/lit/ Top 100 Lists: Difference between revisions
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Updated 2021 table. Fuck knows how to format. HELP? |
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{| class="sortable mw-collapsible | From 2014, polls of posters' favorite books have been conducted every year on /lit/. The responses to these polls generated the below infographics. After 2017, lists continued to be created, but without polls. | ||
(In 2015, the poll also asked for a list of the responder's and three favorite authors. This was not continued from 2016 onwards.) | |||
Facts about the similarities and differences between the 2014 poll results and the 2015 poll results are as follows: | |||
* 69% of the books from the 2014 list made it onto the 2015 list. | |||
<br /> | |||
* The highest placing new additions to the 2015 list are: | |||
*# Confederacy of Dunces (26) | |||
*#Book of the New Sun (27) | |||
*#Les Miserables (35) | |||
*#If on a Winter's Night a Traveler (50) | |||
*#For Whom the Bell Tolls (53) | |||
* The highest placing books to drop off the 2014 list are: | |||
*# The Plague (35) | |||
*#The Silmarillion (42) | |||
*#Leaves of Grass (53) | |||
*#Harry Potter series (54) | |||
*#A Clockwork Orange (55)<br /> | |||
* Of the books that stayed on the list, the greatest gains were made by: | |||
*# The Iliad (94 to 18) | |||
*#The Old Man and the Sea (97 to 34) | |||
*#Paradise Lost (98 to 37) | |||
*#Portrait of the Artist (67 to 12) | |||
*#Steppenwolf (93 to 42) | |||
* The greatest losses were: | |||
*# Dune (29 to 83) | |||
*#The Picture of Dorian Gray (16 to 64) | |||
*#A Farewell to Arms (46 to 93) | |||
*#Journey to the End of the Night (10 to 52) | |||
*#Invisible Cities (22 to 57) | |||
<gallery widths="230" orientation="none"> | |||
2014-2017 Top 100.jpg|2014 - 2017 | |||
Top100lit2014.jpg|2014 | |||
Top100lit2015.jpg|2015 | |||
Top 100 Authors (2015) .jpg|Authors 2015 | |||
Top100-2016.jpeg|2016 | |||
2017.jpg|2017 | |||
1546199776754.jpg|2018 | |||
Lit 1000 2019.jpg|2019 | |||
1609171124505.jpg|2020 | |||
Top novels 2002.jpg|Top Novels 2020 | |||
Top100list2020-notrolls.jpg|2020 (modified/fake without trolls) | |||
</gallery> | |||
<div style="overflow-x: scroll"> | |||
{| class="article-table sortable mw-collapsible" | |||
|+ | |+ | ||
|Title | |- | ||
|Author | !|'''Title''' | ||
| | !|'''Author''' | ||
!|'''2020''' | |||
|2019 | !|'''2019''' | ||
|2018 | !|'''2018''' | ||
|2017 | !|'''2017''' | ||
|2016 | !|'''2016''' | ||
|2015 | !|'''2015''' | ||
|2014 | !|'''2014''' | ||
|Avg / % Listed | ! data-sort-type:number |'''Avg / % Listed (Pre-2020)''' | ||
|- | |- | ||
|1984 | |1984 | ||
|Orwell | |Orwell | ||
|31 | |31 | ||
|22 | |22 | ||
Line 23: | Line 77: | ||
|15 | |15 | ||
|19 | |19 | ||
| | |20.2 | ||
|- | |- | ||
|2666 | |2666 | ||
|Bolaño | |Bolaño | ||
|99 | |99 | ||
|56 | |56 | ||
Line 35: | Line 88: | ||
|24 | |24 | ||
|15 | |15 | ||
| | |30.0 | ||
|- | |- | ||
|60 | |60 Stories | ||
|Barthelme | |Barthelme | ||
| | | | ||
| | | | ||
Line 47: | Line 99: | ||
| | | | ||
| | | | ||
| | |570.0 | ||
|- | |- | ||
|A | |A Canticle for Leibowitz | ||
|Miller Jr. | |Miller Jr. | ||
|100 | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
Line 59: | Line 112: | ||
| | | | ||
| | | | ||
|- | |- | ||
|A | |A Clockwork Orange | ||
|Burgess | |Burgess | ||
| | | | ||
| | | | ||
Line 71: | Line 122: | ||
| | | | ||
|55 | |55 | ||
| | |229.5 | ||
|- | |- | ||
|A | |A Confederacy of Dunces | ||
|Toole | |Toole | ||
|53 | |53 | ||
|46 | |46 | ||
Line 83: | Line 133: | ||
|26 | |26 | ||
| | | | ||
| | |64.3 | ||
|- | |- | ||
|A | |A Farewell to Arms | ||
|Hemingway | |Hemingway | ||
| | | | ||
| | | | ||
Line 95: | Line 144: | ||
|93 | |93 | ||
|46 | |46 | ||
| | |208.5 | ||
|- | |- | ||
|A Hero | |A Hero of Our Time | ||
|Lermontov | |Lermontov | ||
| | | | ||
|67 | |67 | ||
Line 107: | Line 155: | ||
|76 | |76 | ||
| | | | ||
| | |214.5 | ||
|- | |- | ||
|A | |A Portrait of the Artist as a Young Man | ||
|Joyce | |Joyce | ||
| | | | ||
|65 | |65 | ||
Line 119: | Line 166: | ||
|12 | |12 | ||
|67 | |67 | ||
| | |38.8 | ||
|- | |- | ||
|A | |A Scanner Darkly | ||
|Dick | |Dick | ||
| | | | ||
| | | | ||
Line 131: | Line 177: | ||
|99 | |99 | ||
| | | | ||
| | |594.0 | ||
|- | |- | ||
|A Tale | |A Tale of Two Cities | ||
|Dickens | |Dickens | ||
| | | | ||
| | | | ||
Line 143: | Line 188: | ||
|88 | |88 | ||
|92 | |92 | ||
| | |270.0 | ||
|- | |- | ||
|Absalom, | |Absalom, Absalom! | ||
|Faulkner | |Faulkner | ||
|73 | |73 | ||
| | | | ||
Line 155: | Line 199: | ||
|51 | |51 | ||
|79 | |79 | ||
| | |141.3 | ||
|- | |- | ||
|Ada, or | |Ada, or Ardor | ||
|Nabokov | |Nabokov | ||
| | | | ||
| | | | ||
Line 167: | Line 210: | ||
|96 | |96 | ||
| | | | ||
| | |243.0 | ||
|- | |- | ||
|Adventures | |Adventures of Huckleberry Finn | ||
|Twain | |Twain | ||
| | | | ||
| | | | ||
Line 179: | Line 221: | ||
| | | | ||
|68 | |68 | ||
| | |408.0 | ||
|- | |- | ||
|Aeneid | |Aeneid | ||
|Virgil | |Virgil | ||
| | | | ||
| | | | ||
Line 191: | Line 232: | ||
| | | | ||
| | | | ||
| | |156.0 | ||
|- | |- | ||
|Against | |Against Nature | ||
|Huysmans | |Huysmans | ||
| | | | ||
|53 | |53 | ||
Line 203: | Line 243: | ||
| | | | ||
| | | | ||
| | |208.5 | ||
|- | |- | ||
|Alice's | |Alice's Adventures in Wonderland | ||
|Carroll | |Carroll | ||
| | | | ||
| | | | ||
Line 215: | Line 254: | ||
|81 | |81 | ||
|73 | |73 | ||
| | |125.3 | ||
|- | |- | ||
|American | |American Psycho | ||
|Ellis | |Ellis | ||
|44 | |44 | ||
|60 | |60 | ||
Line 227: | Line 265: | ||
|80 | |80 | ||
|51 | |51 | ||
| | |72.3 | ||
|- | |- | ||
|Animal | |Animal Farm | ||
|Orwell | |Orwell | ||
| | | | ||
| | | | ||
Line 239: | Line 276: | ||
| | | | ||
|83 | |83 | ||
| | |232.5 | ||
|- | |- | ||
|Anna | |Anna Karenina | ||
|Tolstoy | |Tolstoy | ||
|21 | |21 | ||
|14 | |14 | ||
Line 251: | Line 287: | ||
|21 | |21 | ||
|28 | |28 | ||
| | |22.3 | ||
|- | |- | ||
|Antifragile | |Antifragile | ||
|Taleb | |Taleb | ||
|86 | |||
| | | | ||
| | | | ||
| | | | ||
Line 263: | Line 299: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Arcades | |Arcades Project | ||
|Benjamin | |Benjamin | ||
| | | | ||
|88 | |88 | ||
Line 275: | Line 309: | ||
| | | | ||
| | | | ||
| | |528.0 | ||
|- | |- | ||
|As I Lay | |As I Lay Dying | ||
|Faulkner | |Faulkner | ||
| | | | ||
| | | | ||
Line 287: | Line 320: | ||
|69 | |69 | ||
|48 | |48 | ||
| | |109.5 | ||
|- | |- | ||
|Being | |Being and Time | ||
|Heidegger | |Heidegger | ||
|22 | |||
| | | | ||
| | | | ||
| | | | ||
Line 299: | Line 332: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Beyond | |Beyond Good and Evil | ||
|Nietzsche | |Nietzsche | ||
| | | | ||
|96 | |96 | ||
Line 311: | Line 342: | ||
| | | | ||
| | | | ||
| | |178.7 | ||
|- | |- | ||
|Blood | |Blood Meridian | ||
|McCarthy | |McCarthy | ||
|15 | |15 | ||
|17 | |17 | ||
Line 323: | Line 353: | ||
|8 | |8 | ||
|4 | |4 | ||
|11. | |11.8 | ||
|- | |- | ||
|Bottom's | |Bottom's Dream | ||
|Schmidt | |Schmidt | ||
| | | | ||
| | | | ||
Line 335: | Line 364: | ||
| | | | ||
| | | | ||
| | |366.0 | ||
