Representation | |The World as Will and Representation | ||
|Schopenhauer | |||
| | |||
|79 | |79 | ||
| | | | ||
Line 1,720: | Line 2,453: | ||
| | | | ||
| | | | ||
| | |553 | ||
|- | |- | ||
|Thus Spoke Zarathustra | |Thus Spoke Zarathustra | ||
|Nietzsche | |||
|72 | |||
|19 | |19 | ||
|25 | |25 | ||
Line 1,729: | Line 2,464: | ||
|97 | |97 | ||
|82 | |82 | ||
| | |68.3 | ||
|- | |- | ||
|To the Lighthouse | |To the Lighthouse | ||
|Woolf | |||
|61 | |||
|54 | |54 | ||
|73 | |73 | ||
Line 1,738: | Line 2,475: | ||
|94 | |94 | ||
|75 | |75 | ||
| | |65 | ||
|- | |- | ||
|Tristram Shandy | |Tristram Shandy | ||
|Sterne | |||
| | |||
|83 | |83 | ||
|83 | |83 | ||
Line 1,747: | Line 2,486: | ||
| | | | ||
| | | | ||
| | |178.9 | ||
|- | |- | ||
|Ubik | |Ubik | ||
|Dick | |||
| | |||
| | | | ||
| | | | ||
Line 1,756: | Line 2,497: | ||
| | | | ||
|61 | |61 | ||
| | |427 | ||
|- | |||
|Ubu Roi | |||
|Jarry | |||
|35 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|245 | |||
|- | |- | ||
|Ulysses | |Ulysses | ||
|Joyce | |||
|20 | |||
|5 | |5 | ||
|5 | |5 | ||
Line 1,765: | Line 2,519: | ||
|4 | |4 | ||
|12 | |12 | ||
| | |7 | ||
|- | |- | ||
|Under the Volcano | |Under the Volcano | ||
|Lowry | |||
| | |||
|82 | |82 | ||
| | | | ||
Line 1,774: | Line 2,530: | ||
| | | | ||
| | | | ||
| | |292.3 | ||
|- | |- | ||
|V. | |V. | ||
|Pynchon | |||
|68 | |||
| | | | ||
|41 | |41 | ||
Line 1,783: | Line 2,541: | ||
|40 | |40 | ||
|30 | |30 | ||
| | |48.8 | ||
|- | |- | ||
|Valis | |Valis | ||
|Dick | |||
| | |||
| | | | ||
| | | | ||
Line 1,792: | Line 2,552: | ||
| | | | ||
|78 | |78 | ||
| | |546 | ||
|- | |||
|Voss | |||
|White | |||
|85 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|595 | |||
|- | |- | ||
|Walden | |Walden | ||
|Thoreau | |||
| | |||
| | | | ||
| | | | ||
Line 1,801: | Line 2,574: | ||
| | | | ||
|89 | |89 | ||
| | |623 | ||
|- | |- | ||
|War and Peace | |War and Peace | ||
|Tolstoy | |||
|13 | |||
|15 | |15 | ||
|18 | |18 | ||
Line 1,810: | Line 2,585: | ||
|32 | |32 | ||
|36 | |36 | ||
| | |23 | ||
|- | |- | ||
|Watership Down | |Watership Down | ||
|Adams | |||
| | |||
| | | | ||
| | | | ||
Line 1,819: | Line 2,596: | ||
|66 | |66 | ||
| | | | ||
| | |462 | ||
|- | |||
|White Fragility | |||
|DiAngelo | |||
|97 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|679 | |||
|- | |- | ||
|White Noise | |White Noise | ||
|DeLillo | |||
| | |||
| | | | ||
| | | | ||
Line 1,828: | Line 2,618: | ||
|17 | |17 | ||
|37 | |37 | ||
| | |88.8 | ||
|- | |- | ||
|Wuthering Heights | |Wuthering Heights | ||
|Brontë | |||
| | |||
| | | | ||
| | | | ||
Line 1,837: | Line 2,629: | ||
|68 | |68 | ||
|39 | |39 | ||
| | |187.3 | ||
|- | |||
|Zhuangzi | |||
|Zhuangzi | |||
|98 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|686 | |||
|} | |} | ||
</div> | |||
<br /> | |||
<br /> | |||
<br /> | <br /> | ||
[[File:4chan 2019 top 100.jpg|thumb|407x407px|/lit/ top 100 books circa 2019 (fake list)|alt=|right]] | [[File:4chan 2019 top 100.jpg|thumb|407x407px|/lit/ top 100 books circa 2019 (fake list)|alt=|right]] |
Latest revision as of 08:07, 19 December 2023
From 2014, polls of posters' favorite books have been conducted every year on /lit/. The responses to these polls generated the below infographics. After 2017, lists continued to be created, but without polls.
