/lit/ Top 100 Lists: Difference between revisions
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Move over most of the gallery from the Top 100 section on Charts, including (notably) 2020. Table updating to follow... |
Added columns for "Author" and "2020" in the table, but did not update the averages (how are these even computed?) |
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Line 58: | Line 58: | ||
|- | |- | ||
!|'''Title''' | !|'''Title''' | ||
!|'''Author''' | |||
!|'''2020''' | |||
!|'''2019''' | !|'''2019''' | ||
!|'''2018''' | !|'''2018''' | ||
Line 64: | Line 66: | ||
!|'''2015''' | !|'''2015''' | ||
!|'''2014''' | !|'''2014''' | ||
! data-sort-type:number |'''Avg / % Listed''' | ! data-sort-type:number |'''Avg / % Listed (Pre-2020)''' | ||
|- | |- | ||
|1984 | |1984 | ||
|Orwell | |||
|31 | |||
|22 | |22 | ||
|21 | |21 | ||
Line 76: | Line 80: | ||
|- | |- | ||
|2666 | |2666 | ||
|Bolaño | |||
|99 | |||
|56 | |56 | ||
|29 | |29 | ||
Line 85: | Line 91: | ||
|- | |- | ||
|60 Stories | |60 Stories | ||
|Barthelme | |||
| | |||
| | | | ||
| | | | ||
Line 92: | Line 100: | ||
| | | | ||
|570.0 | |570.0 | ||
|- | |||
|A Canticle for Leibowitz | |||
|Miller Jr. | |||
|100 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|A Clockwork Orange | |A Clockwork Orange | ||
|Burgess | |||
| | |||
| | | | ||
|98 | |98 | ||
Line 103: | Line 125: | ||
|- | |- | ||
|A Confederacy of Dunces | |A Confederacy of Dunces | ||
|Toole | |||
|53 | |||
|46 | |46 | ||
|88 | |88 | ||
Line 112: | Line 136: | ||
|- | |- | ||
|A Farewell to Arms | |A Farewell to Arms | ||
|Hemingway | |||
| | |||
| | | | ||
| | | | ||
Line 121: | Line 147: | ||
|- | |- | ||
|A Hero of Our Time | |A Hero of Our Time | ||
|Lermontov | |||
| | |||
|67 | |67 | ||
| | | | ||
Line 130: | Line 158: | ||
|- | |- | ||
|A Portrait of the Artist as a Young Man | |A Portrait of the Artist as a Young Man | ||
|Joyce | |||
| | |||
|65 | |65 | ||
|38 | |38 | ||
Line 139: | Line 169: | ||
|- | |- | ||
|A Scanner Darkly | |A Scanner Darkly | ||
|Dick | |||
| | |||
| | | | ||
| | | | ||
Line 148: | Line 180: | ||
|- | |- | ||
|A Tale of Two Cities | |A Tale of Two Cities | ||
|Dickens | |||
| | |||
| | | | ||
| | | | ||
Line 156: | Line 190: | ||
|270.0 | |270.0 | ||
|- | |- | ||
|Absalom, Absalom | |Absalom, Absalom! | ||
|Faulkner | |||
|73 | |||
| | | | ||
| | | | ||
Line 166: | Line 202: | ||
|- | |- | ||
|Ada, or Ardor | |Ada, or Ardor | ||
|Nabokov | |||
| | |||
| | | | ||
| | | | ||
Line 175: | Line 213: | ||
|- | |- | ||
|Adventures of Huckleberry Finn | |Adventures of Huckleberry Finn | ||
|Twain | |||
| | |||
| | | | ||
| | | | ||
Line 184: | Line 224: | ||
|- | |- | ||
|Aeneid | |Aeneid | ||
|Virgil | |||
| | |||
| | | | ||
|63 | |63 | ||
Line 193: | Line 235: | ||
|- | |- | ||
|Against Nature | |Against Nature | ||
|Huysmans | |||
| | |||
|53 | |53 | ||
|94 | |94 | ||
Line 202: | Line 246: | ||
|- | |- | ||
|Alice's Adventures in Wonderland | |Alice's Adventures in Wonderland | ||
|Carroll | |||
| | |||
| | | | ||
| | | | ||
Line 211: | Line 257: | ||
|- | |- | ||
|American Psycho | |American Psycho | ||
|Ellis | |||
|44 | |||
|60 | |60 | ||
|90 | |90 | ||
Line 220: | Line 268: | ||
|- | |- | ||
|Animal Farm | |Animal Farm | ||
|Orwell | |||
| | |||
| | | | ||
| | | | ||
Line 229: | Line 279: | ||
|- | |- | ||
|Anna Karenina | |Anna Karenina | ||
|Tolstoy | |||
|21 | |||
|14 | |14 | ||
|17 | |17 | ||
Line 236: | Line 288: | ||
|28 | |28 | ||
|22.3 | |22.3 | ||
|- | |||
|Antifragile | |||
|Taleb | |||
|86 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|Arcades Project | |Arcades Project | ||
|Benjamin | |||
| | |||
|88 | |88 | ||
| | | | ||
Line 246: | Line 311: | ||
|528.0 | |528.0 | ||
|- | |- | ||
|As I | |As I Lay Dying | ||
|Faulkner | |||
| | |||
| | | | ||
| | | | ||
Line 255: | Line 322: | ||
|109.5 | |109.5 | ||
|- | |- | ||
|Beyond Good and | |Being and Time | ||
|Heidegger | |||
|22 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|Beyond Good and Evil | |||
|Nietzsche | |||
| | |||
|96 | |96 | ||
|80 | |80 | ||
Line 265: | Line 345: | ||
|- | |- | ||
|Blood Meridian | |Blood Meridian | ||
|McCarthy | |||
|15 | |||
|17 | |17 | ||
|11 | |11 | ||
Line 274: | Line 356: | ||
|- | |- | ||
|Bottom's Dream | |Bottom's Dream | ||
|Schmidt | |||
| | |||
| | | | ||
| | | | ||
Line 283: | Line 367: | ||
|- | |- | ||
|Brave New World | |Brave New World | ||
|Huxley | |||
|39 | |||
|59 | |59 | ||
|40 | |40 | ||
Line 291: | Line 377: | ||
|65.5 | |65.5 | ||
|- | |- | ||
| | |Bronze Age Mindset | ||
| | |Bronze Age Pervert | ||
|54 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|273.0 | | | ||
|- | | | ||
|Cannery Row | | | ||
|- | |||
|Buddenbrooks | |||
|Mann | |||
|62 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|Candide | |||
|Voltaire | |||
| | |||
|97 | |||
| | |||
|85 | |||
| | |||
| | |||
| | |||
|273.0 | |||
|- | |||
|Cannery Row | |||
|Steinbeck | |||
| | |||
| | | | ||
| | | | ||
Line 310: | Line 422: | ||
|- | |- | ||
|Capital | |Capital | ||
|Marx | |||
|63 | |||
|26 | |26 | ||
|57 | |57 | ||
Line 319: | Line 433: | ||
|- | |- | ||
|Catch 22 | |Catch 22 | ||
|Heller | |||
|32 | |||
|45 | |45 | ||
|27 | |27 | ||
Line 328: | Line 444: | ||
|- | |- | ||
|Confessions | |Confessions | ||
|Augustine | |||
| | |||
|31 | |31 | ||
|59 | |59 | ||
Line 337: | Line 455: | ||
|- | |- | ||
|Confessions of a Mask | |Confessions of a Mask | ||
|Mishima | |||
| | |||
|81 | |81 | ||
| | | | ||
Line 346: | Line 466: | ||
|- | |- | ||
|Correction | |Correction | ||
|Bernhard | |||
| | |||
|66 | |66 | ||
|43 | |43 | ||
Line 355: | Line 477: | ||
|- | |- | ||