|- | |- | ||
|Brave | |Brave New World | ||
|Huxley | |Huxley | ||
|39 | |39 | ||
|59 | |59 | ||
Line 347: | Line 375: | ||
|65 | |65 | ||
| | | | ||
| | |65.5 | ||
|- | |- | ||
|Bronze | |Bronze Age Mindset | ||
|Bronze Age Pervert | |Bronze Age Pervert | ||
|54 | |||
| | | | ||
| | | | ||
| | | | ||
Line 359: | Line 387: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Buddenbrooks | |Buddenbrooks | ||
|Mann | |Mann | ||
|62 | |||
| | | | ||
| | | | ||
| | | | ||
Line 371: | Line 398: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Candide | |Candide | ||
|Voltaire | |Voltaire | ||
| | | | ||
|97 | |97 | ||
Line 383: | Line 408: | ||
| | | | ||
| | | | ||
| | |273.0 | ||
|- | |- | ||
|Cannery | |Cannery Row | ||
|Steinbeck | |Steinbeck | ||
| | | | ||
| | | | ||
Line 395: | Line 419: | ||
|78 | |78 | ||
| | | | ||
| | |468.0 | ||
|- | |- | ||
|Capital | |Capital | ||
|Marx | |Marx | ||
|63 | |63 | ||
|26 | |26 | ||
Line 407: | Line 430: | ||
| | | | ||
| | | | ||
| | |124.5 | ||
|- | |- | ||
|Catch 22 | |Catch 22 | ||
|Heller | |Heller | ||
|32 | |32 | ||
|45 | |45 | ||
Line 419: | Line 441: | ||
|10 | |10 | ||
|14 | |14 | ||
| | |28.8 | ||
|- | |- | ||
|Confessions | |Confessions | ||
|Augustine | |Augustine | ||
| | | | ||
|31 | |31 | ||
Line 431: | Line 452: | ||
| | | | ||
| | | | ||
| | |94.0 | ||
|- | |- | ||
|Confessions | |Confessions of a Mask | ||
|Mishima | |Mishima | ||
| | | | ||
|81 | |81 | ||
Line 443: | Line 463: | ||
| | | | ||
| | | | ||
| | |486.0 | ||
|- | |- | ||
|Correction | |Correction | ||
|Bernhard | |Bernhard | ||
| | | | ||
|66 | |66 | ||
Line 455: | Line 474: | ||
| | | | ||
| | | | ||
| | |163.5 | ||
|- | |- | ||
|Crime | |Crime and Punishment | ||
|Dostoevsky | |Dostoevsky | ||
|5 | |5 | ||
|4 | |4 | ||
Line 467: | Line 485: | ||
|5 | |5 | ||
|13 | |13 | ||
|7. | |7.7 | ||
|- | |- | ||
|Critique | |Critique of Pure Reason | ||
|Kant | |Kant | ||
|48 | |48 | ||
|93 | |93 | ||
Line 479: | Line 496: | ||
| | | | ||
| | | | ||
| | |558.0 | ||
|- | |- | ||
|Cryptonomicon | |Cryptonomicon | ||
|Stephenson | |Stephenson | ||
| | | | ||
| | | | ||
Line 491: | Line 507: | ||
| | | | ||
| | | | ||
| | |588.0 | ||
|- | |- | ||
|Dandelion | |Dandelion Wine | ||
|Bradbury | |Bradbury | ||
| | | | ||
| | | | ||
Line 503: | Line 518: | ||
| | | | ||
|77 | |77 | ||
| | |462.0 | ||
|- | |- | ||
|Dead | |Dead Souls | ||
|Gogol | |Gogol | ||
| | | | ||
| | | | ||
Line 515: | Line 529: | ||
|95 | |95 | ||
|71 | |71 | ||
| | |120.0 | ||
|- | |- | ||
| | |Demons | ||
|Dostoevsky | |Dostoevsky | ||
|75 | |75 | ||
|78 | |78 | ||
Line 527: | Line 540: | ||
| | | | ||
| | | | ||
| | |468.0 | ||
|- | |- | ||
|Do | |Do Androids Dream of Electric Sheep? | ||
|Dick | |Dick | ||
| | | | ||
| | | | ||
Line 539: | Line 551: | ||
|92 | |92 | ||
|60 | |60 | ||
| | |228.0 | ||
|- | |- | ||
|Don | |Don Quixote | ||
|Cervantes | |Cervantes | ||
|8 | |8 | ||
|6 | |6 | ||
Line 551: | Line 562: | ||
|11 | |11 | ||
|8 | |8 | ||
| | |9.3 | ||
|- | |- | ||
|Dubliners | |Dubliners | ||
|Joyce | |Joyce | ||
|88 | |88 | ||
|27 | |27 | ||
Line 563: | Line 573: | ||
|14 | |14 | ||
|40 | |40 | ||
| | |22.8 | ||
|- | |- | ||
|Dune | |Dune | ||
|Herbert | |Herbert | ||
| | | | ||
|71 | |71 | ||
Line 575: | Line 584: | ||
|83 | |83 | ||
|29 | |29 | ||
| | |74.4 | ||
|- | |- | ||
|East of | |East of Eden | ||
|Steinbeck | |Steinbeck | ||
| | | | ||
|37 | |37 | ||
Line 587: | Line 595: | ||
|41 | |41 | ||
|84 | |84 | ||
| | |55.2 | ||
|- | |- | ||
|Essays | |Essays | ||
|Montaigne | |Montaigne | ||
| | | | ||
|63 | |63 | ||
Line 599: | Line 606: | ||
| | | | ||
| | | | ||
| | |172.5 | ||
|- | |- | ||
|Ethics | |Ethics | ||
|Spinoza | |Spinoza | ||
|94 | |94 | ||
| | | | ||
Line 611: | Line 617: | ||
| | | | ||
| | | | ||
| | | | ||
|- | |- | ||
|Extinction | |Extinction | ||
|Bernhard | |Bernhard | ||
|45 | |||
| | | | ||
| | | | ||
| | | | ||
Line 623: | Line 629: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Fanged | |Fanged Noumena | ||
|Land | |Land | ||
| | | | ||
| | | | ||
Line 635: | Line 639: | ||
| | | | ||
| | | | ||
| | |396.0 | ||
|- | |- | ||
|Farenheit | |Farenheit 451 | ||
|Bradbury | |Bradbury | ||
| | | | ||
| | | | ||
Line 647: | Line 650: | ||
|77 | |77 | ||
| | | | ||
| | |220.5 | ||
|- | |- | ||
|Faust | |Faust | ||
|Goethe | |Goethe | ||
|76 | |76 | ||
|30 | |30 | ||
Line 659: | Line 661: | ||
| | | | ||
|65 | |65 | ||
| | |48.5 | ||
|- | |- | ||
|Fear and | |Fear and Loathing in Las Vegas | ||
|Thompson | |Thompson | ||
| | | | ||
| | | | ||
Line 671: | Line 672: | ||
| | | | ||
|59 | |59 | ||
| | |354.0 | ||
|- | |- | ||
|Fear and | |Fear and Trembling | ||
|Kierkegaard | |Kierkegaard | ||
| | | | ||
|68 | |68 | ||
Line 683: | Line 683: | ||
| | | | ||
| | | | ||
| | |214.5 | ||
|- | |- | ||
|Fictions | |Fictions | ||
|Borges | |Borges | ||
|17 | |17 | ||
|41 | |41 | ||
Line 707: | Line 694: | ||
|19 | |19 | ||
|11 | |11 | ||
| | |19.3 | ||
|- | |- | ||
|Fight | |Fight Club | ||
|Palahniuk | |Palahniuk | ||
| | | | ||
| | | | ||
Line 719: | Line 705: | ||
| | | | ||
|87 | |87 | ||
| | |522.0 | ||
|- | |- | ||
|Finnegan's | |Finnegan's Wake | ||
|Joyce | |Joyce | ||
| | | | ||
|75 | |75 | ||
Line 731: | Line 716: | ||
| | | | ||
| | | | ||
| | |84.4 | ||
|- | |- | ||
|For Whom | |For Whom the Bell Tolls | ||
|Hemingway | |Hemingway | ||
| | | | ||
| | | | ||
Line 743: | Line 727: | ||
|53 | |53 | ||
| | | | ||
| | |318.0 | ||
|- | |- | ||
|Foucault's | |Foucault's Pendulum | ||
|Eco | |Eco | ||
|77 | |||
| | | | ||
| | | | ||
| | | | ||
Line 755: | Line 739: | ||
| | | | ||
| | | | ||
|- | |- | ||
| | |Frankenstein | ||
|Shelley | |Shelley | ||
| | | | ||
|100 | |100 | ||
Line 767: | Line 749: | ||
| | | | ||
| | | | ||
| | |600.0 | ||
|- | |- | ||
|Franny | |Franny & Zooey | ||
|Salinger | |Salinger | ||
| | | | ||
| | | | ||
Line 779: | Line 760: | ||
| | | | ||
|88 | |88 | ||
| | |262.5 | ||
|- | |- | ||
|Gravity's | |Gravity's Rainbow | ||
|Pynchon | |Pynchon | ||
|55 | |55 | ||
|10 | |10 | ||
Line 791: | Line 771: | ||
|6 | |6 | ||
|7 | |7 | ||
| | |7.0 | ||
|- | |- | ||
|Growth | |Growth of the Soil | ||
|Hamsun | |Hamsun | ||
| | | | ||
|76 | |76 | ||
Line 803: | Line 782: | ||
| | | | ||
| | | | ||
| | |456.0 | ||
|- | |- | ||
| | |Hamlet | ||
|Shakespeare | |Shakespeare | ||
|23 | |23 | ||
|20 | |20 | ||
Line 815: | Line 793: | ||
|38 | |38 | ||
|21 | |21 | ||
|24. | |24.7 | ||
|- | |- | ||
|Heart of | |Heart of Darkness | ||
|Conrad | |Conrad | ||
| | | | ||
|57 | |57 | ||
Line 827: | Line 804: | ||
|61 | |61 | ||
|43 | |43 | ||
| | |58.2 | ||
|- | |- | ||
|History | |History of Charles XII | ||
|Voltaire | |Voltaire | ||
|27 | |||
| | | | ||
| | | | ||
| | | | ||
Line 839: | Line 816: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Hopscotch | |Hopscotch | ||
|Cortázar | |Cortázar | ||
| | | | ||
|52 | |52 | ||
Line 851: | Line 826: | ||
| | | | ||
|86 | |86 | ||
| | |516.0 | ||
|- | |- | ||
|House of | |House of Leaves | ||
|Danielewski | |Danielewski | ||
|69 | |||
| | | | ||
| | | | ||
| | | | ||
Line 863: | Line 838: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Hunger | |Hunger | ||