(In 2015, the poll also asked for a list of the responder's and three favorite authors. This was not continued from 2016 onwards.)
Facts about the similarities and differences between the 2014 poll results and the 2015 poll results are as follows:
- 69% of the books from the 2014 list made it onto the 2015 list.
- The highest placing new additions to the 2015 list are:
- Confederacy of Dunces (26)
- Book of the New Sun (27)
- Les Miserables (35)
- If on a Winter's Night a Traveler (50)
- For Whom the Bell Tolls (53)
- The highest placing books to drop off the 2014 list are:
- The Plague (35)
- The Silmarillion (42)
- Leaves of Grass (53)
- Harry Potter series (54)
- A Clockwork Orange (55)
- Of the books that stayed on the list, the greatest gains were made by:
- The Iliad (94 to 18)
- The Old Man and the Sea (97 to 34)
- Paradise Lost (98 to 37)
- Portrait of the Artist (67 to 12)
- Steppenwolf (93 to 42)
- The greatest losses were:
- Dune (29 to 83)
- The Picture of Dorian Gray (16 to 64)
- A Farewell to Arms (46 to 93)
- Journey to the End of the Night (10 to 52)
- Invisible Cities (22 to 57)
-
2014 - 2017
-
2014
-
2015
-
Authors 2015
-
2016
-
2017
-
2018
-
2019
-
2020
-
Top Novels 2020
-
2020 (modified/fake without trolls)
Title | Author | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | Avg / % Listed |
---|---|---|---|---|---|---|---|---|---|
1984 | Orwell | 31 | 22 | 21 | 19 | 25 | 15 | 19 | 21.7 |
2666 | Bolaño | 99 | 56 | 29 | 22 | 34 | 24 | 15 | 39.9 |
60 Stories | Barthelme | 95 | 665 | ||||||
A Canticle for Leibowitz | Miller Jr. | 100 | 700 | ||||||
A Clockwork Orange | Burgess | 98 | 55 | 267.8 | |||||
A Confederacy of Dunces | Toole | 53 | 46 | 88 | 49 | 59 | 26 | 62.7 | |
A Farewell to Arms | Hemingway | 93 | 46 | 243.3 | |||||
A Hero of Our Time | Lermontov | 67 | 76 | 250.3 | |||||
A Portrait of the Artist as a Young Man | Joyce | 65 | 38 | 20 | 31 | 12 | 67 | 45.3 | |
A Scanner Darkly | Dick | 99 | 693 | ||||||
A Tale of Two Cities | Dickens | 88 | 92 | 315 | |||||
Absalom, Absalom! | Faulkner | 73 | 82 | 51 | 79 | 124.7 | |||
Ada, or Ardor | Nabokov | 66 | 96 | 283.5 | |||||
Adventures of Huckleberry Finn | Twain | 68 | 476 | ||||||
Aeneid | Virgil | 63 | 82 | 89 | 182 | ||||
Against Nature | Huysmans | 53 | 94 | 45 | 149.3 | ||||
Alice's Adventures in Wonderland | Carroll | 83 | 97 | 81 | 73 | 146.1 | |||
American Psycho | Ellis | 44 | 60 | 90 | 88 | 65 | 80 | 51 | 68.3 |
Animal Farm | Orwell | 72 | 83 | 271.3 | |||||
Anna Karenina | Tolstoy | 21 | 14 | 17 | 34 | 20 | 21 | 28 | 22.1 |
Antifragile | Taleb | 86 | 602 | ||||||
Arcades Project | Benjamin | 88 | 616 | ||||||
As I Lay Dying | Faulkner | 87 | 88 | 69 | 48 | 127.8 | |||
Being and Time | Heidegger | 22 | 154 | ||||||
Beyond Good and Evil | Nietzsche | 96 | 80 | 92 | 208.4 | ||||
Blood Meridian | McCarthy | 15 | 17 | 11 | 23 | 8 | 8 | 4 | 12.3 |