|Crime and Punishment | |Crime and Punishment | ||
|Dostoevsky | |||
|5 | |||
|4 | |4 | ||
|2 | |2 | ||
Line 364: | Line 488: | ||
|- | |- | ||
|Critique of Pure Reason | |Critique of Pure Reason | ||
|Kant | |||
|48 | |||
|93 | |93 | ||
| | | | ||
Line 373: | Line 499: | ||
|- | |- | ||
|Cryptonomicon | |Cryptonomicon | ||
|Stephenson | |||
| | |||
| | | | ||
| | | | ||
Line 382: | Line 510: | ||
|- | |- | ||
|Dandelion Wine | |Dandelion Wine | ||
|Bradbury | |||
| | |||
| | | | ||
| | | | ||
Line 391: | Line 521: | ||
|- | |- | ||
|Dead Souls | |Dead Souls | ||
|Gogol | |||
| | |||
| | | | ||
| | | | ||
Line 400: | Line 532: | ||
|- | |- | ||
|Demons | |Demons | ||
|Dostoevsky | |||
|75 | |||
|78 | |78 | ||
| | | | ||
Line 409: | Line 543: | ||
|- | |- | ||
|Do Androids Dream of Electric Sheep? | |Do Androids Dream of Electric Sheep? | ||
|Dick | |||
| | |||
| | | | ||
| | | | ||
Line 418: | Line 554: | ||
|- | |- | ||
|Don Quixote | |Don Quixote | ||
|Cervantes | |||
|8 | |||
|6 | |6 | ||
|12 | |12 | ||
Line 427: | Line 565: | ||
|- | |- | ||
|Dubliners | |Dubliners | ||
|Joyce | |||
|88 | |||
|27 | |27 | ||
|22 | |22 | ||
Line 436: | Line 576: | ||
|- | |- | ||
|Dune | |Dune | ||
|Herbert | |||
| | |||
|71 | |71 | ||
| | | | ||
Line 445: | Line 587: | ||
|- | |- | ||
|East of Eden | |East of Eden | ||
|Steinbeck | |||
| | |||
|37 | |37 | ||
|36 | |36 | ||
Line 453: | Line 597: | ||
|55.2 | |55.2 | ||
|- | |- | ||
| | |Essays | ||
|Montaigne | |||
| | |||
| | | | ||
|63 | |63 | ||
|52 | |52 | ||
Line 471: | Line 608: | ||
|172.5 | |172.5 | ||
|- | |- | ||
| | |Ethics | ||
|Spinoza | |||
|94 | |||
| | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|- | |- | ||
| | |Extinction | ||
|Bernhard | |||
|45 | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|220.5 | | | ||
| | |||
|- | |||
|Fanged Noumena | |||
|Land | |||
| | |||
| | |||
| | |||
|66 | |||
| | |||
| | |||
| | |||
|396.0 | |||
|- | |||
|Farenheit 451 | |||
|Bradbury | |||
| | |||
| | |||
| | |||
|70 | |||
| | |||
|77 | |||
| | |||
|220.5 | |||
|- | |- | ||
|Faust | |Faust | ||
|Goethe | |||
|76 | |||
|30 | |30 | ||
|28 | |28 | ||
Line 499: | Line 664: | ||
|- | |- | ||
|Fear and Loathing in Las Vegas | |Fear and Loathing in Las Vegas | ||
|Thompson | |||
| | |||
| | | | ||
| | | | ||
Line 508: | Line 675: | ||
|- | |- | ||
|Fear and Trembling | |Fear and Trembling | ||
|Kierkegaard | |||
| | |||
|68 | |68 | ||
|75 | |75 | ||
Line 516: | Line 685: | ||
|214.5 | |214.5 | ||
|- | |- | ||
|Fictions | |Fictions | ||
|Borges | |||
|17 | |||
|41 | |41 | ||
|20 | |20 | ||
Line 526: | Line 697: | ||
|- | |- | ||
|Fight Club | |Fight Club | ||
|Palahniuk | |||
| | |||
| | | | ||
| | | | ||
Line 535: | Line 708: | ||
|- | |- | ||
|Finnegan's Wake | |Finnegan's Wake | ||
|Joyce | |||
| | |||
|75 | |75 | ||
|81 | |81 | ||
Line 544: | Line 719: | ||
|- | |- | ||
|For Whom the Bell Tolls | |For Whom the Bell Tolls | ||
|Hemingway | |||
| | |||
| | | | ||
| | | | ||
Line 551: | Line 728: | ||
| | | | ||
|318.0 | |318.0 | ||
|- | |||
|Foucault's Pendulum | |||
|Eco | |||
|77 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|Frankenstein | |Frankenstein | ||
|Shelley | |||
| | |||
|100 | |100 | ||
| | | | ||
Line 562: | Line 752: | ||
|- | |- | ||
|Franny & Zooey | |Franny & Zooey | ||
|Salinger | |||
| | |||
| | | | ||
| | | | ||
Line 571: | Line 763: | ||
|- | |- | ||
|Gravity's Rainbow | |Gravity's Rainbow | ||
|Pynchon | |||
|55 | |||
|10 | |10 | ||
|8 | |8 | ||
Line 580: | Line 774: | ||
|- | |- | ||
|Growth of the Soil | |Growth of the Soil | ||
|Hamsun | |||
| | |||
|76 | |76 | ||
| | | | ||
Line 589: | Line 785: | ||
|- | |- | ||
|Hamlet | |Hamlet | ||
|Shakespeare | |||
|23 | |||
|20 | |20 | ||
|14 | |14 | ||
Line 598: | Line 796: | ||
|- | |- | ||
|Heart of Darkness | |Heart of Darkness | ||
|Conrad | |||
| | |||
|57 | |57 | ||
|70 | |70 | ||
Line 605: | Line 805: | ||
|43 | |43 | ||
|58.2 | |58.2 | ||
|- | |||
|History of Charles XII | |||
|Voltaire | |||
|27 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|Hopscotch | |Hopscotch | ||
|Cortázar | |||
| | |||
|52 | |52 | ||
| | | | ||
Line 615: | Line 828: | ||
|516.0 | |516.0 | ||
|- | |- | ||
| | |House of Leaves | ||
|Danielewski | |||
|69 | |||
| | |||
| | |||
| | | | ||
|42 | | | ||
|59 | | | ||
| | |||
| | |||
|- | |||
|Hunger | |||
|Hamsun | |||
| | |||
| | |||
|42 | |||
|59 | |||
|54 | |54 | ||
|60 | |60 | ||
Line 625: | Line 851: | ||
|- | |- | ||
|I Am a Cat | |I Am a Cat | ||
|Sōseki | |||
| | |||
| | | | ||
| | | | ||
Line 634: | Line 862: | ||
|- | |- | ||
|If on a Winter's Night a Traveler | |If on a Winter's Night a Traveler | ||
|Calvino | |||
| | |||
| | | | ||
|100 | |100 | ||
Line 643: | Line 873: | ||
|- | |- | ||
|Illuminatus! | |Illuminatus! | ||
|Wilson; Shea | |||
| | |||
| | | | ||
| | | | ||
Line 650: | Line 882: | ||
|95 | |95 | ||
|570.0 | |570.0 | ||
|- | |||
|Industrial Society and its Future | |||
|Kaczynski | |||
|11 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|In Search of Lost Time | |In Search of Lost Time | ||
|Proust | |||
|24 | |||
|24 | |24 | ||
|19 | |19 | ||
Line 661: | Line 906: | ||
|- | |- | ||
|Infinite Jest | |Infinite Jest | ||
|Wallace | |||
|16 | |||
|11 | |11 | ||
|10 | |10 | ||
Line 670: | Line 917: | ||
|- | |- | ||
|Invisible Cities | |Invisible Cities | ||
|Calvino | |||
|89 | |||
|85 | |85 | ||
|54 | |54 | ||
Line 678: | Line 927: | ||
|63.7 | |63.7 | ||
|- | |- | ||
|J | |J R | ||
|Gaddis | |||
|36 | |||
| | | | ||
|77 | |77 | ||
Line 688: | Line 939: | ||
|- | |- | ||
|Jerusalem | |Jerusalem | ||
|Moore | |||
| | |||
| | | | ||
| | | | ||
Line 697: | Line 950: | ||
