Collaborative Works

/lit/ has produced various collaborative works, most often in the form of books or periodicals. This page particularly pertains to those that were open to outside submissions, i.e., not exclusively the work of an individual or closed group. Books by /lit/ have been collectively written via public Google Docs, with an admin who manages revisions and sometimes edits the final book for print by services such as Lulu. Periodicals and anthologies have accepted discrete submissions by emails, threads, and websites, largely without pay but publishing the works in free PDFs.

Bibliography

Books

• The Legacy of Totalitarianism in a Tundra (2014)
• The Legacy of Totalitarianism in a Tundra II: Miami (2015)
• The Legacy of Totalitarianism in a Tundra 3: Tokyo Drift (2015)
• Hypersphere (2015)
• Pictures of DFW; or, C:\Users\Anon\Pictures\DFW (2016)
• Dreamscape; or, My Diary Desu (2017)
• L'Anomie ou le tumulte des tapirs (2018)
• The Complete Works of God II (2018)
• Coronameron (2020)

Anthologies and periodicals

• Zine Writers Guild (ZWG) (2010)
• The April Reader (TAR) (2011-2013)
• The Metric (2013-2014)
• Pinecone (2015)
• Ideology (2015-2016)
• Lit Quarterly (2019-2020)
• Flash Fiction Anthology (2021), a.k.a. FFA
• &amp (2021-2023, 2025)
• Magnum (2024)

Compilations

• A Short Fiction Anthology (February 2024), selected from the three FFA releases
• &amp: the best of issues 001-014 (November 2024)

Miscellaneous

• Moby-Dick: A /lit/ Annotated Classic (2020)
• Lit Writing Contest (/lwc/) fka /lit/ Short Story Writing Contest (2024-)

Unfinished works

Works that at least collected material or received submissions but never saw a true release.

• The Quagga Project (2015)
• &non (2023)
• For (you) (2024)
• The Lit Book of Cocktails (2023-2024)
• Picturesque: or, Meeting the Masters (2024)

Notable Works

The April Reader

The most prolific, publishing 30 total issues on a bi-monthly schedule, and from issue 8 onward offered a cash prize ($10 from each editor, for a total between $20 and $40) to a single author from each release. The magazine was hosted from two websites: https://www.theaprilreader.org/ between issues 11 and 16, and https://theaprilreader.wordpress.com/ from issue 17 on. The magazine had a Twitter presence since the second issue, and a Tumblr pressence since the 22nd.

The Legacy of Totalitarianism in a Tundra

• Included in the Library of Artistic Print on Demand, with the collection being moved to the Bavarian State Library in November 2023.
• A series of unfinished recordings of readings from the book was made.

Hypersphere

• Seemingly included in the Library of the Print Web, but does not show in their list of collected works; the Museum of Modern Art Library acquired this collection in January 2017.

Lit Quarterly

The only /lit/ magazine to offer payment for every accepted submission, at $100 each, and the only to charge for digital copies, at $5, with limited-run print copies available by inquiry. After the third release an influx of submissions from outside /lit/ began, overwhelming the editors and diluting the spirit of the project as a /lit/ magazine.

A Short Fiction Anthology (FFA compilation)

• Links: print.

Selected from the three FFA releases, presumably by the original editor, with the original releases being removed from print. From the release thread:

Forty stories from those anthologies have been selected, re-edited, and formatted for paperback purchase at the lowest possible no-profit price. It was done because the stories are excellent and worthy of fresh publication.

The table of contents was not posted in the release thread, and the compilation is available only in print.

&amp: the best of issues 001-014

• Links: website, PDF, print.

An unofficial compilation selected broadly by consensus on /lit/ following the release of &amp issues 014, organized and edited by a former submitter to the magazine. From the website:

Over fifty pieces of writing were winnowed down from the span of &amp, selected based on their calibre as well as for their representation of the magazine and the board. For their appearance in the best-of, these pieces of writing have been fully edited and re-illustrated, stripped back from their original presentation in &amp to appear here in austere greyscale.