Bottom's Dream | Schmidt | 61 | 427 | ||||||
Brave New World | Huxley | 39 | 59 | 40 | 38 | 71 | 65 | 60.7 | |
Bronze Age Mindset | Bronze Age Pervert | 54 | 378 | ||||||
Buddenbrooks | Mann | 62 | 434 | ||||||
Candide | Voltaire | 97 | 85 | 318.5 | |||||
Cannery Row | Steinbeck | 78 | 546 | ||||||
Capital | Marx | 63 | 26 | 57 | 113.6 | ||||
Catch 22 | Heller | 32 | 45 | 27 | 42 | 35 | 10 | 14 | 29.3 |
Confessions | Augustine | 31 | 59 | 51 | 109.7 | ||||
Confessions of a Mask | Mishima | 81 | 567 | ||||||
Correction | Bernhard | 66 | 43 | 190.8 | |||||
Crime and Punishment | Dostoevsky | 5 | 4 | 2 | 10 | 12 | 5 | 13 | 7.3 |
Critique of Pure Reason | Kant | 48 | 93 | 246.8 | |||||
Cryptonomicon | Stephenson | 98 | 686 | ||||||
Dandelion Wine | Bradbury | 77 | 539 | ||||||
Dead Souls | Gogol | 61 | 93 | 95 | 71 | 140 | |||
Demons | Dostoevsky | 75 | 78 | 267.8 | |||||
Do Androids Dream of Electric Sheep? | Dick | 92 | 60 | 266 | |||||
Don Quixote | Cervantes | 8 | 6 | 12 | 8 | 11 | 11 | 8 | 9.1 |
Dubliners | Joyce | 88 | 27 | 22 | 15 | 19 | 14 | 40 | 32.1 |
Dune | Herbert | 71 | 53 | 74 | 83 | 29 | 86.8 | ||
East of Eden | Steinbeck | 37 | 36 | 89 | 44 | 41 | 84 | 64.4 | |
Essays | Montaigne | 63 | 52 | 201.3 | |||||
Ethics | Spinoza | 94 | 658 | ||||||
Extinction | Bernhard | 45 | 315 | ||||||
Fanged Noumena | Land | 66 | 462 | ||||||
Farenheit 451 | Bradbury | 70 | 77 | 257.3 | |||||
Faust | Goethe | 76 | 30 | 28 | 46 | 33 | 65 | 54.1 | |
Fear and Loathing in Las Vegas | Thompson | 59 | 413 | ||||||
Fear and Trembling | Kierkegaard | 68 | 75 | 250.3 | |||||
Fictions | Borges | 17 | 41 | 20 | 16 | 9 | 19 | 11 | 19 |
Fight Club | Palahniuk | 87 | 609 | ||||||
Finnegan's Wake | Joyce | 75 | 81 | 30 | 39 | 98.4 | |||
For Whom the Bell Tolls | Hemingway | 53 | 371 | ||||||
Foucault's Pendulum | Eco | 77 | 539 | ||||||
Frankenstein | Shelley | 100 | 700 | ||||||
Franny & Zooey | Salinger | 87 | 88 | 306.3 | |||||
Gravity's Rainbow | Pynchon | 55 | 10 | 8 | 4 | 7 | 6 | 7 | 13.9 |
Growth of the Soil | Hamsun | 76 | 532 | ||||||
Hamlet | Shakespeare | 23 | 20 | 14 | 25 | 30 | 38 | 21 | 24.4 |
Heart of Darkness | Conrad | 57 | 70 | 56 | 62 | 61 | 43 | 67.9 | |
History of Charles XII | Voltaire | 27 | 189 | ||||||
Hopscotch | Cortázar | 52 | 86 | 241.5 | |||||
House of Leaves | Danielewski | 69 | 483 | ||||||
Hunger | Hamsun | 42 | 59 | 54 | 60 | 72 | 80.4 | ||
I Am a Cat | Sōseki | 99 | 693 | ||||||
If on a Winter's Night a Traveler | Calvino | 100 | 47 | 50 | 153.2 | ||||
Illuminatus! | Wilson; Shea | 95 | 665 | ||||||
Industrial Society and its Future | Kaczynski | 11 | 77 | ||||||
In Search of Lost Time | Proust | 24 | 24 | 19 | 14 | 22 | 29 | 45 | 25.3 |
Infinite Jest | Wallace | 16 | 11 | 10 | 3 | 3 | 1 | 1 | 6.4 |
Invisible Cities | Calvino | 89 | 85 | 54 | 84 | 81 | 57 | 22 | 67.4 |