|- | |- | ||
|Journey to the End of the Night | |Journey to the End of the Night | ||
|Céline | |||
|46 | |||
|39 | |39 | ||
|35 | |35 | ||
Line 706: | Line 961: | ||
|- | |- | ||
|Kafka on the Shore | |Kafka on the Shore | ||
|Murakami | |||
| | |||
|95 | |95 | ||
| | | | ||
Line 715: | Line 972: | ||
|- | |- | ||
|King Lear | |King Lear | ||
|Shakespeare | |||
| | |||
|98 | |98 | ||
|91 | |91 | ||
Line 724: | Line 983: | ||
|- | |- | ||
|Kokoro | |Kokoro | ||
|Sōseki | |||
| | |||
|69 | |69 | ||
| | | | ||
Line 733: | Line 994: | ||
|- | |- | ||
|Leaves of Grass | |Leaves of Grass | ||
|Whitman | |||
| | |||
| | | | ||
| | | | ||
Line 742: | Line 1,005: | ||
|- | |- | ||
|Les Misérables | |Les Misérables | ||
|Hugo | |||
|42 | |||
|35 | |35 | ||
|46 | |46 | ||
Line 751: | Line 1,016: | ||
|- | |- | ||
|Life and Fate | |Life and Fate | ||
|Grossman | |||
| | |||
| | | | ||
|99 | |99 | ||
Line 760: | Line 1,027: | ||
|- | |- | ||
|Light in August | |Light in August | ||
|Faulkner | |||
| | |||
| | | | ||
| | | | ||
Line 769: | Line 1,038: | ||
|- | |- | ||
|Lolita | |Lolita | ||
|Nabokov | |||
|7 | |||
|8 | |8 | ||
|6 | |6 | ||
Line 776: | Line 1,047: | ||
|5 | |5 | ||
|6.3 | |6.3 | ||
|- | |||
|London Bridge | |||
|Céline | |||
|90 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|Lord of the Flies | |Lord of the Flies | ||
|Golding | |||
| | |||
| | | | ||
| | | | ||
Line 787: | Line 1,071: | ||
|- | |- | ||
|Madame Bovary | |Madame Bovary | ||
|Flaubert | |||
|64 | |||
|51 | |51 | ||
|93 | |93 | ||
Line 796: | Line 1,082: | ||
|- | |- | ||
|Malone Dies | |Malone Dies | ||
|Beckett | |||
| | |||
| | | | ||
| | | | ||
Line 805: | Line 1,093: | ||
|- | |- | ||
|Mason & Dixon | |Mason & Dixon | ||
|Pynchon | |||
| | |||
| | | | ||
|71 | |71 | ||
Line 813: | Line 1,103: | ||
|51.6 | |51.6 | ||
|- | |- | ||
|Meditations Aurelias | |Meditations | ||
|Aurelias | |||
| | |||
|40 | |40 | ||
|65 | |65 | ||
Line 822: | Line 1,114: | ||
|67.9 | |67.9 | ||
|- | |- | ||
|Meditations Descartes | |Meditations | ||
|Descartes | |||
| | |||
| | | | ||
| | | | ||
Line 831: | Line 1,125: | ||
|372.0 | |372.0 | ||
|- | |- | ||
|Metamorphoses | |Mein Kampf | ||
|Hitler | |||
|1 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|Metamorphoses | |||
|Ovid | |||
|91 | |||
|94 | |94 | ||
| | | | ||
Line 841: | Line 1,148: | ||
|- | |- | ||
|Middlemarch | |Middlemarch | ||
|Eliot | |||
| | |||
| | | | ||
| | | | ||
Line 850: | Line 1,159: | ||
|- | |- | ||
|Moby Dick | |Moby Dick | ||
|Melville | |||
|3 | |||
|1 | |1 | ||
|1 | |1 | ||
Line 857: | Line 1,168: | ||
|6 | |6 | ||
|2.2 | |2.2 | ||
|- | |||
|Modernity and Cultural Decline | |||
|Woodley et al | |||
|30 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|Molloy | |Molloy | ||
|Beckett | |||
| | |||
| | | | ||
| | | | ||
Line 868: | Line 1,192: | ||
|- | |- | ||
|Mrs. Dalloway | |Mrs. Dalloway | ||
|Woolf | |||
| | |||
| | | | ||
| | | | ||
Line 877: | Line 1,203: | ||
|- | |- | ||
|Nausea | |Nausea | ||
|Sartre | |||
| | |||
| | | | ||
|64 | |64 | ||
Line 886: | Line 1,214: | ||
|- | |- | ||
|Neuromancer | |Neuromancer | ||
|Gibson | |||
| | |||
| | | | ||
| | | | ||
Line 895: | Line 1,225: | ||
|- | |- | ||
|No Longer Human | |No Longer Human | ||
|Dazai | |||
|70 | |||
|34 | |34 | ||
|76 | |76 | ||
Line 903: | Line 1,235: | ||
|69.1 | |69.1 | ||
|- | |- | ||
|Notes | |Notes from Underground | ||
|Dostoevsky | |||
|25 | |||
|18 | |18 | ||
|23 | |23 | ||
Line 913: | Line 1,247: | ||
|- | |- | ||
|Oblomov | |Oblomov | ||
|Goncharov | |||
| | |||
| | | | ||
| | | | ||
Line 922: | Line 1,258: | ||
|- | |- | ||
|Of Mice and Men | |Of Mice and Men | ||
|Steinbeck | |||
| | |||
| | | | ||
|74 | |74 | ||
Line 929: | Line 1,267: | ||
| | | | ||
|238.5 | |238.5 | ||
|- | |||
|On the Heights of Despair | |||
|Cioran | |||
|49 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|On The Road | |On The Road | ||
|Kerouac | |||
| | |||
| | | | ||
| | | | ||
Line 940: | Line 1,291: | ||
|- | |- | ||
|One Hundred Years of Solitude | |One Hundred Years of Solitude | ||
|Márquez | |||
|28 | |||
|25 | |25 | ||
|26 | |26 | ||
Line 949: | Line 1,302: | ||
|- | |- | ||
|Pale Fire | |Pale Fire | ||
|Nabokov | |||
| | |||
|72 | |72 | ||
|47 | |47 | ||
Line 958: | Line 1,313: | ||
|- | |- | ||
|Pan | |Pan | ||
|Hamsun | |||
|92 | |||
| | | | ||
| | | | ||
Line 967: | Line 1,324: | ||
|- | |- | ||
|Paradise Lost | |Paradise Lost | ||
|Milton | |||
|93 | |||
|55 | |55 | ||
|24 | |24 | ||
Line 974: | Line 1,333: | ||
|98 | |98 | ||
|54.7 | |54.7 | ||
|- | |||
|Pedro Páramo | |||
|Rulfo | |||
|9 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|Phenomenology of Spirit | |Phenomenology of Spirit | ||
|Hegel | |||
| | |||
|44 | |44 | ||
|50 | |50 | ||
Line 985: | Line 1,357: | ||
|- | |- | ||
|Platonic Dialogues | |Platonic Dialogues | ||
|Plato | |||
| | |||
| | | | ||
| | | | ||
Line 994: | Line 1,368: | ||
|- | |- | ||
|Process and Reality | |Process and Reality | ||
|Whitehead | |||
| | |||
|29 | |29 | ||
| | | | ||
Line 1,002: | Line 1,378: | ||
|174.0 | |174.0 | ||
|- | |- | ||
| | |Raise High the Roofbeams, Carpenters and Seymour: An Introduction | ||
|Salinger | |||
|78 | |||
| | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|- | |- | ||
|Roadside Picnic | |Roadside Picnic | ||
|Strugatzky, A. & B. | |||
| | |||
| | | | ||
| | | | ||
Line 1,019: | Line 1,399: | ||
|85 | |85 | ||
|261.0 | |261.0 | ||
|- | |||
|Satantango | |||
|Krasznahorkai | |||
|33 | |||
| | |||
| | |||
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| | |||
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| | |||
| | |||
|- | |- | ||