|Hamsun | |Hamsun | ||
| | | | ||
| | | | ||
Line 875: | Line 848: | ||
|60 | |60 | ||
|72 | |72 | ||
| | |68.9 | ||
|- | |- | ||
|I Am a | |I Am a Cat | ||
|Sōseki | |Sōseki | ||
| | | | ||
| | | | ||
Line 887: | Line 859: | ||
| | | | ||
|99 | |99 | ||
| | |594.0 | ||
|- | |- | ||
|If on a | |If on a Winter's Night a Traveler | ||
|Calvino | |Calvino | ||
| | | | ||
| | | | ||
Line 899: | Line 870: | ||
|50 | |50 | ||
| | | | ||
| | |131.3 | ||
|- | |- | ||
|Illuminatus! | |Illuminatus! | ||
|Wilson; Shea | |Wilson; Shea | ||
| | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|95 | |||
|570.0 | |||
|- | |||
|Industrial Society and its Future | |||
|Kaczynski | |||
|11 | |||
| | | | ||
| | | | ||
Line 910: | Line 893: | ||
| | | | ||
| | | | ||
|- | |- | ||
|In | |In Search of Lost Time | ||
|Proust | |Proust | ||
|24 | |24 | ||
|24 | |24 | ||
Line 923: | Line 903: | ||
|29 | |29 | ||
|45 | |45 | ||
|25. | |25.5 | ||
|- | |- | ||
| | |Infinite Jest | ||
| | |Wallace | ||
| | |16 | ||
|11 | |11 | ||
|10 | |||
|3 | |||
|10 | |||
|3 | |||
|3 | |3 | ||
|1 | |1 | ||
|1 | |1 | ||
| | |4.8 | ||
|- | |- | ||
|Invisible | |Invisible Cities | ||
|Calvino | |Calvino | ||
|89 | |89 | ||
|85 | |85 | ||
Line 959: | Line 925: | ||
|57 | |57 | ||
|22 | |22 | ||
| | |63.7 | ||
|- | |- | ||
|J R | |J R | ||
|Gaddis | |Gaddis | ||
| | |36 | ||
| | | | ||
|77 | |77 | ||
Line 971: | Line 936: | ||
| | | | ||
| | | | ||
| | |139.3 | ||
|- | |- | ||
|Jerusalem | |Jerusalem | ||
|Moore | |Moore | ||
| | | | ||
| | | | ||
Line 983: | Line 947: | ||
| | | | ||
| | | | ||
| | |115.5 | ||
|- | |- | ||
|Journey | |Journey to the End of the Night | ||
|Céline | |Céline | ||
|46 | |46 | ||
|39 | |39 | ||
Line 997: | Line 960: | ||
|47.0 | |47.0 | ||
|- | |- | ||
|Kafka on | |Kafka on the Shore | ||
|Murakami | |Murakami | ||
| | | | ||
|95 | |95 | ||
Line 1,007: | Line 969: | ||
|73 | |73 | ||
| | | | ||
| | |169.3 | ||
|- | |- | ||
|King | |King Lear | ||
|Shakespeare | |Shakespeare | ||
| | | | ||
|98 | |98 | ||
Line 1,019: | Line 980: | ||
| | | | ||
| | | | ||
| | |178.7 | ||
|- | |- | ||
|Kokoro | |Kokoro | ||
|Sōseki | |Sōseki | ||
| | | | ||
|69 | |69 | ||
Line 1,031: | Line 991: | ||
| | | | ||
| | | | ||
| | |414.0 | ||
|- | |- | ||
|Leaves | |Leaves of Grass | ||
|Whitman | |Whitman | ||
| | | | ||
| | | | ||
Line 1,043: | Line 1,002: | ||
| | | | ||
|53 | |53 | ||
| | |208.5 | ||
|- | |- | ||
|Les | |Les Misérables | ||
|Hugo | |Hugo | ||
|42 | |42 | ||
|35 | |35 | ||
Line 1,055: | Line 1,013: | ||
|35 | |35 | ||
| | | | ||
| | |68.6 | ||
|- | |- | ||
| | |Life and Fate | ||
|Grossman | |||
| | |||
| | | | ||
| | | | ||
|99 | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | |594.0 | ||
|- | |- | ||
| | |Light in August | ||
|Faulkner | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
|70 | |||
|420.0 | |||
|70 | |||
| | |||
|- | |- | ||
|Lolita | |Lolita | ||
|Nabokov | |Nabokov | ||
|7 | |7 | ||
|8 | |8 | ||
Line 1,103: | Line 1,046: | ||
|8 | |8 | ||
|5 | |5 | ||
|6. | |6.3 | ||
|- | |- | ||
|London | |London Bridge | ||
|Céline | |Céline | ||
|90 | |||
| | | | ||
| | | | ||
| | | | ||
Line 1,115: | Line 1,058: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Lord of | |Lord of the Flies | ||
|Golding | |Golding | ||
| | | | ||
| | | | ||
Line 1,127: | Line 1,068: | ||
| | | | ||
|66 | |66 | ||
| | |249.0 | ||
|- | |- | ||
|Madame | |Madame Bovary | ||
|Flaubert | |Flaubert | ||
|64 | |64 | ||
|51 | |51 | ||
Line 1,151: | Line 1,079: | ||
|54 | |54 | ||
| | | | ||
| | |97.5 | ||
|- | |- | ||
|Malone | |Malone Dies | ||
|Beckett | |Beckett | ||
| | | | ||
| | | | ||
Line 1,163: | Line 1,090: | ||
| | | | ||
|76 | |76 | ||
| | |456.0 | ||
|- | |- | ||
|Mason | |Mason & Dixon | ||
|Pynchon | |Pynchon | ||
| | | | ||
| | | | ||
Line 1,175: | Line 1,101: | ||
|33 | |33 | ||
|25 | |25 | ||
| | |51.6 | ||
|- | |- | ||
|Meditations | |Meditations | ||
|Aurelias | |Aurelias | ||
| | | | ||
|40 | |40 | ||
Line 1,187: | Line 1,112: | ||
|79 | |79 | ||
| | | | ||
| | |67.9 | ||
|- | |- | ||
|Meditations | |Meditations | ||
|Descartes | |Descartes | ||
| | | | ||
| | | | ||
Line 1,199: | Line 1,123: | ||
| | | | ||
| | | | ||
| | |372.0 | ||
|- | |- | ||
|Mein | |Mein Kampf | ||
|Hitler | |Hitler | ||
|1 | |1 | ||
| | | | ||
Line 1,211: | Line 1,134: | ||
| | | | ||
| | | | ||
| | | | ||
|- | |- | ||
|Metamorphoses | |Metamorphoses | ||
|Ovid | |Ovid | ||
|91 | |91 | ||
|94 | |94 | ||
Line 1,223: | Line 1,145: | ||
| | | | ||
| | | | ||
| | |564.0 | ||
|- | |- | ||
|Middlemarch | |Middlemarch | ||
|Eliot | |Eliot | ||
| | | | ||
| | | | ||
Line 1,235: | Line 1,156: | ||
| | | | ||
| | | | ||
| | |504.0 | ||
|- | |- | ||
|Moby | |Moby Dick | ||
|Melville | |Melville | ||
|3 | |3 | ||
|1 | |1 | ||
Line 1,247: | Line 1,167: | ||
|2 | |2 | ||
|6 | |6 | ||
|2. | |2.2 | ||
|- | |- | ||
|Modernity | |Modernity and Cultural Decline | ||
|Woodley et al | |Woodley et al | ||
|30 | |||
| | | | ||
| | | | ||
| | | | ||
Line 1,259: | Line 1,179: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Molloy | |Molloy | ||
|Beckett | |Beckett | ||
| | | | ||
| | | | ||
Line 1,271: | Line 1,189: | ||
| | | | ||
| | | | ||
| | |360.0 | ||
|- | |- | ||
|Mrs. | |Mrs. Dalloway | ||
|Woolf | |Woolf | ||
| | | | ||
| | | | ||
Line 1,283: | Line 1,200: | ||
| | | | ||
| | | | ||
| | |540.0 | ||
|- | |- | ||
|Nausea | |Nausea | ||
|Sartre | |Sartre | ||
| | | | ||
| | | | ||
Line 1,295: | Line 1,211: | ||
| | | | ||
| | | | ||
| | |246.0 | ||
|- | |- | ||
|Neuromancer | |Neuromancer | ||
|Gibson | |Gibson | ||
| | | | ||
| | | | ||
Line 1,307: | Line 1,222: | ||
| | | | ||
| | | | ||
| | |582.0 | ||
|- | |- | ||
|No | |No Longer Human | ||
|Dazai | |Dazai | ||
|70 | |70 | ||
|34 | |34 | ||
Line 1,319: | Line 1,233: | ||
|55 | |55 | ||
| | | | ||
| | |69.1 | ||
|- | |- | ||
|Notes | |Notes from Underground | ||
|Dostoevsky | |Dostoevsky | ||
|25 | |25 | ||
|18 | |18 | ||
Line 1,331: | Line 1,244: | ||
|44 | |44 | ||
|26 | |26 | ||
| | |34.3 | ||
|- | |- | ||
|Oblomov | |Oblomov | ||
|Goncharov | |Goncharov | ||
| | | | ||
| | | | ||
Line 1,343: | Line 1,255: | ||
| | | | ||
| | | | ||
| | |588.0 | ||
|- | |- | ||
|Of Mice | |Of Mice and Men | ||
|Steinbeck | |Steinbeck | ||
| | | | ||
| | | | ||
Line 1,355: | Line 1,266: | ||
|85 | |85 | ||
| | | | ||
| | |238.5 | ||
|- | |- | ||
|On the | |On the Heights of Despair | ||
|Cioran | |Cioran | ||
|49 | |||
| | | | ||
| | | | ||
| | | | ||
Line 1,367: | Line 1,278: | ||
| | | | ||
| | | | ||
|- | |- | ||
|On The | |On The Road | ||
|Kerouac | |Kerouac | ||
| | | | ||
| | | | ||
Line 1,379: | Line 1,288: | ||
| | | | ||
|57 | |57 | ||
| | |342.0 | ||
|- | |- | ||
|One | |One Hundred Years of Solitude | ||
|Márquez | |Márquez | ||
|28 | |28 | ||
|25 | |25 | ||
Line 1,391: | Line 1,299: | ||
|23 | |23 | ||
|23 | |23 | ||
| | |23.3 | ||
|- | |- | ||
|Pale | |Pale Fire | ||
|Nabokov | |Nabokov | ||
| | | | ||
|72 | |72 | ||
Line 1,403: | Line 1,310: | ||
|70 | |70 | ||
|81 | |81 | ||
| | |55.0 | ||
|- | |- | ||
|Pan | |Pan | ||
|Hamsun | |Hamsun | ||
|92 | |92 | ||
| | | | ||