J R | Gaddis | 36 | 77 | 57 | 75 | 91.4 | |||
Jerusalem | Moore | 48 | 29 | 134.8 | |||||
Journey to the End of the Night | Céline | 46 | 39 | 35 | 60 | 52 | 10 | 47.1 | |
Kafka on the Shore | Murakami | 95 | 86 | 73 | 197.6 | ||||
King Lear | Shakespeare | 98 | 91 | 79 | 208.4 | ||||
Kokoro | Sōseki | 69 | 483 | ||||||
Leaves of Grass | Whitman | 86 | 53 | 243.3 | |||||
Les Misérables | Hugo | 42 | 35 | 46 | 71 | 99 | 35 | 63.8 | |
Life and Fate | Grossman | 99 | 693 | ||||||
Light in August | Faulkner | 70 | 490 | ||||||
Lolita | Nabokov | 7 | 8 | 6 | 6 | 5 | 8 | 5 | 6.4 |
London Bridge | Céline | 90 | 630 | ||||||
Lord of the Flies | Golding | 100 | 66 | 290.5 | |||||
Madame Bovary | Flaubert | 64 | 51 | 93 | 44 | 69 | 54 | 72.9 | |
Malone Dies | Beckett | 76 | 532 | ||||||
Mason & Dixon | Pynchon | 71 | 43 | 43 | 33 | 25 | 60.2 | ||
Meditations | Aurelius | 40 | 65 | 36 | 63 | 79 | 79.2 | ||
Meditations | Descartes | 62 | 434 | ||||||
Mein Kampf | Hitler | 1 | 7 | ||||||
Metamorphoses | Ovid | 91 | 94 | 323.8 | |||||
Middlemarch | Eliot | 84 | 588 | ||||||
Moby Dick | Melville | 3 | 1 | 1 | 1 | 2 | 2 | 6 | 2.3 |
Modernity and Cultural Decline | Woodley et al | 30 | 210 | ||||||
Molloy | Beckett | 60 | 420 | ||||||
Mrs. Dalloway | Woolf | 90 | 630 | ||||||
Nausea | Sartre | 64 | 100 | 287 | |||||
Neuromancer | Gibson | 97 | 679 | ||||||
No Longer Human | Dazai | 70 | 34 | 76 | 50 | 73 | 55 | 69.6 | |
Notes from Underground | Dostoevsky | 25 | 18 | 23 | 32 | 44 | 26 | 32.7 | |
Oblomov | Goncharov | 98 | 686 | ||||||
Of Mice and Men | Steinbeck | 74 | 85 | 278.3 | |||||
On the Heights of Despair | Cioran | 49 | 343 | ||||||
On The Road | Kerouac | 57 | 399 | ||||||
One Hundred Years of Solitude | Márquez | 28 | 25 | 26 | 26 | 17 | 23 | 23 | 24 |
Pale Fire | Nabokov | 72 | 47 | 24 | 36 | 70 | 81 | 64.2 | |
Pan | Hamsun | 92 | 77 | 295.8 | |||||
Paradise Lost | Milton | 93 | 55 | 24 | 68 | 46 | 37 | 98 | 60.1 |
Pedro Páramo | Rulfo | 9 | 63 | ||||||
Phenomenology of Spirit | Hegel | 44 | 50 | 164.5 | |||||
Platonic Dialogues | Plato | 21 | 147 | ||||||
Process and Reality | Whitehead | 29 | 203 | ||||||
Raise High the Roofbeams, Carpenters and Seymour: An Introduction | Salinger | 78 | 546 | ||||||
Roadside Picnic | Strugatzky, A. & B. | 89 | 85 | 304.5 | |||||
Satantango | Krasznahorkai | 33 | 231 | ||||||
Siddhartha | Hesse | 62 | 45 | 64 | 24 | 25 | 27 | 48 | |
Slaughterhouse-Five | Vonnegut | 56 | 62 | 78 | 39 | 24 | 72.5 | ||
Society of the Spectacle | Debord | 90 | 630 | ||||||
Solaris | Lem | 62 | 434 | ||||||
Sometimes a Great Notion | Kesey | 67 | 469 | ||||||
Steppenwolf | Hesse | 79 | 66 | 96 | 40 | 42 | 93 | 80.9 | |
Stoner | Williams | 10 | 13 | 7 | 7 | 10 | 9 | 38 | 13.4 |
Storm of Steel | Jünger | 48 | 97 | 253.8 | |||||
Story of the Eye | Bataille | 50 | 350 | ||||||