|Siddhartha | |Siddhartha | ||
|Hesse | |||
| | |||
|62 | |62 | ||
|45 | |45 | ||
Line 1,030: | Line 1,423: | ||
|- | |- | ||
|Slaughterhouse-Five | |Slaughterhouse-Five | ||
|Vonnegut | |||
|56 | |||
| | | | ||
|62 | |62 | ||
Line 1,039: | Line 1,434: | ||
|- | |- | ||
|Society of the Spectacle | |Society of the Spectacle | ||
|Debord | |||
| | |||
| | | | ||
| | | | ||
Line 1,048: | Line 1,445: | ||
|- | |- | ||
|Solaris | |Solaris | ||
|Lem | |||
| | |||
| | | | ||
| | | | ||
Line 1,057: | Line 1,456: | ||
|- | |- | ||
|Sometimes a Great Notion | |Sometimes a Great Notion | ||
|Kesey | |||
| | |||
| | | | ||
|67 | |67 | ||
Line 1,066: | Line 1,467: | ||
|- | |- | ||
|Steppenwolf | |Steppenwolf | ||
|Hesse | |||
|79 | |||
| | | | ||
|66 | |66 | ||
Line 1,075: | Line 1,478: | ||
|- | |- | ||
|Stoner | |Stoner | ||
|Williams | |||
|10 | |||
|13 | |13 | ||
|7 | |7 | ||
Line 1,084: | Line 1,489: | ||
|- | |- | ||
|Storm of Steel | |Storm of Steel | ||
|Jünger | |||
| | |||
|48 | |48 | ||
|97 | |97 | ||
Line 1,091: | Line 1,498: | ||
| | | | ||
|217.5 | |217.5 | ||
|- | |||
|Story of the Eye | |||
|Bataille | |||
|50 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|Summa Theologica | |Summa Theologica | ||
|Aquinas | |||
| | |||
|74 | |74 | ||
| | | | ||
Line 1,102: | Line 1,522: | ||
|- | |- | ||
|Suttree | |Suttree | ||
|McCarthy | |||
| | |||
| | | | ||
| | | | ||
Line 1,110: | Line 1,532: | ||
|444.0 | |444.0 | ||
|- | |- | ||
| | |Take Five | ||
|Mano | |||
|51 | |||
| | |||
| | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|- | |- | ||
| | |Tao Te Ching | ||
|Laozi | |||
|43 | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|81 | | | ||
| | |||
|- | |||
|The Aleph | |||
|Borges | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|81 | |||
| | | | ||
|486.0 | |486.0 | ||
|- | |- | ||
|The Anatomy of Melancholy | |The Anatomy of Melancholy | ||
|Burton | |||
| | |||
| | | | ||
| | | | ||
Line 1,138: | Line 1,577: | ||
|- | |- | ||
|The Bhagavad Gita | |The Bhagavad Gita | ||
|Vyasa | |||
|74 | |||
|73 | |73 | ||
| | | | ||
Line 1,147: | Line 1,588: | ||
|- | |- | ||
|The Book of Disquiet | |The Book of Disquiet | ||
|Pessoa | |||
|34 | |||
|16 | |16 | ||
|32 | |32 | ||
Line 1,156: | Line 1,599: | ||
|- | |- | ||
|The Book of the New Sun | |The Book of the New Sun | ||
|Wolfe | |||
| | |||
|32 | |32 | ||
|31 | |31 | ||
Line 1,165: | Line 1,610: | ||
|- | |- | ||
|The Brothers Karamazov | |The Brothers Karamazov | ||
|Dostoevsky | |||
|4 | |||
|3 | |3 | ||
|3 | |3 | ||
Line 1,174: | Line 1,621: | ||
|- | |- | ||
|The Canterbury Tales | |The Canterbury Tales | ||
|Chaucer | |||
| | |||
| | | | ||
| | | | ||
Line 1,183: | Line 1,632: | ||
|- | |- | ||
|The Castle | |The Castle | ||
|Kafka | |||
| | |||
| | | | ||
| | | | ||
Line 1,192: | Line 1,643: | ||
|- | |- | ||
|The Catcher in the Rye | |The Catcher in the Rye | ||
|Salinger | |||
|37 | |||
|43 | |43 | ||
|37 | |37 | ||
Line 1,200: | Line 1,653: | ||
|37.2 | |37.2 | ||
|- | |- | ||
|The Count of Monte Cristo | |The Changing Light at Sandover | ||
|36 | |Merrill | ||
|34 | |57 | ||
|90 | | | ||
|51 | | | ||
|59 | | | ||
| | |||
| | |||
| | |||
| | |||
|- | |||
|The Confidence-Man | |||
|Melville | |||
|87 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|The Count of Monte Cristo | |||
|Dumas | |||
|40 | |||
|36 | |||
|34 | |||
|90 | |||
|51 | |||
|59 | |||
|100 | |100 | ||
|61.7 | |61.7 | ||
|- | |- | ||
|The Crying of Lot 49 | |The Crying of Lot 49 | ||
|Pynchon | |||
| | |||
|87 | |87 | ||
|86 | |86 | ||
Line 1,219: | Line 1,698: | ||
|- | |- | ||
|The Death of Ivan Ilych | |The Death of Ivan Ilych | ||
|Tolstoy | |||
| | |||
| | | | ||
| | | | ||
Line 1,228: | Line 1,709: | ||
|- | |- | ||
|The Decline of the West | |The Decline of the West | ||
|Spengler | |||
| | |||
|90 | |90 | ||
|78 | |78 | ||
Line 1,237: | Line 1,720: | ||
|- | |- | ||
|The Divine Comedy | |The Divine Comedy | ||
|Alighieri | |||
|38 | |||
|7 | |7 | ||
|16 | |16 | ||
Line 1,246: | Line 1,731: | ||
|- | |- | ||
|The Ego & His Own | |The Ego & His Own | ||
|Stirner | |||
| | |||
| | | | ||
| | | | ||
Line 1,254: | Line 1,741: | ||
|426.0 | |426.0 | ||
|- | |- | ||
|The | |The Elementary Particles | ||
|Houellebecq | |||
|65 | |||
|77 | |||
|96 | |||
| | | | ||
| | | | ||
|94 | | | ||
| | |||
|259.5 | |||
|- | |||
|The Faerie Queene | |||
|Spenser | |||
| | |||
| | |||
| | |||
|94 | |||
| | | | ||
| | | | ||
Line 1,264: | Line 1,764: | ||
|- | |- | ||
|The Fall | |The Fall | ||
|Camus | |||
| | |||
| | | | ||
| | | | ||
Line 1,273: | Line 1,775: | ||
|- | |- | ||
|The Flowers of Evil | |The Flowers of Evil | ||
|Baudelaire | |||
| | |||
| | | | ||
| | | | ||
Line 1,280: | Line 1,784: | ||
| | | | ||
|546.0 | |546.0 | ||
|- | |||
|The Fountainhead | |||
|Rand | |||
|95 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|The Glass Bead Game | |The Glass Bead Game | ||
|Hesse | |||
| | |||
| | | | ||
|79 | |79 | ||
Line 1,291: | Line 1,808: | ||
|- | |- | ||
|The Golden Bowl | |The Golden Bowl | ||
|James | |||
|80 | |||
|89 | |89 | ||
| | | | ||
Line 1,300: | Line 1,819: | ||
|- | |- | ||
|The Good Earth | |The Good Earth | ||
|Buck | |||
| | |||
| | | | ||
| | | | ||
Line 1,309: | Line 1,830: | ||
|- | |- | ||
|The Grapes of Wrath | |The Grapes of Wrath | ||
|Steinbeck | |||
| | |||
|84 | |84 | ||
|84 | |84 | ||
Line 1,318: | Line 1,841: | ||
|- | |- | ||
|The Great Gatsby | |The Great Gatsby | ||
|Fitzgerald | |||
| | |||
| | | | ||
|58 | |58 | ||
Line 1,327: | Line 1,852: | ||
|- | |- | ||
|The Gulag Archipelago | |The Gulag Archipelago | ||
|Solzhenitsyn | |||
| | |||
| | | | ||
| | | | ||
Line 1,336: | Line 1,863: | ||