Line 1,415: | Line 1,321: | ||
| | | | ||
| | | | ||
| | |462.0 | ||
|- | |- | ||
|Paradise | |Paradise Lost | ||
|Milton | |Milton | ||
|93 | |93 | ||
|55 | |55 | ||
Line 1,427: | Line 1,332: | ||
|37 | |37 | ||
|98 | |98 | ||
| | |54.7 | ||
|- | |- | ||
|Pedro | |Pedro Páramo | ||
|Rulfo | |Rulfo | ||
|9 | |9 | ||
| | | | ||
Line 1,439: | Line 1,343: | ||
| | | | ||
| | | | ||
| | | | ||
|- | |- | ||
|Phenomenology | |Phenomenology of Spirit | ||
|Hegel | |Hegel | ||
| | | | ||
|44 | |44 | ||
Line 1,451: | Line 1,354: | ||
| | | | ||
| | | | ||
| | |141.0 | ||
|- | |- | ||
|Platonic | |Platonic Dialogues | ||
|Plato | |Plato | ||
| | | | ||
| | | | ||
Line 1,463: | Line 1,365: | ||
| | | | ||
| | | | ||
| | |126.0 | ||
|- | |- | ||
|Process | |Process and Reality | ||
|Whitehead | |Whitehead | ||
| | | | ||
|29 | |29 | ||
Line 1,475: | Line 1,376: | ||
| | | | ||
| | | | ||
| | |174.0 | ||
|- | |- | ||
|Raise | |Raise High the Roofbeams, Carpenters and Seymour: An Introduction | ||
|Salinger | |Salinger | ||
|78 | |78 | ||
| | | | ||
Line 1,487: | Line 1,387: | ||
| | | | ||
| | | | ||
| | | | ||
|- | |- | ||
|Roadside | |Roadside Picnic | ||
|Strugatzky, A. & B. | |Strugatzky, A. & B. | ||
| | | | ||
| | | | ||
Line 1,499: | Line 1,398: | ||
|89 | |89 | ||
|85 | |85 | ||
| | |261.0 | ||
|- | |- | ||
|Satantango | |Satantango | ||
|Krasznahorkai | |Krasznahorkai | ||
|33 | |||
| | | | ||
| | | | ||
| | | | ||
Line 1,511: | Line 1,410: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Siddhartha | |Siddhartha | ||
|Hesse | |Hesse | ||
| | | | ||
|62 | |62 | ||
Line 1,523: | Line 1,420: | ||
|25 | |25 | ||
|27 | |27 | ||
| | |41.2 | ||
|- | |- | ||
|Slaughterhouse-Five | |Slaughterhouse-Five | ||
|Vonnegut | |Vonnegut | ||
|56 | |56 | ||
| | | | ||
Line 1,535: | Line 1,431: | ||
|39 | |39 | ||
|24 | |24 | ||
| | |76.1 | ||
|- | |- | ||
|Society | |Society of the Spectacle | ||
|Debord | |Debord | ||
| | | | ||
| | | | ||
Line 1,547: | Line 1,442: | ||
|90 | |90 | ||
| | | | ||
| | |540.0 | ||
|- | |- | ||
|Solaris | |Solaris | ||
|Lem | |Lem | ||
| | | | ||
| | | | ||
Line 1,559: | Line 1,453: | ||
| | | | ||
|62 | |62 | ||
| | |372.0 | ||
|- | |- | ||
|Sometimes | |Sometimes a Great Notion | ||
|Kesey | |Kesey | ||
| | | | ||
| | | | ||
Line 1,571: | Line 1,464: | ||
| | | | ||
| | | | ||
| | |402.0 | ||
|- | |- | ||
|Steppenwolf | |Steppenwolf | ||
|Hesse | |Hesse | ||
|79 | |79 | ||
| | | | ||
Line 1,583: | Line 1,475: | ||
|42 | |42 | ||
|93 | |93 | ||
| | |80.9 | ||
|- | |- | ||
|Stoner | |Stoner | ||
|Williams | |Williams | ||
|10 | |10 | ||
|13 | |13 | ||
Line 1,595: | Line 1,486: | ||
|9 | |9 | ||
|38 | |38 | ||
| | |14.0 | ||
|- | |- | ||
|Storm of | |Storm of Steel | ||
|Jünger | |Jünger | ||
| | | | ||
|48 | |48 | ||
Line 1,607: | Line 1,497: | ||
| | | | ||
| | | | ||
| | |217.5 | ||
|- | |- | ||
|Story of | |Story of the Eye | ||
|Bataille | |Bataille | ||
|50 | |||
| | | | ||
| | | | ||
| | | | ||
Line 1,619: | Line 1,509: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Summa | |Summa Theologica | ||
|Aquinas | |Aquinas | ||
| | | | ||
|74 | |74 | ||
Line 1,631: | Line 1,519: | ||
| | | | ||
| | | | ||
| | |444.0 | ||
|- | |- | ||
|Suttree | |Suttree | ||
|McCarthy | |McCarthy | ||
| | | | ||
| | | | ||
Line 1,643: | Line 1,530: | ||
| | | | ||
|74 | |74 | ||
| | |444.0 | ||
|- | |- | ||
|Take | |Take Five | ||
|Mano | |Mano | ||
|51 | |||
| | | | ||
| | | | ||
| | | | ||
Line 1,655: | Line 1,542: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Tao Te | |Tao Te Ching | ||
|Laozi | |Laozi | ||
|43 | |||
| | | | ||
| | | | ||
| | | | ||
Line 1,667: | Line 1,553: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The | |The Aleph | ||
|Borges | |Borges | ||
| | | | ||
| | | | ||
Line 1,679: | Line 1,563: | ||
|81 | |81 | ||
| | | | ||
| | |486.0 | ||
|- | |- | ||
|The | |The Anatomy of Melancholy | ||
|Burton | |Burton | ||
| | | | ||
| | | | ||
Line 1,691: | Line 1,574: | ||
| | | | ||
| | | | ||
| | |450.0 | ||
|- | |- | ||
|The | |The Bhagavad Gita | ||
|Vyasa | |Vyasa | ||
|74 | |74 | ||
|73 | |73 | ||
Line 1,703: | Line 1,585: | ||
| | | | ||
| | | | ||
| | |438.0 | ||
|- | |- | ||
|The Book | |The Book of Disquiet | ||
|Pessoa | |Pessoa | ||
|34 | |34 | ||
|16 | |16 | ||
Line 1,715: | Line 1,596: | ||
|48 | |48 | ||
|41 | |41 | ||
| | |40.3 | ||
|- | |- | ||
|The Book | |The Book of the New Sun | ||
|Wolfe | |Wolfe | ||
| | | | ||
|32 | |32 | ||
Line 1,727: | Line 1,607: | ||
|27 | |27 | ||
| | | | ||
| | |35.5 | ||
|- | |- | ||
|The | |The Brothers Karamazov | ||
|Dostoevsky | |Dostoevsky | ||
|4 | |4 | ||
|3 | |3 | ||
Line 1,739: | Line 1,618: | ||
|3 | |3 | ||
|3 | |3 | ||
|4. | |4.2 | ||
|- | |- | ||
|The | |The Canterbury Tales | ||
|Chaucer | |Chaucer | ||
| | | | ||
| | | | ||
Line 1,751: | Line 1,629: | ||
|100 | |100 | ||
| | | | ||
| | |270.0 | ||
|- | |- | ||
|The | |The Castle | ||
|Kafka | |Kafka | ||
| | | | ||
| | | | ||
Line 1,763: | Line 1,640: | ||
| | | | ||
| | | | ||
| | |261.0 | ||
|- | |- | ||
|The | |The Catcher in the Rye | ||
|Salinger | |Salinger | ||
|37 | |37 | ||
|43 | |43 | ||
Line 1,775: | Line 1,651: | ||
|16 | |16 | ||
|17 | |17 | ||
| | |37.2 | ||
|- | |- | ||
|The | |The Changing Light at Sandover | ||
|Merrill | |Merrill | ||
|57 | |||
| | | | ||
| | | | ||
| | | | ||
Line 1,787: | Line 1,663: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The | |The Confidence-Man | ||
|Melville | |Melville | ||
|87 | |||
| | | | ||
| | | | ||
| | | | ||
Line 1,799: | Line 1,674: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The | |The Count of Monte Cristo | ||
|Dumas | |Dumas | ||
|40 | |40 | ||
|36 | |36 | ||
Line 1,811: | Line 1,684: | ||
|59 | |59 | ||
|100 | |100 | ||
| | |61.7 | ||
|- | |- | ||
|The | |The Crying of Lot 49 | ||
|Pynchon | |Pynchon | ||
| | | | ||
|87 | |87 | ||
Line 1,823: | Line 1,695: | ||
|45 | |45 | ||
|47 | |47 | ||
| | |59.8 | ||
|- | |- | ||
|The | |The Death of Ivan Ilych | ||
|Tolstoy | |Tolstoy | ||
| | | | ||
| | | | ||
Line 1,835: | Line 1,706: | ||
| | | | ||
| | | | ||
| | |420.0 | ||
|- | |- | ||
|The | |The Decline of the West | ||
|Spengler | |Spengler | ||
| | | | ||
|90 | |90 | ||
Line 1,859: | Line 1,717: | ||
| | | | ||
| | | | ||
| | |252.0 | ||
|- | |- | ||
|The | |The Divine Comedy | ||
|Alighieri | |Alighieri | ||
|38 | |38 | ||
|7 | |7 | ||
Line 1,871: | Line 1,728: | ||
|30 | |30 | ||
|32 | |32 | ||
| | |19.0 | ||
|- | |- | ||
|The Ego | |The Ego & His Own | ||
|Stirner | |Stirner | ||
| | | | ||
| | | | ||
Line 1,883: | Line 1,739: | ||
|71 | |71 | ||
| | | | ||
| | |426.0 | ||
|- | |- | ||
|The | |The Elementary Particles | ||
|Houellebecq | |Houellebecq | ||
|65 | |65 | ||
|77 | |77 | ||
Line 1,895: | Line 1,750: | ||
| | | | ||
| | | | ||
| | |259.5 | ||
|- | |- | ||
|The | |The Faerie Queene | ||
|Spenser | |||
| | |||
| | | | ||
| | | | ||
| | | | ||
|94 | |||
| | | | ||
| | | | ||
| | | | ||
| | |564.0 | ||
|- | |- | ||
|The Fall | |||
|Camus | |||
|The Fall | |||
|Camus | |||
| | | | ||
| | | | ||
Line 1,931: | Line 1,772: | ||
| | | | ||
|91 | |91 | ||
| | |250.5 | ||
|- | |- | ||