Summa Theologica | Aquinas | 74 | 518 | ||||||
Suttree | McCarthy | 74 | 518 | ||||||
Take Five | Mano | 51 | 357 | ||||||
Tao Te Ching | Laozi | 43 | 301 | ||||||
The Aleph | Borges | 81 | 567 | ||||||
The Anatomy of Melancholy | Burton | 75 | 525 | ||||||
The Bhagavad Gita | Vyasa | 74 | 73 | 257.3 | |||||
The Book of Disquiet | Pessoa | 34 | 16 | 32 | 47 | 58 | 48 | 41 | 39.4 |
The Book of the New Sun | Wolfe | 32 | 31 | 17 | 41 | 27 | 41.4 | ||
The Brothers Karamazov | Dostoevsky | 4 | 3 | 3 | 9 | 4 | 3 | 3 | 4.1 |
The Canterbury Tales | Chaucer | 80 | 100 | 315 | |||||
The Castle | Kafka | 79 | 95 | 304.5 | |||||
The Catcher in the Rye | Salinger | 37 | 43 | 37 | 58 | 52 | 16 | 17 | 37.1 |
The Changing Light at Sandover | Merrill | 57 | 399 | ||||||
The Confidence-Man | Melville | 87 | 609 | ||||||
The Count of Monte Cristo | Dumas | 40 | 36 | 34 | 90 | 51 | 59 | 100 | 58.6 |
The Crying of Lot 49 | Pynchon | 87 | 86 | 52 | 42 | 45 | 47 | 69.8 | |
The Death of Ivan Ilych | Tolstoy | 70 | 490 | ||||||
The Decline of the West | Spengler | 90 | 78 | 294 | |||||
The Divine Comedy | Alighieri | 38 | 7 | 16 | 13 | 16 | 30 | 32 | 21.7 |
The Ego & His Own | Stirner | 71 | 497 | ||||||
The Elementary Particles | Houellebecq | 65 | 77 | 96 | 185.1 | ||||
The Faerie Queene | Spenser | 94 | 658 | ||||||
The Fall | Camus | 76 | 91 | 292.3 | |||||
The Flowers of Evil | Baudelaire | 91 | 637 | ||||||
The Fountainhead | Rand | 95 | 665 | ||||||
The Glass Bead Game | Hesse | 79 | 553 | ||||||
The Golden Bowl | James | 80 | 89 | 295.8 | |||||
The Good Earth | Buck | 96 | 672 | ||||||
The Grapes of Wrath | Steinbeck | 84 | 84 | 77 | 56 | 131.7 | |||
The Great Gatsby | Fitzgerald | 58 | 92 | 46 | 20 | 94.5 | |||
The Gulag Archipelago | Solzhenitsyn | 65 | 455 | ||||||
The Hitchhiker's Guide to the Galaxy | Adams | 90 | 630 | ||||||
The Hobbit | Tolkien | 60 | 72 | 44 | 136.9 | ||||
The Holy Bible | 2 | 2 | 4 | 5 | 6 | 22 | 64 | 15 | |
The Idiot | Dostoevsky | 66 | 33 | 48 | 80 | 45 | 58 | 64.2 | |
The Iliad | Homer | 6 | 9 | 9 | 11 | 15 | 18 | 94 | 23.1 |
The Leopard | Lampedusa | 82 | 574 | ||||||
The Lord of the Rings | Tolkien | 18 | 38 | 51 | 33 | 48 | 63 | 48.8 | |
The Magic Mountain | Mann | 61 | 49 | 39 | 53 | 75 | 77.6 | ||
The Major Works | Browne | 81 | 567 | ||||||
The Making of Americans | Stein | 41 | 287 | ||||||
The Man Without Qualities | Musil | 49 | 73 | 83 | 159.4 | ||||
The Master and Margarita | Bulgakov | 14 | 50 | 56 | 27 | 23 | 20 | 34 | 32 |
The Metamorphosis | Kafka | 58 | 42 | 55 | 81 | 26 | 47 | 49 | 51.1 |
The Naked Lunch | Burroughs | 89 | 74 | 96 | 74 | 50 | 107.2 | ||
The Name of the Rose | Eco | 99 | 95 | 86 | 217.8 | ||||
The Odyssey | Homer | 29 | 12 | 15 | 28 | 21 | 31 | 31 | 23.9 |
The Old Man and The Sea | Hemingway | 67 | 34 | 97 | 154 | ||||
The Opposing Shore | Gracq | 82 | 574 | ||||||