|- | |- | ||
|The Hitchhiker's Guide to the Galaxy | |The Hitchhiker's Guide to the Galaxy | ||
|Adams | |||
| | |||
| | | | ||
| | | | ||
Line 1,345: | Line 1,874: | ||
|- | |- | ||
|The Hobbit | |The Hobbit | ||
|Tolkien | |||
| | |||
| | | | ||
|60 | |60 | ||
Line 1,354: | Line 1,885: | ||
|- | |- | ||
|The Holy Bible | |The Holy Bible | ||
| | |||
|2 | |||
|2 | |2 | ||
|4 | |4 | ||
Line 1,363: | Line 1,896: | ||
|- | |- | ||
|The Idiot | |The Idiot | ||
|Dostoevsky | |||
|66 | |||
|33 | |33 | ||
|48 | |48 | ||
Line 1,372: | Line 1,907: | ||
|- | |- | ||
|The Iliad | |The Iliad | ||
|Homer | |||
|6 | |||
|9 | |9 | ||
|9 | |9 | ||
Line 1,381: | Line 1,918: | ||
|- | |- | ||
|The Leopard | |The Leopard | ||
|Lampedusa | |||
| | |||
| | | | ||
|82 | |82 | ||
Line 1,390: | Line 1,929: | ||
|- | |- | ||
|The Lord of the Rings | |The Lord of the Rings | ||
|Tolkien | |||
|18 | |||
|38 | |38 | ||
|51 | |51 | ||
Line 1,399: | Line 1,940: | ||
|- | |- | ||
|The Magic Mountain | |The Magic Mountain | ||
|Mann | |||
| | |||
|61 | |61 | ||
|49 | |49 | ||
Line 1,406: | Line 1,949: | ||
| | | | ||
|66.5 | |66.5 | ||
|- | |||
|The Major Works | |||
|Browne | |||
|81 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|The Making of Americans | |||
|Stein | |||
|41 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|The Man Without Qualities | |The Man Without Qualities | ||
|Musil | |||
| | |||
|49 | |49 | ||
| | | | ||
Line 1,417: | Line 1,984: | ||
|- | |- | ||
|The Master and Margarita | |The Master and Margarita | ||
|Bulgakov | |||
|14 | |||
|50 | |50 | ||
|56 | |56 | ||
Line 1,425: | Line 1,994: | ||
|35.0 | |35.0 | ||
|- | |- | ||
|The Metamorphosis | |The Metamorphosis | ||
|Kafka | |||
|58 | |||
|42 | |42 | ||
|55 | |55 | ||
Line 1,435: | Line 2,006: | ||
|- | |- | ||
|The Naked Lunch | |The Naked Lunch | ||
|Burroughs | |||
| | |||
| | | | ||
|89 | |89 | ||
Line 1,444: | Line 2,017: | ||
|- | |- | ||
|The Name of the Rose | |The Name of the Rose | ||
|Eco | |||
| | |||
|99 | |99 | ||
|95 | |95 | ||
Line 1,453: | Line 2,028: | ||
|- | |- | ||
|The Odyssey | |The Odyssey | ||
|Homer | |||
|29 | |||
|12 | |12 | ||
|15 | |15 | ||
Line 1,462: | Line 2,039: | ||
|- | |- | ||
|The Old Man and The Sea | |The Old Man and The Sea | ||
|Hemingway | |||
| | |||
| | | | ||
| | | | ||
Line 1,469: | Line 2,048: | ||
|97 | |97 | ||
|132.0 | |132.0 | ||
|- | |||
|The Opposing Shore | |||
|Gracq | |||
|82 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|The Pale King | |The Pale King | ||
|Wallace | |||
| | |||
| | | | ||
| | | | ||
Line 1,478: | Line 2,070: | ||
|69 | |69 | ||
|132.7 | |132.7 | ||
|- | |||
|The Passion According to G.H. | |||
|Lispector | |||
|83 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|The Picture of Dorian Gray | |The Picture of Dorian Gray | ||
|Wilde | |||
| | |||
| | | | ||
|61 | |61 | ||
Line 1,489: | Line 2,094: | ||
|- | |- | ||
|The Plague | |The Plague | ||
|Camus | |||
| | |||
| | | | ||
| | | | ||
Line 1,497: | Line 2,104: | ||
|210.0 | |210.0 | ||
|- | |- | ||
|The | |The Portrait of a Lady | ||
|James | |||
|84 | |||
| | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|- | |- | ||
|The Prince | |The Posthumous Memoirs of Brás Cubas | ||
|92 | |Assis | ||
|59 | |||
| | |||
| | |||
|40 | |||
| | |||
| | |||
| | |||
|240.0 | |||
|- | |||
|The Prince | |||
|Machiavelli | |||
| | |||
|92 | |||
| | | | ||
| | | | ||
Line 1,516: | Line 2,138: | ||
|- | |- | ||
|The Quran | |The Quran | ||
| | |||
|19 | |||
|91 | |91 | ||
| | | | ||
Line 1,525: | Line 2,149: | ||
|- | |- | ||
|The Recognitions | |The Recognitions | ||
|Gaddis | |||
| | |||
|28 | |28 | ||
|44 | |44 | ||
Line 1,534: | Line 2,160: | ||
|- | |- | ||
|The Red & The Black | |The Red & The Black | ||
|Stendhal | |||
| | |||
|70 | |70 | ||
|92 | |92 | ||
Line 1,541: | Line 2,169: | ||
| | | | ||
|552.0 | |552.0 | ||
|- | |||
|The Reign of Quantity and the Signs of the Times | |||
|Guénon | |||
|71 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|The Remains of the Day | |The Remains of the Day | ||
|Ishiguro | |||
| | |||
| | | | ||
| | | | ||
Line 1,552: | Line 2,193: | ||
|- | |- | ||
|The Republic | |The Republic | ||
|Plato | |||
|26 | |||
|23 | |23 | ||
|39 | |39 | ||
Line 1,560: | Line 2,203: | ||
|86.7 | |86.7 | ||
|- | |- | ||
|The | |The Rings of Saturn | ||
|Sebald | |||
| | |||
| | | | ||
| | | | ||
| | |78 | ||
| | | | ||
| | | | ||
| | | | ||
|414.0 | |468.0 | ||
|- | |||
|The Road | |||
|McCarthy | |||
| | |||
| | |||
| | |||
|69 | |||
| | |||
| | |||
| | |||
|414.0 | |||
|- | |- | ||
|The Sailor who fell from Grace with the Sea | |The Sailor who fell from Grace with the Sea | ||
|Mishima | |||
| | |||
|47 | |47 | ||
|68 | |68 | ||
Line 1,579: | Line 2,237: | ||
|- | |- | ||
|The Savage Detectives | |The Savage Detectives | ||
|Bolaño | |||
| | |||
|86 | |86 | ||
| | | | ||
Line 1,586: | Line 2,246: | ||
|63 | |63 | ||
|66.7 | |66.7 | ||
|- | |||
|The Secret History | |||
|Tartt | |||
|96 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |- | ||
|The Simarillion | |The Simarillion | ||
|Tolkien | |||
| | |||
| | | | ||
| | | | ||
Line 1,597: | Line 2,270: | ||
|- | |- | ||
|The Sirens of Titan | |The Sirens of Titan | ||
|Vonnegut | |||
| | |||
| | | | ||
| | | | ||
Line 1,606: | Line 2,281: | ||
|- | |- | ||
|The Sorrows of Young Werther | |The Sorrows of Young Werther | ||
|Goethe | |||
| | |||
| | | | ||
|87 | |87 | ||
Line 1,615: | Line 2,292: | ||
|- | |- | ||
|The Sound and the Fury | |The Sound and the Fury | ||
|Faulkner | |||
| | |||
|64 | |64 | ||
|33 | |33 | ||
Line 1,624: | Line 2,303: | ||
|- | |- | ||