|The | |The Flowers of Evil | ||
|Baudelaire | |Baudelaire | ||
| | | | ||
| | | | ||
Line 1,943: | Line 1,783: | ||
|91 | |91 | ||
| | | | ||
| | |546.0 | ||
|- | |- | ||
|The | |The Fountainhead | ||
|Rand | |Rand | ||
|95 | |||
| | | | ||
| | | | ||
| | | | ||
Line 1,955: | Line 1,795: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The | |The Glass Bead Game | ||
|Hesse | |Hesse | ||
| | | | ||
| | | | ||
Line 1,967: | Line 1,805: | ||
| | | | ||
| | | | ||
| | |474.0 | ||
|- | |- | ||
|The | |The Golden Bowl | ||
|James | |James | ||
|80 | |80 | ||
|89 | |89 | ||
Line 1,979: | Line 1,816: | ||
| | | | ||
| | | | ||
| | |534.0 | ||
|- | |- | ||
|The Good | |The Good Earth | ||
|Buck | |Buck | ||
| | | | ||
| | | | ||
Line 1,991: | Line 1,827: | ||
| | | | ||
|96 | |96 | ||
| | |576.0 | ||
|- | |- | ||
|The | |The Grapes of Wrath | ||
|Steinbeck | |Steinbeck | ||
| | | | ||
|84 | |84 | ||
Line 2,003: | Line 1,838: | ||
| | | | ||
|56 | |56 | ||
| | |112.9 | ||
|- | |- | ||
|The | |The Great Gatsby | ||
|Fitzgerald | |Fitzgerald | ||
| | | | ||
| | | | ||
Line 2,015: | Line 1,849: | ||
|46 | |46 | ||
|20 | |20 | ||
| | |81.0 | ||
|- | |- | ||
|The | |The Gulag Archipelago | ||
|Solzhenitsyn | |Solzhenitsyn | ||
| | | | ||
| | | | ||
Line 2,027: | Line 1,860: | ||
| | | | ||
| | | | ||
| | |390.0 | ||
|- | |- | ||
|The | |The Hitchhiker's Guide to the Galaxy | ||
|Adams | |Adams | ||
| | | | ||
| | | | ||
Line 2,051: | Line 1,871: | ||
| | | | ||
|90 | |90 | ||
| | |540.0 | ||
|- | |- | ||
|The | |The Hobbit | ||
|Tolkien | |Tolkien | ||
| | | | ||
| | | | ||
Line 2,063: | Line 1,882: | ||
|72 | |72 | ||
|44 | |44 | ||
| | |117.3 | ||
|- | |- | ||
|The Holy | |The Holy Bible | ||
| | | | ||
|2 | |2 | ||
|2 | |2 | ||
Line 2,075: | Line 1,893: | ||
|22 | |22 | ||
|64 | |64 | ||
| | |17.2 | ||
|- | |- | ||
|The | |The Idiot | ||
|Dostoevsky | |Dostoevsky | ||
|66 | |66 | ||
|33 | |33 | ||
Line 2,087: | Line 1,904: | ||
|58 | |58 | ||
| | | | ||
| | |63.4 | ||
|- | |- | ||
|The | |The Iliad | ||
|Homer | |Homer | ||
|6 | |6 | ||
|9 | |9 | ||
Line 2,099: | Line 1,915: | ||
|18 | |18 | ||
|94 | |94 | ||
| | |26.0 | ||
|- | |- | ||
|The | |The Leopard | ||
|Lampedusa | |Lampedusa | ||
| | | | ||
| | | | ||
Line 2,111: | Line 1,926: | ||
| | | | ||
| | | | ||
| | |492.0 | ||
|- | |- | ||
|The Lord | |The Lord of the Rings | ||
|Tolkien | |Tolkien | ||
|18 | |18 | ||
|38 | |38 | ||
Line 2,123: | Line 1,937: | ||
|63 | |63 | ||
| | | | ||
| | |55.9 | ||
|- | |- | ||
|The | |The Magic Mountain | ||
|Mann | |Mann | ||
| | | | ||
|61 | |61 | ||
Line 2,135: | Line 1,948: | ||
|75 | |75 | ||
| | | | ||
| | |66.5 | ||
|- | |- | ||
|The | |The Major Works | ||
|Browne | |Browne | ||
|81 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,147: | Line 1,960: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The | |The Making of Americans | ||
|Stein | |Stein | ||
|41 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,159: | Line 1,971: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The Man | |The Man Without Qualities | ||
|Musil | |Musil | ||
| | | | ||
|49 | |49 | ||
Line 2,171: | Line 1,981: | ||
| | | | ||
| | | | ||
| | |136.7 | ||
|- | |- | ||
|The | |The Master and Margarita | ||
|Bulgakov | |Bulgakov | ||
|14 | |14 | ||
|50 | |50 | ||
Line 2,183: | Line 1,992: | ||
|20 | |20 | ||
|34 | |34 | ||
| | |35.0 | ||
|- | |- | ||
|The | |The Metamorphosis | ||
|Kafka | |Kafka | ||
|58 | |58 | ||
|42 | |42 | ||
Line 2,195: | Line 2,003: | ||
|47 | |47 | ||
|49 | |49 | ||
| | |50.0 | ||
|- | |- | ||
|The | |The Naked Lunch | ||
|Burroughs | |Burroughs | ||
| | | | ||
| | | | ||
Line 2,207: | Line 2,014: | ||
|74 | |74 | ||
|50 | |50 | ||
| | |91.9 | ||
|- | |- | ||
|The Name | |The Name of the Rose | ||
|Eco | |Eco | ||
| | | | ||
|99 | |99 | ||
Line 2,219: | Line 2,025: | ||
|86 | |86 | ||
| | | | ||
| | |186.7 | ||
|- | |- | ||
|The | |The Odyssey | ||
|Homer | |Homer | ||
|29 | |29 | ||
|12 | |12 | ||
Line 2,231: | Line 2,036: | ||
|31 | |31 | ||
|31 | |31 | ||
| | |23.0 | ||
|- | |- | ||
|The Old | |The Old Man and The Sea | ||
|Hemingway | |Hemingway | ||
| | | | ||
| | | | ||
Line 2,245: | Line 2,049: | ||
|132.0 | |132.0 | ||
|- | |- | ||
|The | |The Opposing Shore | ||
|Gracq | |Gracq | ||
|82 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,255: | Line 2,059: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The Pale | |The Pale King | ||
|Wallace | |Wallace | ||
| | | | ||
| | | | ||
Line 2,267: | Line 2,069: | ||
| | | | ||
|69 | |69 | ||
| | |132.7 | ||
|- | |- | ||
|The | |The Passion According to G.H. | ||
|Lispector | |Lispector | ||
|83 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,279: | Line 2,081: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The | |The Picture of Dorian Gray | ||
|Wilde | |Wilde | ||
| | | | ||
| | | | ||
Line 2,291: | Line 2,091: | ||
|64 | |64 | ||
|16 | |16 | ||
| | |55.9 | ||
|- | |- | ||
|The | |The Plague | ||
|Camus | |Camus | ||
| | | | ||
| | | | ||
Line 2,303: | Line 2,102: | ||
| | | | ||
|35 | |35 | ||
| | |210.0 | ||
|- | |- | ||
|The | |The Portrait of a Lady | ||
|James | |James | ||
|84 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,315: | Line 2,114: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The | |The Posthumous Memoirs of Brás Cubas | ||
|Assis | |||
|59 | |||
|Assis | |||
|59 | |||
| | | | ||
| | | | ||
Line 2,339: | Line 2,124: | ||
| | | | ||
| | | | ||
| | |240.0 | ||
|- | |- | ||
|The | |The Prince | ||
|Machiavelli | |Machiavelli | ||
| | | | ||
|92 | |92 | ||
Line 2,351: | Line 2,135: | ||
| | | | ||
| | | | ||
| | |552.0 | ||
|- | |- | ||
|The | |The Quran | ||
| | | | ||
|19 | |19 | ||
Line 2,363: | Line 2,146: | ||
| | | | ||
| | | | ||
| | |546.0 | ||
|- | |- | ||
|The | |The Recognitions | ||
|Gaddis | |Gaddis | ||
| | | | ||
|28 | |28 | ||
Line 2,375: | Line 2,157: | ||
|56 | |56 | ||
| | | | ||
| | |41.5 | ||
|- | |- | ||
|The Red | |The Red & The Black | ||
|Stendhal | |Stendhal | ||
| | | | ||
|70 | |70 | ||
Line 2,387: | Line 2,168: | ||
| | | | ||
| | | | ||
| | |552.0 | ||
|- | |- | ||
|The | |The Reign of Quantity and the Signs of the Times | ||
|Guénon | |Guénon | ||
|71 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,399: | Line 2,180: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The | |The Remains of the Day | ||
|Ishiguro | |Ishiguro | ||
| | | | ||
| | | | ||
Line 2,411: | Line 2,190: | ||
|87 | |87 | ||
| | | | ||
| | |522.0 | ||
|- | |- | ||
|The | |The Republic | ||
|Plato | |Plato | ||
|26 | |26 | ||
|23 | |23 | ||
Line 2,423: | Line 2,201: | ||
| | | | ||
| | | | ||
| | |86.7 | ||
|- | |- | ||
|The | |The Rings of Saturn | ||
|Sebald | |Sebald | ||
| | | | ||
| | | | ||
Line 2,435: | Line 2,212: | ||
| | | | ||
| | | | ||
| | |468.0 | ||
|- | |- | ||
|The Road | |The Road | ||
|McCarthy | |McCarthy | ||
| | | | ||
| | | | ||
Line 2,447: | Line 2,223: | ||
| | | | ||
| | | | ||
| | |414.0 | ||
|- | |- | ||
|The | |The Sailor who fell from Grace with the Sea | ||
|Mishima | |Mishima | ||
| | | | ||
|47 | |47 | ||
Line 2,459: | Line 2,234: | ||
| | | | ||
| | | | ||
| | |172.5 | ||