The Pale King | Wallace | 63 | 67 | 69 | 154.8 | ||||
The Passion According to G.H. | Lispector | 83 | 581 | ||||||
The Picture of Dorian Gray | Wilde | 61 | 54 | 38 | 64 | 16 | 65.2 | ||
The Plague | Camus | 35 | 245 | ||||||
The Portrait of a Lady | James | 84 | 588 | ||||||
The Posthumous Memoirs of Brás Cubas | Assis | 59 | 40 | 173.3 | |||||
The Prince | Machiavelli | 92 | 644 | ||||||
The Quran | 19 | 91 | 192.5 | ||||||
The Recognitions | Gaddis | 28 | 44 | 18 | 27 | 56 | 48.4 | ||
The Red & The Black | Stendhal | 70 | 92 | 283.5 | |||||
The Reign of Quantity and the Signs of the Times | Guénon | 71 | 497 | ||||||
The Remains of the Day | Ishiguro | 87 | 609 | ||||||
The Republic | Plato | 26 | 23 | 39 | 68 | 68.3 | |||
The Rings of Saturn | Sebald | 78 | 546 | ||||||
The Road | McCarthy | 69 | 483 | ||||||
The Sailor who fell from Grace with the Sea | Mishima | 47 | 68 | 201.3 | |||||
The Savage Detectives | Bolaño | 86 | 31 | 55 | 43 | 63 | 77.8 | ||
The Secret History | Tartt | 96 | 672 | ||||||
The Simarillion | Tolkien | 42 | 294 | ||||||
The Sirens of Titan | Vonnegut | 67 | 469 | ||||||
The Sorrows of Young Werther | Goethe | 87 | 609 | ||||||
The Sound and the Fury | Faulkner | 64 | 33 | 37 | 49 | 36 | 18 | 46.1 | |
The Stranger | Camus | 12 | 21 | 13 | 32 | 13 | 13 | 2 | 15.1 |
The Sun Also Rises | Hemingway | 80 | 53 | 93 | 72 | 62 | 52 | 80.1 | |
The Tartar Steppe | Buzzati | 60 | 420 | ||||||
The Temple of the Golden Pavillion | Mishima | 99 | 58 | 274.8 | |||||
The Trial | Kafka | 47 | 30 | 12 | 14 | 28 | 9 | 27.2 | |
The Trilogy | Beckett | 67 | 69 | 28 | 127.6 | ||||
The Tropic of Cancer | Miller | 84 | 588 | ||||||
The Tunnel | Gass | 58 | 72 | 76 | 160.2 | ||||
The Unbearable Lightness of Being | Kundera | 98 | 686 | ||||||
The Unconsoled | Ishiguro | 52 | 364 | ||||||
The Wasp Factory | Banks | 80 | 560 | ||||||
The Waste Land | Eliot | 91 | 637 | ||||||
The Waves | Woolf | 85 | 91 | 50 | 49 | 33 | 86.2 | ||
The World as Will and Representation | Schopenhauer | 79 | 553 | ||||||
Thus Spoke Zarathustra | Nietzsche | 72 | 19 | 25 | 56 | 97 | 82 | 68.3 | |
To the Lighthouse | Woolf | 61 | 54 | 73 | 41 | 57 | 94 | 75 | 65 |
Tristram Shandy | Sterne | 83 | 83 | 64 | 178.9 | ||||
Ubik | Dick | 61 | 427 | ||||||
Ubu Roi | Jarry | 35 | 245 | ||||||
Ulysses | Joyce | 20 | 5 | 5 | 2 | 1 | 4 | 12 | 7 |
Under the Volcano | Lowry | 82 | 85 | 292.3 | |||||
V. | Pynchon | 68 | 41 | 35 | 37 | 40 | 30 | 48.8 | |
Valis | Dick | 78 | 546 | ||||||
Voss | White | 85 | 595 | ||||||
Walden | Thoreau | 89 | 623 | ||||||
War and Peace | Tolstoy | 13 | 15 | 18 | 29 | 18 | 32 | 36 | 23 |
Watership Down | Adams | 66 | 462 | ||||||
White Fragility | DiAngelo | 97 | 679 | ||||||
White Noise | DeLillo | 55 | 94 | 17 | 37 | 88.8 | |||
Wuthering Heights | Brontë | 68 | 39 | 187.3 | |||||
Zhuangzi | Zhuangzi | 98 | 686 |