|The Stranger | |The Stranger | ||
|Camus | |||
|12 | |||
|21 | |21 | ||
|13 | |13 | ||
Line 1,633: | Line 2,314: | ||
|- | |- | ||
|The Sun Also Rises | |The Sun Also Rises | ||
|Hemingway | |||
| | |||
|80 | |80 | ||
|53 | |53 | ||
Line 1,641: | Line 2,324: | ||
|68.7 | |68.7 | ||
|- | |- | ||
|The Trial | |The Tartar Steppe | ||
|Buzzati | |||
|60 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
|The Temple of the Golden Pavillion | |||
|Mishima | |||
| | |||
| | |||
| | |||
|99 | |||
| | |||
| | |||
|58 | |||
|235.5 | |||
|- | |||
|The Trial | |||
|Kafka | |||
|47 | |||
| | | | ||
|30 | |30 | ||
Line 1,650: | Line 2,357: | ||
|22.3 | |22.3 | ||
|- | |- | ||
|The Trilogy | |The Trilogy | ||
|Beckett | |||
|67 | |||
| | | | ||
|69 | |69 | ||
Line 1,660: | Line 2,369: | ||
|- | |- | ||
|The Tropic of Cancer | |The Tropic of Cancer | ||
|Miller | |||
| | |||
| | | | ||
| | | | ||
Line 1,669: | Line 2,380: | ||
|- | |- | ||
|The Tunnel | |The Tunnel | ||
|Gass | |||
| | |||
|58 | |58 | ||
|72 | |72 | ||
Line 1,678: | Line 2,391: | ||
|- | |- | ||
|The Unbearable Lightness of Being | |The Unbearable Lightness of Being | ||
|Kundera | |||
| | |||
| | | | ||
| | | | ||
Line 1,686: | Line 2,401: | ||
|588.0 | |588.0 | ||
|- | |- | ||
|The | |The Unconsoled | ||
|Ishiguro | |||
|52 | |||
| | |||
| | |||
| | | | ||
| | | | ||
Line 1,692: | Line 2,411: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The Waste Land | |The Wasp Factory | ||
|Banks | |||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|80 | |||
|480.0 | |||
|- | |||
|The Waste Land | |||
|Eliot | |||
| | |||
| | | | ||
| | | | ||
Line 1,705: | Line 2,435: | ||
|- | |- | ||
|The Waves | |The Waves | ||
|Woolf | |||
| | |||
| | | | ||
|85 | |85 | ||
Line 1,714: | Line 2,446: | ||
|- | |- | ||
|The World as Will and Representation | |The World as Will and Representation | ||
|Schopenhauer | |||
| | |||
|79 | |79 | ||
| | | | ||
Line 1,723: | Line 2,457: | ||
|- | |- | ||
|Thus Spoke Zarathustra | |Thus Spoke Zarathustra | ||
|Nietzsche | |||
|72 | |||
|19 | |19 | ||
|25 | |25 | ||
Line 1,732: | Line 2,468: | ||
|- | |- | ||
|To the Lighthouse | |To the Lighthouse | ||
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Revision as of 06:05, 8 January 2021
From 2014, polls of posters' favorite books have been conducted every year on /lit/. The responses to these polls generated the below infographics. After 2017, lists continued to be created, but without polls.
(In 2015, the poll also asked for a list of the responder's and three favorite authors. This was not continued from 2016 onwards.)
Facts about the similarities and differences between the 2014 poll results and the 2015 poll results are as follows:
- 69% of the books from the 2014 list made it onto the 2015 list.
- The highest placing new additions to the 2015 list are:
- Confederacy of Dunces (26)
- Book of the New Sun (27)
- Les Miserables (35)
- If on a Winter's Night a Traveler (50)
- For Whom the Bell Tolls (53)
- The highest placing books to drop off the 2014 list are:
- The Plague (35)
- The Silmarillion (42)
- Leaves of Grass (53)
- Harry Potter series (54)
- A Clockwork Orange (55)
- Of the books that stayed on the list, the greatest gains were made by:
- The Iliad (94 to 18)
- The Old Man and the Sea (97 to 34)
- Paradise Lost (98 to 37)
- Portrait of the Artist (67 to 12)
- Steppenwolf (93 to 42)
- The greatest losses were:
- Dune (29 to 83)
- The Picture of Dorian Gray (16 to 64)
- A Farewell to Arms (46 to 93)
- Journey to the End of the Night (10 to 52)
- Invisible Cities (22 to 57)
-
2014 - 2017
-
2014
-
2015
-
Authors 2015
-
2016
-
2017
-
2018
-
2019
-
2019 (Fake List)
-
2020
-
Top Novels 2020
Title | Author | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | Avg / % Listed (Pre-2020) | |
---|---|---|---|---|---|---|---|---|---|---|
1984 | Orwell | 31 | 22 | 21 | 19 | 25 | 15 | 19 | 20.2 | |
2666 | Bolaño | 99 | 56 | 29 | 22 | 34 | 24 | 15 | 30.0 | |
60 Stories | Barthelme | 95 | 570.0 | |||||||
A Canticle for Leibowitz | Miller Jr. | 100 | ||||||||
A Clockwork Orange | Burgess | 98 | 55 | 229.5 | ||||||
A Confederacy of Dunces | Toole | 53 | 46 | 88 | 49 | 59 | 26 | 64.3 | ||
A Farewell to Arms | Hemingway | 93 | 46 | 208.5 | ||||||
A Hero of Our Time | Lermontov | 67 | 76 | 214.5 | ||||||
A Portrait of the Artist as a Young Man | Joyce | 65 | 38 | 20 | 31 | 12 | 67 | 38.8 | ||
A Scanner Darkly | Dick | 99 | 594.0 | |||||||
A Tale of Two Cities | Dickens | 88 | 92 | 270.0 | ||||||
Absalom, Absalom! | Faulkner | 73 | 82 | 51 | 79 | 141.3 | ||||
Ada, or Ardor | Nabokov | 66 | 96 | 243.0 | ||||||
Adventures of Huckleberry Finn | Twain | 68 | 408.0 | |||||||
Aeneid | Virgil | 63 | 82 | 89 | 156.0 | |||||
Against Nature | Huysmans | 53 | 94 | 45 | 208.5 | |||||
Alice's Adventures in Wonderland | Carroll | 83 | 97 | 81 | 73 | 125.3 | ||||
American Psycho | Ellis | 44 | 60 | 90 | 88 | 65 | 80 | 51 | 72.3 | |
Animal Farm | Orwell | 72 | 83 | 232.5 | ||||||
Anna Karenina | Tolstoy | 21 | 14 | 17 | 34 | 20 | 21 | 28 | 22.3 | |
Antifragile | Taleb | 86 | ||||||||
Arcades Project | Benjamin | 88 | 528.0 | |||||||
As I Lay Dying | Faulkner | 87 | 88 | 69 | 48 | 109.5 | ||||
Being and Time | Heidegger | 22 | ||||||||
Beyond Good and Evil | Nietzsche | 96 | 80 | 92 | 178.7 | |||||
Blood Meridian | McCarthy | 15 | 17 | 11 | 23 | 8 | 8 | 4 | 11.8 | |
Bottom's Dream | Schmidt | 61 | 366.0 | |||||||
Brave New World | Huxley | 39 | 59 | 40 | 38 | 71 | 65 | 65.5 | ||
Bronze Age Mindset | Bronze Age Pervert | 54 | ||||||||
Buddenbrooks | Mann | 62 | ||||||||
Candide | Voltaire | 97 | 85 | 273.0 | ||||||
Cannery Row | Steinbeck | 78 | 468.0 | |||||||