|- | |- | ||
|The | |The Savage Detectives | ||
|Bolaño | |Bolaño | ||
| | | | ||
|86 | |86 | ||
Line 2,471: | Line 2,245: | ||
|43 | |43 | ||
|63 | |63 | ||
| | |66.7 | ||
|- | |- | ||
|The | |The Secret History | ||
|Tartt | |Tartt | ||
|96 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,483: | Line 2,257: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The | |The Simarillion | ||
|Tolkien | |Tolkien | ||
| | | | ||
| | | | ||
Line 2,495: | Line 2,267: | ||
| | | | ||
|42 | |42 | ||
| | |252.0 | ||
|- | |- | ||
|The | |The Sirens of Titan | ||
|Vonnegut | |Vonnegut | ||
| | | | ||
| | | | ||
Line 2,507: | Line 2,278: | ||
|67 | |67 | ||
| | | | ||
| | |402.0 | ||
|- | |- | ||
|The | |The Sorrows of Young Werther | ||
|Goethe | |Goethe | ||
| | | | ||
| | | | ||
Line 2,519: | Line 2,289: | ||
| | | | ||
| | | | ||
| | |522.0 | ||
|- | |- | ||
|The | |The Sound and the Fury | ||
|Faulkner | |Faulkner | ||
| | | | ||
|64 | |64 | ||
Line 2,531: | Line 2,300: | ||
|36 | |36 | ||
|18 | |18 | ||
| | |39.5 | ||
|- | |- | ||
|The | |The Stranger | ||
|Camus | |Camus | ||
|12 | |12 | ||
|21 | |21 | ||
Line 2,543: | Line 2,311: | ||
|13 | |13 | ||
|2 | |2 | ||
|15. | |15.7 | ||
|- | |- | ||
|The Sun | |The Sun Also Rises | ||
|Hemingway | |Hemingway | ||
| | | | ||
|80 | |80 | ||
Line 2,555: | Line 2,322: | ||
|62 | |62 | ||
|52 | |52 | ||
| | |68.7 | ||
|- | |- | ||
|The | |The Tartar Steppe | ||
|Buzzati | |Buzzati | ||
|60 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,567: | Line 2,334: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The | |The Temple of the Golden Pavillion | ||
|Mishima | |Mishima | ||
| | | | ||
| | | | ||
Line 2,579: | Line 2,344: | ||
| | | | ||
|58 | |58 | ||
| | |235.5 | ||
|- | |- | ||
|The | |The Trial | ||
|Kafka | |Kafka | ||
|47 | |47 | ||
| | | | ||
Line 2,591: | Line 2,355: | ||
|28 | |28 | ||
|9 | |9 | ||
| | |22.3 | ||
|- | |- | ||
|The | |The Trilogy | ||
|Beckett | |Beckett | ||
|67 | |67 | ||
| | | | ||
Line 2,603: | Line 2,366: | ||
| | | | ||
| | | | ||
| | |145.5 | ||
|- | |- | ||
|The | |The Tropic of Cancer | ||
|Miller | |Miller | ||
| | | | ||
| | | | ||
Line 2,615: | Line 2,377: | ||
|84 | |84 | ||
| | | | ||
| | |504.0 | ||
|- | |- | ||
|The | |The Tunnel | ||
|Gass | |Gass | ||
| | | | ||
|58 | |58 | ||
Line 2,627: | Line 2,388: | ||
| | | | ||
| | | | ||
| | |137.3 | ||
|- | |- | ||
|The | |The Unbearable Lightness of Being | ||
|Kundera | |Kundera | ||
| | | | ||
| | | | ||
Line 2,639: | Line 2,399: | ||
|98 | |98 | ||
| | | | ||
| | |588.0 | ||
|- | |- | ||
|The | |The Unconsoled | ||
|Ishiguro | |Ishiguro | ||
|52 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,651: | Line 2,411: | ||
| | | | ||
| | | | ||
|- | |- | ||
|The Wasp | |The Wasp Factory | ||
|Banks | |Banks | ||
| | | | ||
| | | | ||
Line 2,663: | Line 2,421: | ||
| | | | ||
|80 | |80 | ||
| | |480.0 | ||
|- | |- | ||
|The | |The Waste Land | ||
|Eliot | |Eliot | ||
| | | | ||
| | | | ||
Line 2,675: | Line 2,432: | ||
| | | | ||
| | | | ||
| | |546.0 | ||
|- | |- | ||
|The | |The Waves | ||
|Woolf | |Woolf | ||
| | | | ||
| | | | ||
Line 2,687: | Line 2,443: | ||
|49 | |49 | ||
|33 | |33 | ||
| | |73.9 | ||
|- | |- | ||
|The | |The World as Will and Representation | ||
|Schopenhauer | |Schopenhauer | ||
| | | | ||
|79 | |79 | ||
Line 2,699: | Line 2,454: | ||
| | | | ||
| | | | ||
| | |474.0 | ||
|- | |- | ||
|Thus | |Thus Spoke Zarathustra | ||
|Nietzsche | |Nietzsche | ||
|72 | |72 | ||
|19 | |19 | ||
Line 2,711: | Line 2,465: | ||
|97 | |97 | ||
|82 | |82 | ||
| | |67.0 | ||
|- | |- | ||
|To the | |To the Lighthouse | ||
|Woolf | |Woolf | ||
|61 | |61 | ||
|54 | |54 | ||
Line 2,723: | Line 2,476: | ||
|94 | |94 | ||
|75 | |75 | ||
| | |81.6 | ||
|- | |- | ||
|Tristram | |Tristram Shandy | ||
|Sterne | |Sterne | ||
| | | | ||
|83 | |83 | ||
Line 2,735: | Line 2,487: | ||
| | | | ||
| | | | ||
| | |153.3 | ||
|- | |- | ||
|Ubik | |Ubik | ||
|Dick | |Dick | ||
| | | | ||
| | | | ||
Line 2,747: | Line 2,498: | ||
| | | | ||
|61 | |61 | ||
| | |366.0 | ||
|- | |- | ||
|Ubu Roi | |Ubu Roi | ||
|Jarry | |Jarry | ||
|35 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,759: | Line 2,510: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Ulysses | |Ulysses | ||
|Joyce | |Joyce | ||
|20 | |20 | ||
|5 | |5 | ||
Line 2,771: | Line 2,520: | ||
|4 | |4 | ||
|12 | |12 | ||
|8 | |4.8 | ||
|- | |- | ||
|Under | |Under the Volcano | ||
|Lowry | |Lowry | ||
| | | | ||
|82 | |82 | ||
Line 2,783: | Line 2,531: | ||
| | | | ||
| | | | ||
| | |250.5 | ||
|- | |- | ||
|V. | |V. | ||
|Pynchon | |Pynchon | ||
|68 | |68 | ||
| | | | ||
Line 2,795: | Line 2,542: | ||
|40 | |40 | ||
|30 | |30 | ||
| | |43.9 | ||
|- | |- | ||
|Valis | |Valis | ||
|Dick | |Dick | ||
| | | | ||
| | | | ||
Line 2,807: | Line 2,553: | ||
| | | | ||
|78 | |78 | ||
| | |468.0 | ||
|- | |- | ||
|Voss | |Voss | ||
|White | |White | ||
|85 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,819: | Line 2,565: | ||
| | | | ||
| | | | ||
|- | |- | ||
|Walden | |Walden | ||
|Thoreau | |Thoreau | ||
| | | | ||
| | | | ||
Line 2,831: | Line 2,575: | ||
| | | | ||
|89 | |89 | ||
| | |534.0 | ||
|- | |- | ||
|War and | |War and Peace | ||
|Tolstoy | |Tolstoy | ||
|13 | |13 | ||
|15 | |15 | ||
Line 2,843: | Line 2,586: | ||
|32 | |32 | ||
|36 | |36 | ||
| | |24.7 | ||
|- | |- | ||
|Watership | |Watership Down | ||
|Adams | |Adams | ||
| | | | ||
| | | | ||
Line 2,855: | Line 2,597: | ||
|66 | |66 | ||
| | | | ||
| | |396.0 | ||
|- | |- | ||
|White | |White Fragility | ||
|DiAngelo | |DiAngelo | ||
|97 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,867: | Line 2,609: | ||
| | | | ||
| | | | ||
|- | |- | ||
|White | |White Noise | ||
|DeLillo | |DeLillo | ||
| | | | ||
| | | | ||
Line 2,879: | Line 2,619: | ||
|17 | |17 | ||
|37 | |37 | ||
| | |76.1 | ||
|- | |- | ||
|Wuthering | |Wuthering Heights | ||
|Brontë | |Brontë | ||
| | | | ||
| | | | ||
Line 2,891: | Line 2,630: | ||
|68 | |68 | ||
|39 | |39 | ||
| | |160.5 | ||
|- | |- | ||
|Zhuangzi | |Zhuangzi | ||
|Zhuangzi | |Zhuangzi | ||
|98 | |||
| | | | ||
| | | | ||
| | | | ||
Line 2,915: | Line 2,642: | ||
| | | | ||
| | | | ||
|} | |} | ||
</div> | |||
<br /> | |||
<br /> | |||
<br /> | |||
[[File:4chan 2019 top 100.jpg|thumb|407x407px|/lit/ top 100 books circa 2019 (fake list)|alt=|right]] | |||
<br /> | |||
[[File:1576953749636.jpg|thumb|407x407px|/lit/ top 100 books circa 2019 (real list)|alt=|right]] | |||
<br /> | |||
[[File:2014-2017 Top 100.jpg|800px|right|Collected 2014-2017 Top 100]] | |||
<br /> |
Revision as of 08:45, 5 June 2022
From 2014, polls of posters' favorite books have been conducted every year on /lit/. The responses to these polls generated the below infographics. After 2017, lists continued to be created, but without polls.
(In 2015, the poll also asked for a list of the responder's and three favorite authors. This was not continued from 2016 onwards.)
Facts about the similarities and differences between the 2014 poll results and the 2015 poll results are as follows:
- 69% of the books from the 2014 list made it onto the 2015 list.
- The highest placing new additions to the 2015 list are:
- Confederacy of Dunces (26)
- Book of the New Sun (27)
- Les Miserables (35)
- If on a Winter's Night a Traveler (50)
- For Whom the Bell Tolls (53)
- The highest placing books to drop off the 2014 list are:
- The Plague (35)
- The Silmarillion (42)
- Leaves of Grass (53)
- Harry Potter series (54)
- A Clockwork Orange (55)
- Of the books that stayed on the list, the greatest gains were made by:
- The Iliad (94 to 18)
- The Old Man and the Sea (97 to 34)
- Paradise Lost (98 to 37)
- Portrait of the Artist (67 to 12)
- Steppenwolf (93 to 42)
- The greatest losses were:
- Dune (29 to 83)
- The Picture of Dorian Gray (16 to 64)
- A Farewell to Arms (46 to 93)
- Journey to the End of the Night (10 to 52)
- Invisible Cities (22 to 57)
-
2014 - 2017
-
2014
-
2015
-
Authors 2015
-
2016
-
2017
-
2018
-
2019
-
2020
-
Top Novels 2020
-
2020 (modified/fake without trolls)
Title | Author | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | Avg / % Listed (Pre-2020) | |
---|---|---|---|---|---|---|---|---|---|---|
1984 | Orwell | 31 | 22 | 21 | 19 | 25 | 15 | 19 | 20.2 | |
2666 | Bolaño | 99 | 56 | 29 | 22 | 34 | 24 | 15 | 30.0 | |
60 Stories | Barthelme | 95 | 570.0 | |||||||
A Canticle for Leibowitz | Miller Jr. | 100 | ||||||||
A Clockwork Orange | Burgess | 98 | 55 | 229.5 | ||||||
A Confederacy of Dunces | Toole | 53 | 46 | 88 | 49 | 59 | 26 | 64.3 | ||
A Farewell to Arms | Hemingway | 93 | 46 | 208.5 | ||||||
A Hero of Our Time | Lermontov | 67 | 76 | 214.5 | ||||||
A Portrait of the Artist as a Young Man | Joyce | 65 | 38 | 20 | 31 | 12 | 67 | 38.8 | ||
A Scanner Darkly | Dick | 99 | 594.0 | |||||||
A Tale of Two Cities | Dickens | 88 | 92 | 270.0 | ||||||
Absalom, Absalom! | Faulkner | 73 | 82 | 51 | 79 | 141.3 | ||||
Ada, or Ardor | Nabokov | 66 | 96 | 243.0 | ||||||
Adventures of Huckleberry Finn | Twain | 68 | 408.0 | |||||||
Aeneid | Virgil | 63 | 82 | 89 | 156.0 | |||||
Against Nature | Huysmans | 53 | 94 | 45 | 208.5 | |||||
Alice's Adventures in Wonderland | Carroll | 83 | 97 | 81 | 73 | 125.3 | ||||
American Psycho | Ellis | 44 | 60 | 90 | 88 | 65 | 80 | 51 | 72.3 | |
Animal Farm | Orwell | 72 | 83 | 232.5 | ||||||
Anna Karenina | Tolstoy | 21 | 14 | 17 | 34 | 20 | 21 | 28 | 22.3 | |
Antifragile | Taleb | 86 | ||||||||
Arcades Project | Benjamin | 88 | 528.0 | |||||||
As I Lay Dying | Faulkner | 87 | 88 | 69 | 48 | 109.5 | ||||
Being and Time | Heidegger | 22 | ||||||||
Beyond Good and Evil | Nietzsche | 96 | 80 | 92 | 178.7 | |||||
Blood Meridian | McCarthy | 15 | 17 | 11 | 23 | 8 | 8 | 4 | 11.8 | |
Bottom's Dream | Schmidt | 61 | 366.0 | |||||||
Brave New World | Huxley | 39 | 59 | 40 | 38 | 71 | 65 | 65.5 | ||
Bronze Age Mindset | Bronze Age Pervert | 54 | ||||||||
Buddenbrooks | Mann | 62 | ||||||||
Candide | Voltaire | 97 | 85 | 273.0 | ||||||
Cannery Row | Steinbeck | 78 | 468.0 | |||||||
Capital | Marx | 63 | 26 | 57 | 124.5 | |||||
Catch 22 | Heller | 32 | 45 | 27 | 42 | 35 | 10 | 14 | 28.8 | |
Confessions | Augustine | 31 | 59 | 51 | 94.0 | |||||
Confessions of a Mask | Mishima | 81 | 486.0 | |||||||
Correction | Bernhard | 66 | 43 | 163.5 | ||||||
Crime and Punishment | Dostoevsky | 5 | 4 | 2 | 10 | 12 | 5 | 13 | 7.7 | |
Critique of Pure Reason | Kant | 48 | 93 | 558.0 | ||||||
Cryptonomicon | Stephenson | 98 | 588.0 | |||||||
Dandelion Wine | Bradbury | 77 | 462.0 | |||||||
Dead Souls | Gogol | 61 | 93 | 95 | 71 | 120.0 | ||||
Demons | Dostoevsky | 75 | 78 | 468.0 | ||||||
Do Androids Dream of Electric Sheep? | Dick | 92 | 60 | 228.0 | ||||||
Don Quixote | Cervantes | 8 | 6 | 12 | 8 | 11 | 11 | 8 | 9.3 | |
Dubliners | Joyce | 88 | 27 | 22 | 15 | 19 | 14 | 40 | 22.8 | |
Dune | Herbert | 71 | 53 | 74 | 83 | 29 | 74.4 | |||
East of Eden | Steinbeck | 37 | 36 | 89 | 44 | 41 | 84 | 55.2 | ||
Essays | Montaigne | 63 | 52 | 172.5 | ||||||
Ethics | Spinoza | 94 | ||||||||
Extinction | Bernhard | 45 | ||||||||
Fanged Noumena | Land | 66 | 396.0 | |||||||
Farenheit 451 | Bradbury | 70 | 77 | 220.5 | ||||||
Faust | Goethe | 76 | 30 | 28 | 46 | 33 | 65 | 48.5 | ||
Fear and Loathing in Las Vegas | Thompson | 59 | 354.0 | |||||||
Fear and Trembling | Kierkegaard | 68 | 75 | 214.5 | ||||||
Fictions | Borges | 17 | 41 | 20 | 16 | 9 | 19 | 11 | 19.3 | |
Fight Club | Palahniuk | 87 | 522.0 | |||||||
Finnegan's Wake | Joyce | 75 | 81 | 30 | 39 | 84.4 | ||||
For Whom the Bell Tolls | Hemingway | 53 | 318.0 | |||||||
Foucault's Pendulum | Eco | 77 | ||||||||
Frankenstein | Shelley | 100 | 600.0 | |||||||
Franny & Zooey | Salinger | 87 | 88 | 262.5 | ||||||
Gravity's Rainbow | Pynchon | 55 | 10 | 8 | 4 | 7 | 6 | 7 | 7.0 | |
Growth of the Soil | Hamsun | 76 | 456.0 | |||||||
Hamlet | Shakespeare | 23 | 20 | 14 | 25 | 30 | 38 | 21 | 24.7 | |
Heart of Darkness | Conrad | 57 | 70 | 56 | 62 | 61 | 43 | 58.2 | ||
History of Charles XII | Voltaire | 27 | ||||||||
Hopscotch | Cortázar | 52 | 86 | 516.0 | ||||||
House of Leaves | Danielewski | 69 | ||||||||
Hunger | Hamsun | 42 | 59 | 54 | 60 | 72 | 68.9 | |||
I Am a Cat | Sōseki | 99 | 594.0 | |||||||
If on a Winter's Night a Traveler | Calvino | 100 | 47 | 50 | 131.3 | |||||
Illuminatus! | Wilson; Shea | 95 | 570.0 | |||||||
Industrial Society and its Future | Kaczynski | 11 | ||||||||
In Search of Lost Time | Proust | 24 | 24 | 19 | 14 | 22 | 29 | 45 | 25.5 | |
Infinite Jest | Wallace | 16 | 11 | 10 | 3 | 3 | 1 | 1 | 4.8 | |
Invisible Cities | Calvino | 89 | 85 | 54 | 84 | 81 | 57 | 22 | 63.7 | |
J R | Gaddis | 36 | 77 | 57 | 75 | 139.3 | ||||
Jerusalem | Moore | 48 | 29 | 115.5 | ||||||
Journey to the End of the Night | Céline | 46 | 39 | 35 | 60 | 52 | 10 | 47.0 | ||
Kafka on the Shore | Murakami | 95 | 86 | 73 | 169.3 | |||||
King Lear | Shakespeare | 98 | 91 | 79 | 178.7 | |||||
Kokoro | Sōseki | 69 | 414.0 | |||||||
Leaves of Grass | Whitman | 86 | 53 | 208.5 | ||||||
Les Misérables | Hugo | 42 | 35 | 46 | 71 | 99 | 35 | 68.6 | ||
Life and Fate | Grossman | 99 | 594.0 | |||||||
Light in August | Faulkner | 70 | 420.0 | |||||||
Lolita | Nabokov | 7 | 8 | 6 | 6 | 5 | 8 | 5 | 6.3 | |
London Bridge | Céline | 90 | ||||||||
Lord of the Flies | Golding | 100 | 66 | 249.0 | ||||||
Madame Bovary | Flaubert | 64 | 51 | 93 | 44 | 69 | 54 | 97.5 | ||
Malone Dies | Beckett | 76 | 456.0 | |||||||
Mason & Dixon | Pynchon | 71 | 43 | 43 | 33 | 25 | 51.6 | |||
Meditations | Aurelias | 40 | 65 | 36 | 63 | 79 | 67.9 | |||
Meditations | Descartes | 62 | 372.0 | |||||||
Mein Kampf | Hitler | 1 | ||||||||
Metamorphoses | Ovid | 91 | 94 | 564.0 | ||||||
Middlemarch | Eliot | 84 | 504.0 | |||||||
Moby Dick | Melville | 3 | 1 | 1 | 1 | 2 | 2 | 6 | 2.2 | |
Modernity and Cultural Decline | Woodley et al | 30 | ||||||||
Molloy | Beckett | 60 | 360.0 | |||||||
Mrs. Dalloway | Woolf | 90 | 540.0 | |||||||
Nausea | Sartre | 64 | 100 | 246.0 | ||||||
Neuromancer | Gibson | 97 | 582.0 | |||||||
No Longer Human | Dazai | 70 | 34 | 76 | 50 | 73 | 55 | 69.1 | ||
Notes from Underground | Dostoevsky | 25 | 18 | 23 | 32 | 44 | 26 | 34.3 | ||
Oblomov | Goncharov | 98 | 588.0 | |||||||