Capital | Marx | 63 | 26 | 57 | 124.5 | |||||
Catch 22 | Heller | 32 | 45 | 27 | 42 | 35 | 10 | 14 | 28.8 | |
Confessions | Augustine | 31 | 59 | 51 | 94.0 | |||||
Confessions of a Mask | Mishima | 81 | 486.0 | |||||||
Correction | Bernhard | 66 | 43 | 163.5 | ||||||
Crime and Punishment | Dostoevsky | 5 | 4 | 2 | 10 | 12 | 5 | 13 | 7.7 | |
Critique of Pure Reason | Kant | 48 | 93 | 558.0 | ||||||
Cryptonomicon | Stephenson | 98 | 588.0 | |||||||
Dandelion Wine | Bradbury | 77 | 462.0 | |||||||
Dead Souls | Gogol | 61 | 93 | 95 | 71 | 120.0 | ||||
Demons | Dostoevsky | 75 | 78 | 468.0 | ||||||
Do Androids Dream of Electric Sheep? | Dick | 92 | 60 | 228.0 | ||||||
Don Quixote | Cervantes | 8 | 6 | 12 | 8 | 11 | 11 | 8 | 9.3 | |
Dubliners | Joyce | 88 | 27 | 22 | 15 | 19 | 14 | 40 | 22.8 | |
Dune | Herbert | 71 | 53 | 74 | 83 | 29 | 74.4 | |||
East of Eden | Steinbeck | 37 | 36 | 89 | 44 | 41 | 84 | 55.2 | ||
Essays | Montaigne | 63 | 52 | 172.5 | ||||||
Ethics | Spinoza | 94 | ||||||||
Extinction | Bernhard | 45 | ||||||||
Fanged Noumena | Land | 66 | 396.0 | |||||||
Farenheit 451 | Bradbury | 70 | 77 | 220.5 | ||||||
Faust | Goethe | 76 | 30 | 28 | 46 | 33 | 65 | 48.5 | ||
Fear and Loathing in Las Vegas | Thompson | 59 | 354.0 | |||||||
Fear and Trembling | Kierkegaard | 68 | 75 | 214.5 | ||||||
Fictions | Borges | 17 | 41 | 20 | 16 | 9 | 19 | 11 | 19.3 | |
Fight Club | Palahniuk | 87 | 522.0 | |||||||
Finnegan's Wake | Joyce | 75 | 81 | 30 | 39 | 84.4 | ||||
For Whom the Bell Tolls | Hemingway | 53 | 318.0 | |||||||
Foucault's Pendulum | Eco | 77 | ||||||||
Frankenstein | Shelley | 100 | 600.0 | |||||||
Franny & Zooey | Salinger | 87 | 88 | 262.5 | ||||||
Gravity's Rainbow | Pynchon | 55 | 10 | 8 | 4 | 7 | 6 | 7 | 7.0 | |
Growth of the Soil | Hamsun | 76 | 456.0 | |||||||
Hamlet | Shakespeare | 23 | 20 | 14 | 25 | 30 | 38 | 21 | 24.7 | |
Heart of Darkness | Conrad | 57 | 70 | 56 | 62 | 61 | 43 | 58.2 | ||
History of Charles XII | Voltaire | 27 | ||||||||
Hopscotch | Cortázar | 52 | 86 | 516.0 | ||||||
House of Leaves | Danielewski | 69 | ||||||||
Hunger | Hamsun | 42 | 59 | 54 | 60 | 72 | 68.9 | |||
I Am a Cat | Sōseki | 99 | 594.0 | |||||||
If on a Winter's Night a Traveler | Calvino | 100 | 47 | 50 | 131.3 | |||||
Illuminatus! | Wilson; Shea | 95 | 570.0 | |||||||
Industrial Society and its Future | Kaczynski | 11 | ||||||||
In Search of Lost Time | Proust | 24 | 24 | 19 | 14 | 22 | 29 | 45 | 25.5 | |
Infinite Jest | Wallace | 16 | 11 | 10 | 3 | 3 | 1 | 1 | 4.8 | |
Invisible Cities | Calvino | 89 | 85 | 54 | 83 | 81 | 57 | 22 | 63.7 | |
J R | Gaddis | 36 | 77 | 57 | 75 | 139.3 | ||||
Jerusalem | Moore | 48 | 29 | 115.5 | ||||||
Journey to the End of the Night | Céline | 46 | 39 | 35 | 60 | 52 | 10 | 47.0 | ||
Kafka on the Shore | Murakami | 95 | 86 | 73 | 169.3 | |||||
King Lear | Shakespeare | 98 | 91 | 79 | 178.7 | |||||
Kokoro | Sōseki | 69 | 414.0 | |||||||
Leaves of Grass | Whitman | 86 | 53 | 208.5 | ||||||
Les Misérables | Hugo | 42 | 35 | 46 | 71 | 99 | 35 | 68.6 | ||
Life and Fate | Grossman | 99 | 594.0 | |||||||
Light in August | Faulkner | 70 | 420.0 | |||||||
Lolita | Nabokov | 7 | 8 | 6 | 6 | 5 | 8 | 5 | 6.3 | |
London Bridge | Céline | 90 | ||||||||
Lord of the Flies | Golding | 100 | 66 | 249.0 | ||||||
Madame Bovary | Flaubert | 64 | 51 | 93 | 44 | 69 | 54 | 97.5 | ||
Malone Dies | Beckett | 76 | 456.0 | |||||||
Mason & Dixon | Pynchon | 71 | 43 | 43 | 33 | 25 | 51.6 | |||
Meditations | Aurelias | 40 | 65 | 36 | 63 | 79 | 67.9 | |||
Meditations | Descartes | 62 | 372.0 | |||||||
Mein Kampf | Hitler | 1 | ||||||||
Metamorphoses | Ovid | 91 | 94 | 564.0 | ||||||
Middlemarch | Eliot | 84 | 504.0 | |||||||
Moby Dick | Melville | 3 | 1 | 1 | 1 | 2 | 2 | 6 | 2.2 | |
Modernity and Cultural Decline | Woodley et al | 30 | ||||||||
Molloy | Beckett | 60 | 360.0 | |||||||
Mrs. Dalloway | Woolf | 90 | 540.0 | |||||||
Nausea | Sartre | 64 | 100 | 246.0 | ||||||
Neuromancer | Gibson | 97 | 582.0 | |||||||
No Longer Human | Dazai | 70 | 34 | 76 | 50 | 73 | 55 | 69.1 | ||
Notes from Underground | Dostoevsky | 25 | 18 | 23 | 32 | 44 | 26 | 34.3 | ||
Oblomov | Goncharov | 98 | 588.0 | |||||||
Of Mice and Men | Steinbeck | 74 | 85 | 238.5 | ||||||
On the Heights of Despair | Cioran | 49 | ||||||||
On The Road | Kerouac | 57 | 342.0 | |||||||
One Hundred Years of Solitude | Márquez | 28 | 25 | 26 | 26 | 17 | 23 | 23 | 23.3 | |
Pale Fire | Nabokov | 72 | 47 | 24 | 36 | 70 | 81 | 55.0 | ||
Pan | Hamsun | 92 | 77 | 462.0 | ||||||
Paradise Lost | Milton | 93 | 55 | 24 | 68 | 46 | 37 | 98 | 54.7 | |
Pedro Páramo | Rulfo | 9 | ||||||||
Phenomenology of Spirit | Hegel | 44 | 50 | 141.0 | ||||||
Platonic Dialogues | Plato | 21 | 126.0 | |||||||
Process and Reality | Whitehead | 29 | 174.0 | |||||||
Raise High the Roofbeams, Carpenters and Seymour: An Introduction | Salinger | 78 | ||||||||
Roadside Picnic | Strugatzky, A. & B. | 89 | 85 | 261.0 | ||||||
Satantango | Krasznahorkai | 33 | ||||||||
Siddhartha | Hesse | 62 | 45 | 64 | 24 | 25 | 27 | 41.2 | ||
Slaughterhouse-Five | Vonnegut | 56 | 62 | 78 | 39 | 24 | 76.1 | |||
Society of the Spectacle | Debord | 90 | 540.0 | |||||||
Solaris | Lem | 62 | 372.0 | |||||||
Sometimes a Great Notion | Kesey | 67 | 402.0 | |||||||
Steppenwolf | Hesse | 79 | 66 | 96 | 40 | 42 | 93 | 80.9 | ||
Stoner | Williams | 10 | 13 | 7 | 7 | 10 | 9 | 38 | 14.0 | |
Storm of Steel | Jünger | 48 | 97 | 217.5 | ||||||
Story of the Eye | Bataille | 50 | ||||||||
Summa Theologica | Aquinas | 74 | 444.0 | |||||||
Suttree | McCarthy | 74 | 444.0 | |||||||
Take Five | Mano | 51 | ||||||||
Tao Te Ching | Laozi | 43 | ||||||||