Of Mice and Men | Steinbeck | 74 | 85 | 238.5 | ||||||
On the Heights of Despair | Cioran | 49 | ||||||||
On The Road | Kerouac | 57 | 342.0 | |||||||
One Hundred Years of Solitude | Márquez | 28 | 25 | 26 | 26 | 17 | 23 | 23 | 23.3 | |
Pale Fire | Nabokov | 72 | 47 | 24 | 36 | 70 | 81 | 55.0 | ||
Pan | Hamsun | 92 | 77 | 462.0 | ||||||
Paradise Lost | Milton | 93 | 55 | 24 | 68 | 46 | 37 | 98 | 54.7 | |
Pedro Páramo | Rulfo | 9 | ||||||||
Phenomenology of Spirit | Hegel | 44 | 50 | 141.0 | ||||||
Platonic Dialogues | Plato | 21 | 126.0 | |||||||
Process and Reality | Whitehead | 29 | 174.0 | |||||||
Raise High the Roofbeams, Carpenters and Seymour: An Introduction | Salinger | 78 | ||||||||
Roadside Picnic | Strugatzky, A. & B. | 89 | 85 | 261.0 | ||||||
Satantango | Krasznahorkai | 33 | ||||||||
Siddhartha | Hesse | 62 | 45 | 64 | 24 | 25 | 27 | 41.2 | ||
Slaughterhouse-Five | Vonnegut | 56 | 62 | 78 | 39 | 24 | 76.1 | |||
Society of the Spectacle | Debord | 90 | 540.0 | |||||||
Solaris | Lem | 62 | 372.0 | |||||||
Sometimes a Great Notion | Kesey | 67 | 402.0 | |||||||
Steppenwolf | Hesse | 79 | 66 | 96 | 40 | 42 | 93 | 80.9 | ||
Stoner | Williams | 10 | 13 | 7 | 7 | 10 | 9 | 38 | 14.0 | |
Storm of Steel | Jünger | 48 | 97 | 217.5 | ||||||
Story of the Eye | Bataille | 50 | ||||||||
Summa Theologica | Aquinas | 74 | 444.0 | |||||||
Suttree | McCarthy | 74 | 444.0 | |||||||
Take Five | Mano | 51 | ||||||||
Tao Te Ching | Laozi | 43 | ||||||||
The Aleph | Borges | 81 | 486.0 | |||||||
The Anatomy of Melancholy | Burton | 75 | 450.0 | |||||||
The Bhagavad Gita | Vyasa | 74 | 73 | 438.0 | ||||||
The Book of Disquiet | Pessoa | 34 | 16 | 32 | 47 | 58 | 48 | 41 | 40.3 | |
The Book of the New Sun | Wolfe | 32 | 31 | 17 | 41 | 27 | 35.5 | |||
The Brothers Karamazov | Dostoevsky | 4 | 3 | 3 | 9 | 4 | 3 | 3 | 4.2 | |
The Canterbury Tales | Chaucer | 80 | 100 | 270.0 | ||||||
The Castle | Kafka | 79 | 95 | 261.0 | ||||||
The Catcher in the Rye | Salinger | 37 | 43 | 37 | 58 | 52 | 16 | 17 | 37.2 | |
The Changing Light at Sandover | Merrill | 57 | ||||||||
The Confidence-Man | Melville | 87 | ||||||||
The Count of Monte Cristo | Dumas | 40 | 36 | 34 | 90 | 51 | 59 | 100 | 61.7 | |
The Crying of Lot 49 | Pynchon | 87 | 86 | 52 | 42 | 45 | 47 | 59.8 | ||
The Death of Ivan Ilych | Tolstoy | 70 | 420.0 | |||||||
The Decline of the West | Spengler | 90 | 78 | 252.0 | ||||||
The Divine Comedy | Alighieri | 38 | 7 | 16 | 13 | 16 | 30 | 32 | 19.0 | |
The Ego & His Own | Stirner | 71 | 426.0 | |||||||
The Elementary Particles | Houellebecq | 65 | 77 | 96 | 259.5 | |||||
The Faerie Queene | Spenser | 94 | 564.0 | |||||||
The Fall | Camus | 76 | 91 | 250.5 | ||||||
The Flowers of Evil | Baudelaire | 91 | 546.0 | |||||||
The Fountainhead | Rand | 95 | ||||||||
The Glass Bead Game | Hesse | 79 | 474.0 | |||||||
The Golden Bowl | James | 80 | 89 | 534.0 | ||||||
The Good Earth | Buck | 96 | 576.0 | |||||||
The Grapes of Wrath | Steinbeck | 84 | 84 | 77 | 56 | 112.9 | ||||
The Great Gatsby | Fitzgerald | 58 | 92 | 46 | 20 | 81.0 | ||||
The Gulag Archipelago | Solzhenitsyn | 65 | 390.0 | |||||||
The Hitchhiker's Guide to the Galaxy | Adams | 90 | 540.0 | |||||||
The Hobbit | Tolkien | 60 | 72 | 44 | 117.3 | |||||
The Holy Bible | 2 | 2 | 4 | 5 | 6 | 22 | 64 | 17.2 | ||
The Idiot | Dostoevsky | 66 | 33 | 48 | 80 | 45 | 58 | 63.4 | ||
The Iliad | Homer | 6 | 9 | 9 | 11 | 15 | 18 | 94 | 26.0 | |
The Leopard | Lampedusa | 82 | 492.0 | |||||||
The Lord of the Rings | Tolkien | 18 | 38 | 51 | 33 | 48 | 63 | 55.9 | ||
The Magic Mountain | Mann | 61 | 49 | 39 | 53 | 75 | 66.5 | |||
The Major Works | Browne | 81 | ||||||||
The Making of Americans | Stein | 41 | ||||||||
The Man Without Qualities | Musil | 49 | 73 | 83 | 136.7 | |||||
The Master and Margarita | Bulgakov | 14 | 50 | 56 | 27 | 23 | 20 | 34 | 35.0 | |
The Metamorphosis | Kafka | 58 | 42 | 55 | 81 | 26 | 47 | 49 | 50.0 | |
The Naked Lunch | Burroughs | 89 | 74 | 96 | 74 | 50 | 91.9 | |||
The Name of the Rose | Eco | 99 | 95 | 86 | 186.7 | |||||
The Odyssey | Homer | 29 | 12 | 15 | 28 | 21 | 31 | 31 | 23.0 | |
The Old Man and The Sea | Hemingway | 67 | 34 | 97 | 132.0 | |||||
The Opposing Shore | Gracq | 82 | ||||||||
The Pale King | Wallace | 63 | 67 | 69 | 132.7 | |||||
The Passion According to G.H. | Lispector | 83 | ||||||||
The Picture of Dorian Gray | Wilde | 61 | 54 | 38 | 64 | 16 | 55.9 | |||
The Plague | Camus | 35 | 210.0 | |||||||
The Portrait of a Lady | James | 84 | ||||||||
The Posthumous Memoirs of Brás Cubas | Assis | 59 | 40 | 240.0 | ||||||
The Prince | Machiavelli | 92 | 552.0 | |||||||
The Quran | 19 | 91 | 546.0 | |||||||
The Recognitions | Gaddis | 28 | 44 | 18 | 27 | 56 | 41.5 | |||
The Red & The Black | Stendhal | 70 | 92 | 552.0 | ||||||
The Reign of Quantity and the Signs of the Times | Guénon | 71 | ||||||||
The Remains of the Day | Ishiguro | 87 | 522.0 | |||||||
The Republic | Plato | 26 | 23 | 39 | 68 | 86.7 | ||||
The Rings of Saturn | Sebald | 78 | 468.0 | |||||||
The Road | McCarthy | 69 | 414.0 | |||||||
The Sailor who fell from Grace with the Sea | Mishima | 47 | 68 | 172.5 | ||||||
The Savage Detectives | Bolaño | 86 | 31 | 55 | 43 | 63 | 66.7 | |||
The Secret History | Tartt | 96 | ||||||||
The Simarillion | Tolkien | 42 | 252.0 | |||||||
The Sirens of Titan | Vonnegut | 67 | 402.0 | |||||||
The Sorrows of Young Werther | Goethe | 87 | 522.0 | |||||||
The Sound and the Fury | Faulkner | 64 | 33 | 37 | 49 | 36 | 18 | 39.5 | ||
The Stranger | Camus | 12 | 21 | 13 | 32 | 13 | 13 | 2 | 15.7 | |
The Sun Also Rises | Hemingway | 80 | 53 | 93 | 72 | 62 | 52 | 68.7 | ||
The Tartar Steppe | Buzzati | 60 | ||||||||
The Temple of the Golden Pavillion | Mishima | 99 | 58 | 235.5 | ||||||
The Trial | Kafka | 47 | 30 | 12 | 14 | 28 | 9 | 22.3 | ||
The Trilogy | Beckett | 67 | 69 | 28 | 145.5 | |||||
The Tropic of Cancer | Miller | 84 | 504.0 | |||||||
The Tunnel | Gass | 58 | 72 | 76 | 137.3 | |||||
The Unbearable Lightness of Being | Kundera | 98 | 588.0 | |||||||
The Unconsoled | Ishiguro | 52 | ||||||||
The Wasp Factory | Banks | 80 | 480.0 | |||||||
The Waste Land | Eliot | 91 | 546.0 | |||||||
The Waves | Woolf | 85 | 91 | 50 | 49 | 33 | 73.9 | |||
The World as Will and Representation | Schopenhauer | 79 | 474.0 | |||||||
Thus Spoke Zarathustra | Nietzsche | 72 | 19 | 25 | 56 | 97 | 82 | 67.0 | ||
To the Lighthouse | Woolf | 61 | 54 | 73 | 41 | 57 | 94 | 75 | 81.6 | |
Tristram Shandy | Sterne | 83 | 83 | 64 | 153.3 | |||||
Ubik | Dick | 61 | 366.0 | |||||||
Ubu Roi | Jarry | 35 | ||||||||
Ulysses | Joyce | 20 | 5 | 5 | 2 | 1 | 4 | 12 | 4.8 | |
Under the Volcano | Lowry | 82 | 85 | 250.5 | ||||||
V. | Pynchon | 68 | 41 | 35 | 37 | 40 | 30 | 43.9 | ||
Valis | Dick | 78 | 468.0 | |||||||
Voss | White | 85 | ||||||||
Walden | Thoreau | 89 | 534.0 | |||||||
War and Peace | Tolstoy | 13 | 15 | 18 | 29 | 18 | 32 | 36 | 24.7 | |
Watership Down | Adams | 66 | 396.0 | |||||||
White Fragility | DiAngelo | 97 | ||||||||
White Noise | DeLillo | 55 | 94 | 17 | 37 | 76.1 | ||||
Wuthering Heights | Brontë | 68 | 39 | 160.5 | ||||||
Zhuangzi | Zhuangzi | 98 |