The Aleph | Borges | 81 | 486.0 | |||||||
The Anatomy of Melancholy | Burton | 75 | 450.0 | |||||||
The Bhagavad Gita | Vyasa | 74 | 73 | 438.0 | ||||||
The Book of Disquiet | Pessoa | 34 | 16 | 32 | 47 | 58 | 48 | 41 | 40.3 | |
The Book of the New Sun | Wolfe | 32 | 31 | 17 | 41 | 27 | 35.5 | |||
The Brothers Karamazov | Dostoevsky | 4 | 3 | 3 | 9 | 4 | 3 | 3 | 4.2 | |
The Canterbury Tales | Chaucer | 80 | 100 | 270.0 | ||||||
The Castle | Kafka | 79 | 95 | 261.0 | ||||||
The Catcher in the Rye | Salinger | 37 | 43 | 37 | 58 | 52 | 16 | 17 | 37.2 | |
The Changing Light at Sandover | Merrill | 57 | ||||||||
The Confidence-Man | Melville | 87 | ||||||||
The Count of Monte Cristo | Dumas | 40 | 36 | 34 | 90 | 51 | 59 | 100 | 61.7 | |
The Crying of Lot 49 | Pynchon | 87 | 86 | 52 | 42 | 45 | 47 | 59.8 | ||
The Death of Ivan Ilych | Tolstoy | 70 | 420.0 | |||||||
The Decline of the West | Spengler | 90 | 78 | 252.0 | ||||||
The Divine Comedy | Alighieri | 38 | 7 | 16 | 13 | 16 | 30 | 32 | 19.0 | |
The Ego & His Own | Stirner | 71 | 426.0 | |||||||
The Elementary Particles | Houellebecq | 65 | 77 | 96 | 259.5 | |||||
The Faerie Queene | Spenser | 94 | 564.0 | |||||||
The Fall | Camus | 76 | 91 | 250.5 | ||||||
The Flowers of Evil | Baudelaire | 91 | 546.0 | |||||||
The Fountainhead | Rand | 95 | ||||||||
The Glass Bead Game | Hesse | 79 | 474.0 | |||||||
The Golden Bowl | James | 80 | 89 | 534.0 | ||||||
The Good Earth | Buck | 96 | 576.0 | |||||||
The Grapes of Wrath | Steinbeck | 84 | 84 | 77 | 56 | 112.9 | ||||
The Great Gatsby | Fitzgerald | 58 | 92 | 46 | 20 | 81.0 | ||||
The Gulag Archipelago | Solzhenitsyn | 65 | 390.0 | |||||||
The Hitchhiker's Guide to the Galaxy | Adams | 90 | 540.0 | |||||||
The Hobbit | Tolkien | 60 | 72 | 44 | 117.3 | |||||
The Holy Bible | 2 | 2 | 4 | 5 | 6 | 22 | 64 | 17.2 | ||
The Idiot | Dostoevsky | 66 | 33 | 48 | 80 | 45 | 58 | 63.4 | ||
The Iliad | Homer | 6 | 9 | 9 | 11 | 15 | 18 | 94 | 26.0 | |
The Leopard | Lampedusa | 82 | 492.0 | |||||||
The Lord of the Rings | Tolkien | 18 | 38 | 51 | 33 | 48 | 63 | 55.9 | ||
The Magic Mountain | Mann | 61 | 49 | 39 | 53 | 75 | 66.5 | |||
The Major Works | Browne | 81 | ||||||||
The Making of Americans | Stein | 41 | ||||||||
The Man Without Qualities | Musil | 49 | 73 | 83 | 136.7 | |||||
The Master and Margarita | Bulgakov | 14 | 50 | 56 | 27 | 23 | 20 | 34 | 35.0 | |
The Metamorphosis | Kafka | 58 | 42 | 55 | 81 | 26 | 47 | 49 | 50.0 | |
The Naked Lunch | Burroughs | 89 | 74 | 96 | 74 | 50 | 91.9 | |||
The Name of the Rose | Eco | 99 | 95 | 86 | 186.7 | |||||
The Odyssey | Homer | 29 | 12 | 15 | 28 | 21 | 31 | 31 | 23.0 | |
The Old Man and The Sea | Hemingway | 67 | 34 | 97 | 132.0 | |||||
The Opposing Shore | Gracq | 82 | ||||||||
The Pale King | Wallace | 63 | 67 | 69 | 132.7 | |||||
The Passion According to G.H. | Lispector | 83 | ||||||||
The Picture of Dorian Gray | Wilde | 61 | 54 | 38 | 64 | 16 | 55.9 | |||
The Plague | Camus | 35 | 210.0 | |||||||
The Portrait of a Lady | James | 84 | ||||||||
The Posthumous Memoirs of Brás Cubas | Assis | 59 | 40 | 240.0 | ||||||
The Prince | Machiavelli | 92 | 552.0 | |||||||
The Quran | 19 | 91 | 546.0 | |||||||
The Recognitions | Gaddis | 28 | 44 | 18 | 27 | 56 | 41.5 | |||
The Red & The Black | Stendhal | 70 | 92 | 552.0 | ||||||
The Reign of Quantity and the Signs of the Times | Guénon | 71 | ||||||||
The Remains of the Day | Ishiguro | 87 | 522.0 | |||||||
The Republic | Plato | 26 | 23 | 39 | 68 | 86.7 | ||||
The Rings of Saturn | Sebald | 78 | 468.0 | |||||||
The Road | McCarthy | 69 | 414.0 | |||||||
The Sailor who fell from Grace with the Sea | Mishima | 47 | 68 | 172.5 | ||||||
The Savage Detectives | Bolaño | 86 | 31 | 55 | 43 | 63 | 66.7 | |||
The Secret History | Tartt | 96 | ||||||||
The Simarillion | Tolkien | 42 | 252.0 | |||||||
The Sirens of Titan | Vonnegut | 67 | 402.0 | |||||||
The Sorrows of Young Werther | Goethe | 87 | 522.0 | |||||||
The Sound and the Fury | Faulkner | 64 | 33 | 37 | 49 | 36 | 18 | 39.5 | ||
The Stranger | Camus | 12 | 21 | 13 | 32 | 13 | 13 | 2 | 15.7 | |
The Sun Also Rises | Hemingway | 80 | 53 | 93 | 72 | 62 | 52 | 68.7 | ||
The Tartar Steppe | Buzzati | 60 | ||||||||
The Temple of the Golden Pavillion | Mishima | 99 | 58 | 235.5 | ||||||
The Trial | Kafka | 47 | 30 | 12 | 14 | 28 | 9 | 22.3 | ||
The Trilogy | Beckett | 67 | 69 | 28 | 145.5 | |||||
The Tropic of Cancer | Miller | 84 | 504.0 | |||||||
The Tunnel | Gass | 58 | 72 | 76 | 137.3 | |||||
The Unbearable Lightness of Being | Kundera | 98 | 588.0 | |||||||
The Unconsoled | Ishiguro | 52 | ||||||||
The Wasp Factory | Banks | 80 | 480.0 | |||||||
The Waste Land | Eliot | 91 | 546.0 | |||||||
The Waves | Woolf | 85 | 91 | 50 | 49 | 33 | 73.9 | |||
The World as Will and Representation | Schopenhauer | 79 | 474.0 | |||||||
Thus Spoke Zarathustra | Nietzsche | 72 | 19 | 25 | 56 | 97 | 82 | 67.0 | ||
To the Lighthouse | Woolf | 61 | 54 | 73 | 41 | 57 | 94 | 75 | 81.6 | |
Tristram Shandy | Sterne | 83 | 83 | 64 | 153.3 | |||||
Ubik | Dick | 61 | 366.0 | |||||||
Ubu Roi | Jarry | 35 | ||||||||
Ulysses | Joyce | 20 | 5 | 5 | 2 | 1 | 4 | 12 | 4.8 | |
Under the Volcano | Lowry | 82 | 85 | 250.5 | ||||||
V. | Pynchon | 68 | 41 | 35 | 37 | 40 | 30 | 43.9 | ||
Valis | Dick | 78 | 468.0 | |||||||
Voss | White | 85 | ||||||||
Walden | Thoreau | 89 | 534.0 | |||||||
War and Peace | Tolstoy | 13 | 15 | 18 | 29 | 18 | 32 | 36 | 24.7 | |
Watership Down | Adams | 66 | 396.0 | |||||||
White Fragility | DiAngelo | 97 | ||||||||
White Noise | DeLillo | 55 | 94 | 17 | 37 | 76.1 | ||||
Wuthering Heights | Brontë | 68 | 39 | 160.5 | ||||||
Zhuangzi | Zhuangzi | 98 |